Portrait of the Artist's Sisters Playing Chess (1555) on teos, millega Sofonisba Anguissola on kõige tuntum; see kuulub museumi Muzeum Narodowe w Pozaniu, Poznań. Three children with dog (1590) ja Self-portrait aged 78 (1610) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 46 teost kunstnikult Sofonisba Anguissola. Siin on 45 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje maali saab tellida kas linatele kangale käsitsi maalatuna nagu õlimaalide reproduktsiooni või valitud suuruses fine art trükkina.
Portrait of the Artist's Sisters Playing Chess is a work by Sofonisba Anguissola, dated 1555. The painting focuses on the artist's three sisters: Lucia, Europa, and Minerva. They are the daughters of Signor Amilcare Anguissola and Signora Bianca Ponzoni.
Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children accompanied by a small dog, a common theme for Renaissance commissions intended to commemorate lineage.
Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female participation in intellectual pursuits and artistic creation. More than just a likeness of the artist herself, this painting embodies the spirit of humanist ideals prevalent at the time, presenting Anguissola not merely as an individual but as a symbol of feminine resilience…
This stunning reproduction captures the essence of Anguissola’s masterpiece, allowing viewers to appreciate its beauty and historical significance. Ideal for enhancing any interior space or serving as a cherished collectible.
In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.
In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense of familial connection through the presence of a mother and her child. The painting belongs to the portrait genre, focusing intently on the likeness and presence of these two individuals. It resides within the Basque Museum in Bayonne, France, where it remains…
In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…
This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…
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In the hallowed halls of the Museo del Prado, there exists a window into the opulent and disciplined world of the sixteenth-century Spanish court, captured through the masterful…
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Portrait of a Boy at the Spanish Court is a portrait by Sofonisba Anguissola, executed in 1570. The work identifies the subject as a young boy depicted as…
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A Renaissance Pioneer’s Intimate Gaze: Sofonisba Anguissola's "Self-Portrait" Sofonisba Anguissola’s “Self-Portrait” (1554), a miniature masterpiece housed within the confines of a delicate oval frame, isn’t merely a depiction…
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In the quiet intimacy of her 1556 self-portrait, Sofonisba Anguissola invites us into a moment of profound personal reflection. This is not merely a depiction of an artist…
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Sofonisba Anguissola's "Asdrubale Bitten by a Crawfish," painted around 1554, is far more than a simple depiction of childhood mischief. It’s a carefully constructed dialogue between artist and…
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Painted in 1559, this work exemplifies the artistic sensibilities of the late Italian Renaissance. Bernardino Campi, a contemporary of Titian and Veronese, was known for his meticulous attention…
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Sofonisba Anguissola's 1554 “Self-Portrait” is more than a simple depiction of an artist; it’s a carefully constructed statement about identity, ambition, and the burgeoning role of women in…
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A Portrait of Renaissance Femininity: Sofonisba Anguissola’s “Old Woman Studying the Alphabet with a Laughing Girl” Sofonisba Anguissola's "Old Woman Studying the Alphabet with a Laughing Girl," painted…
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The oil on canvas depicts a man positioned in the foreground, facing the viewer with a steady, unyielding gaze. He possesses a dark beard and a mustache that…
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Sofonisba Anguissola’s “Profile Portrait of a Young Woman,” painted circa 1556, is more than just a likeness; it's a pivotal moment in art history—a defiant assertion of female…
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In the intimate expanse of a miniature panel, Sofonisba Anguissola captures more than just her own likeness; she captures the very essence of a burgeoning female identity in…
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The scene unfolds in 1556, a moment frozen in time where Sofonisba Anguissola meets the viewer's gaze directly. In this work, titled Self-Portrait at the Easel, the artist…
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A heavy brown cloak rests upon the shoulders of Giovanni Battista Caselli, an elderly man from Cremona. He sits in a three-quarter view, his gaze directed toward the…
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In the quiet, commanding presence of Sofonisba Anguissola’s Portrait of Philipp II of Spain, we encounter more than just a likeness; we meet the very embodiment of Renaissance…
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Sofonisba Anguissola's “Portrait of Minerva Anguissola,” painted around 1564, is more than a simple likeness; it’s a carefully constructed tableau of identity, ambition, and the burgeoning role of…
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In the quiet, dignified halls of the Isabella Stewart Gardner Museum, there exists a window into the heart of the sixteenth-century Spanish court. Sofonisba Anguissola’s Portrait of Juana…
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In this three-quarter length portrait, we encounter Anna of Austria, a woman whose very posture commands a quiet, dignified space. She is positioned centrally against a dark, neutral…
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by Sofonisba Anguissola is a Renaissance-era oil on canvas. Dated about 1560, the work functions as a direct representation of the artist herself. The subject is Sofonisba Anguissola,…
Tellinime käsitsi maaldetud →Neli teemat, mis esinevad neil lätistes kõige sagedamini, koos nende kõige armastatumate näidetega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Sofonisba Anguissola teosid | Selle nimekirja maalid |
|---|---|---|---|
 Museo del Prado |
Madrid | 4 | Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Philipp II of Spain |
 Kunsthistorisches Museum |
Viin | 2 | Portrait of Queen Elisabeth of Spain, Self-Portrait |
 Museo di Capodimonte |
Neapel | 2 | Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish |
 Muzeum Narodowe w Pozaniu |
Poznań | 1 | Portrait of the Artist's Sisters Playing Chess |
 Corsham Court |
Corsham | 1 | Three children with dog |
 Gottfried Keller Foundation |
Winterthur | 1 | Self-portrait aged 78 |
 Rahvusmuuseum Varssavis |
Varssavi | 1 | A Man with his Daughter |
 Basque Museum |
Bayonne | 1 | Portrait of Diane d'Andouins and her daughter |
Portrait of the Artist's Sisters Playing Chess is a work by Sofonisba Anguissola, dated 1555. The painting focuses on the artist's three sisters: Lucia, Europa, and Minerva. They…
In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense…
In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on…
In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young…
Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children…
This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…
Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female…
Portrait of the Artist's Sisters Playing Chess (1555), Muzeum Narodowe w Pozaniu, Poznań. Järgnevad Three children with dog (1590) ja Self-portrait aged 78 (1610).
1532 aastal sündinud Sofonisba Anguissola oli 23 aastat vanus: Portrait of the Artist's Sisters Playing Chess on pärinev aastast 1555.
Portrait of the Artist's Sisters Playing Chess, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria ja Self-portrait. Iga teos ülal toodud reitingus on märgitud koos aasta ja muuseumiga.
Kataloogis on 46 teost kunstnikult Sofonisba Anguissola, kuupäevadelt 1550 kuni 1610.
Peamiselt Museo del Prado (Madrid), Kunsthistorisches Museum (Viin) ja Museo di Capodimonte (Neapel) asukohas; ülaltoetud nimekiri esitab kirja iga muuseumi ja selle tablood.
1550s perioodil, mis sisaldas 18 kogu selle lehe 45 teosest, oli nende hulgas Portrait of the Artist's Sisters Playing Chess.
Siin olevad kõige vanamad lamedad pildid on Self-Portrait (1550); kõige uuemad on Self-portrait aged 78 (1610).
Portraiture (7), Child (5) ja Portrait (5), kogu selle lehekülje 45 teose kohta.
Oil On Canvas, mida on kasutatud 16 kuni 45 teoseks sellel lehel.
Renaissance ja Mannerism, nagu sellel lehel olevad tablood näitavad.
Museo del Prado, Madrid säilitab 4 sellel lehel olevat teost, seda hulka kuuluvad ka Elisabeth of Valois, Portrait of Giovanni Battista Caselli ja Portrait of Philipp II of Spain.
Jah. Iga maali sellel lehel saab tellida oma lehelt kas käsitsi maalatuna õli-reproductionina või suurepärase kunstiprentina valitud suuruses.
