The best-loved painting by Tizian is Venus of Urbino Urbino Venus (1538), which hangs in the Galleria degli Uffizi, Firenze. Pühima Mari Ülestõus (1516) and Püha ja profaanne armastus (1514) come next among the canvases readers know best. Our catalogue holds 953 works by Tizian: here are the 100 most famous, each with its year, its museum and what makes it memorable.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktoober 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
Titaani maal "Urbino Venus", valminud 1538. aastal, seisab kui üks kõige ikoonilisemaid ja mõjukamaid teoseid kogu lääne kunstiajaloos. See pole pelgalt naise kujutamine; see on sügav kaemus ilu olemusest, ihaldusest ning naise vaatepunktist kõrgel Renessansi ajastu kontekstis. Vaataja silmab sensuaalset ja samas jõulist naist, kes paistab olevat nii maailma keskpunkt kui ka oma sisemuse saladuste hoidja.
Assumption of the Virgin (El Greco) – A Celestial Echo in Toledo’s Walls The Assumption of Mary by El Greco, completed in 1577–1579, stands as an arresting testament to Renaissance artistic fervor infused with Byzantine spirituality. Situated within the Basilica di Santo Domingo el Antiguo in Toledo, Spain—a city steeped in history and pilgrimage—this monumental altarpiece transcends mere depiction; it embodies a profound meditation on divine grace and human aspiration.…
Veneetsia renessanssi suuremas tapettis on väheseid teoseid, mis püüavad maailmalise ja jumaliku vahelist peenet pingeid nii emotsionaalselt kui Tiziano "Püha ja profaanne armastus". Umbes aastal 1514 valmis see hingustav õli kangel on palju enesevähem pastoraalne stseen; see on sügav mõttepõhi inimolu kahepalilisest olemusest. Vaadates kahte antiikset Roman sarcophagust istuvaid naisi, tekkib kohene tunne, et oled transporditud maailma, kus klassikaline alegoria ja intiimne emotsioon on ühte puhanud. Veneetsia ametnik Nikcolò Aurelio…
Titian (Tiziano Vecellio) loodud monumentaalne teos, valminud 1523. aastal, tabab klassikalise müteoloogia pöördelist hetke – jumal Bacchus, veini ja pidude jumal, kohtub Ariadnega, kes on maha jäetud Naxose saarel. See ei ole pelgalt müüdi illustratsioon, vaid elav uurimus kirest, jumalikust sekkumisest ning emotsiooni lummatavast jõust. Maal on täis värve ja liikumist, mis haaravad vaataja koheselt oma võimsa energiaga.
Titian Ramsay Peale II's "Abduction of Europa," completed in 1562, is not merely a depiction of a classical myth; it’s a vibrant testament to the artist’s deep engagement with Renaissance aesthetics and his unique perspective as an American painter. This monumental canvas, measuring 185 x 205 cm, transports us to a sun-drenched coastal scene brimming with both earthly drama and celestial grace. Peale skillfully blends elements of Venetian colorism –…
A Bacchanal of Divine Revelry: Titian’s “The Feast of the Gods” Subject Matter: "The Feast of the Gods," painted in 1529 by the Venetian master Titian, captures a pivotal moment of unrestrained joy and sensual abandon. It depicts a gathering of gods and mortals indulging in a lavish feast within a verdant forest setting – a scene directly inspired by classical mythology, specifically the Bacchanals, frenzied celebrations dedicated to Dionysus,…
A Triumph of Color and Calm: Titian’s Portrait of Emperor Charles V at Muhlberg The Portrait of Emperor Charles V at Muhlberg, executed between April and September 1548 by the Venetian maestro Titian Vecellio, transcends mere portraiture; it embodies the spirit of Renaissance grandeur and offers a profound meditation on power, victory, and serene contemplation. Commissioned by Mary of Austria, Queen of Hungary, this monumental oil-on-canvas painting swiftly ascended to…
Tiziano Vecellio (Titian) – ‘Concert Champêtre’: Klassilise Pastoraalse Maastiku Hinged Imelise ‘Concert Champêtre’ teose ees, Tiziano Vecellio meistritöö, hingame renessansside müstikat ja looduse armsa kauneuse. See maal on palju rohkem kui lihtsalt maastik; see on inimlikud suhete, jumalate ja inimese maailma kokkupõrkmine. Maalitud umbes 1500-ndatel aastail Veneetsias, ‘Concert Champêtre’ on täielik tõend Tiziano oskusest luua mitte ainult visuaalseid kunstilisi meistriteoseid, vaid ka emotsioone ja meeleolu. See on klassikalise elegantsi ja…
Tiziano Vecellio, paremini tuntud kui Tizian, on Itaalia renessansi üks säravamaid tähti – värvilõngade meister ja kunstnik, kes muutis õlimaalimise võimalusi. Tema teos "Dianaga ja Aktäon", valminud umbes 1556–1559, on suurepärane näide tema võimekust jäädvustada nii inimkeha ilu kui ka sügavaid emotsioone. See maal ei ole pelgalt narratiivne kujutus, vaid peegeldus renessanssaja vaimust ja kunstniku geniaalsetest oskustest.
In the profound and harrowing depths of Titian’s masterpiece, The Flaying of Marsyas, we are not merely observers of a scene, but witnesses to a divine punishment that transcends time. This work, housed in the State Museum Kromeriz, captures one of the most brutal episodes from classical mythology: the moment the satyr Marsyas meets his gruesome end at the hands of Apollo. The composition is a masterclass in tension, where…
In the heart of Venice, within the hallowed walls of the Frari church, resides a masterpiece that does more than merely depict a religious event; it breathes with…
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Titian Ramsay Peale II teos „Venus peegli ees“, mis valmis aastal 1554, astub välja puhtast visuaalsest esitlusest; see kehastab kõrge renessanssi vaimu — ajastut, mida iseloomustasid humanistlikud ideaalid,…
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In the twilight of the Venetian Renaissance, Tiziano Vecellio, known eternally as Titian, reached a pinnacle of emotional expression that few artists in history have ever matched. His…
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A Renaissance Echo in American Canvas: Exploring Titian Ramsay Peale II’s Flora Titian Ramsay Peale II stands as a singular figure within the burgeoning artistic landscape of 19th-century…
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Titian Ramsay Peale II teos „Andriani bacchanalia“, mis valmis umbes aastal 1524, seisab kui väärikas tunnistus kõrge renessanssi ideaalide püsivale mõjule varase baroki perioodi kasvavas kunstimaastikus. See ei…
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Londoni Riiklik galerii väärikates saalides asuv Titaan Ramsay Peale II 1565. aastal loodud "Prudence'i reguleeritud aja allegoria" on olulisem kui lihtsalt maalikunst; see on hoolikalt välja mõeldud visuaalne…
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Titiani "Naegane peegliga", maalitud 1514. aastal, ei ole lihtsalt portreet; see on intimealne tabelloon, täis psykoloogilist sügavust ja meesterlikku täitlust. Louvre'i pühakogude loob selles õlisel maali kangal kutsub…
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The scene captures a visceral struggle within the shadowed confines of a bedroom. A man, driven by predatory intent, reaches over a woman reclining upon a bed. Her…
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Titian Ramsay Peale II's “Portrait of Pope Paul III with His Grandsons,” though conceived in the mid-16th century by the master Venetian painter Titian, offers a captivating glimpse…
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Kunstimuistuse vaiksetes ja varjulistes nurgades on vähe, kui milline pilt resonatsioonib nii sügava vaimse kaaluga kui Tiziano Vecellio Katumustundlik Püha Maria Magdalena. See umbes 1565. aastal loodud meistriteos…
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Titian Ramsey Peale II teos "Inimese langus" on sügavalt täis symbolika tähendusi. Siin on õun, mis muidugi esindab kiusutust ja kuulematust, keskne element, mis juhib vaataja tähelepanu moraalset…
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To stand before Titian’s The Tribute Money is to witness a pivotal moment where the earthly and the divine collide through the masterful application of color. Painted in…
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“The Beauty,” painted in 1536 by the remarkably prescient Titian Ramsay Peale II, is more than a portrait; it’s a carefully constructed echo of Venetian High Renaissance ideals…
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Teos avab meie silmades mütooloogilise lugu – kohtumise neitja Kallisto ja puhtuse ning metsastuse jumanna Diana vahel, keda Zeus oma kurnava raevu tõttu karu kuju alla teisikus. See…
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Titian Ramsay Peale II'i teos "Man with a Glove", maalitud 1520. aastal, ei ole lihtsalt portreet; see on võotav enigma, mis on uute renessaanss Venetsia suurepärase tekstuuride ja…
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Titaani maal "Neitsi Maarja ülestõusmine", valminud 1516. aastal, seisab Veneetsia renessanssikunsti hiilguspunktina ja on monumentaalne teos, mis jätkab vaatajate vaimustamist sajandeid hiljem. Tellitud Santa Maria Gloriosa dei Frari…
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Renaissance' suurim värvilik meistr võib olla Tiziano Vecellio, kes oli ligi kümme aastat hiljem maailma tuntum kui Titian – kunstniku nimi, mida kasutatakse täielikult nii maalil kui ka…
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Lummavas Diana ja Akteon lapral, me heidetakse keset müüdilist pinget, kus püha kohtub mortalusega hämmastava intensiivsusega. Maal tabab täpselt transgressiooni hetke: noor jahur Akteon, kummardudes läbi kobeduse ja…
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Titian’s “Supper at Emmaus,” a painting steeped in the profound drama of the Gospels, isn't merely a depiction of a biblical scene; it’s an invitation into a moment…
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Titian Ramsay Peale II's "Assumption of the Virgin," completed in 1818, is more than simply a depiction of a pivotal religious event; it’s a profound meditation on faith,…
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Tiziano Vecellio’s “Martyrdom of St. Lawrence,” painted in 1548, isn't merely a depiction of religious suffering; it’s a visceral experience. Commissioned by the powerful Emperor Charles V, this…
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In the grand tapestry of the Italian Renaissance, few images resonate with as much raw, visceral power as Tiziano Vecellio’s Sisyphus. Created around 1548, this oil on canvas…
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Tiziano Vecellio’s “Salome,” painted in 1515, is more than just a portrait; it's an immersion into the heart of Renaissance Venice – a city pulsating with artistic innovation…
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Tiziano Vecellio teos „Kristus kandes risti”, mida on maaldatud aastal 1565, ei ole pelgalt kirjanduslik bibililine stseen; see on sügavalt emotsionaalne ja sisse tõmbav kogemus. See monumentaalne õliõlupind,…
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An Allegory of Prudence: A Venetian Echo in American Art “An Allegory of Prudence,” painted by Titian Ramsay Peale II in 1550, stands as a remarkable testament to…
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Veneetsias, Santa Maria Gloriosa dei Frari basilika pühikus ja vaikuses, avaneb akna sublimeeritud maailma. Tiziano Vecellio, kes on igavesti tuntud kui Titian, ei loonud oma monumentaalises teoses Madonna…
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The Head of a Man, painted by the renowned artist Tiziano Vecellio (Titian) in 1509, is an exquisite example of Renaissance art. This oil on canvas painting measures…
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Titaan Ramsay Peale II teos Diana ja Akteon seisab kõrgel renessanssi kunstiklassika nurgal — see on draamalise kreeka müütoloogia kujustus, mis läübab peldaalt visuaalset esitust, et edastada sügavat…
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Tiziano Vecellio's 1540 portrait of Benedetto Varchi is more than simply a likeness; it’s a carefully constructed window into the heart of the Italian Renaissance. This painting, currently…
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In the heart of the mid-16th century, amidst the shimmering canals and vibrant intellectual fervor of Venice, Titian captured more than just a likeness; he immortalized an era.…
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Titian’s “St Mary Magdalene,” painted around 1567, is not merely a devotional image; it's a profound exploration of faith, repentance, and the enduring power of divine grace. This…
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In the heart of the Venetian Renaissance, where the light of the Adriatic meets the opulence of merchant wealth, Tiziano Vecellio—known eternally as Titian—crafted a masterpiece that transcends…
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Värvide ja usu sümfoonia: Tiziani "Ülesmaks" uuring Tiziano Vecellio poolt 1516. aastal maalatud "Ülesmaks" astub välja puhtast kujundusest, olles pigem Veneetsia renessanssi kunsti vaimu kehastus – see on…
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To gaze upon Titian’s “The Red Sultana” is to be transported directly into the heart of the High Renaissance, an era where the air in Venice seemed thick…
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In the twilight of his illustrious career, the Venetian master Tiziano Vecellio, known eternally as Titian, delivered one of his most profound allegorical statements: Spain Succouring Religion. Created…
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Tiziano Vecellio's "Tityus," painted in 1548, isn’t merely a depiction of a Greek myth; it’s a profound meditation on suffering, divine justice, and the inescapable consequences of arrogance.…
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In the hallowed atmosphere of the Cologne Cathedral, there exists a window into the late Renaissance—a moment where the spiritual and the earthly converge through the brush of…
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Tiziani teos "Bacchus ja Ariadne", mida on maalis 1520, ei ole pelgalt klassikalise müüdi kujundus; see on sügavlt immersiivne kogemus — vibrantne tunnistuskiri Veneetsia meistri võrratud võimest vangistada…
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Tiziano Vecellio's "Crucifixion," completed in 1558 and currently residing within the sanctuary of San Domenico in Ancona, Italy, is not merely a depiction of a biblical event; it’s…
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In the heart of the Venetian Renaissance, a period defined by an explosion of artistic brilliance, Tiziano Vecellio—known universally as Titian—crafted a masterpiece that transcends the boundaries of…
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Londri Riikliku galerii vaiksetes koridorides asub akna, mis avaneb otse kõrgene renessanssi hinge vastu: Tiziani Ariosto portree. Umbes 1508. aastal maalatud meistriteos on palju enema kui pelgalt Ludovico…
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Titian Ramsay Peale II teos „Noli Me Tangere”, maalitud 1514. aastal, on rohkem kui lihtsalt usuline esindus; see on sügav mõte usunduse, luotamise ja maagliku arengu ning jumaliku…
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The air in the room feels heavy, thick with the scent of expensive oils and the chilling stillness of a banquet interrupted. Salome sits at the center of…
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In the hallowed halls of the Museo del Prado, there exists a canvas that does more than merely depict a biblical scene; it breathes with the very pulse…
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Külm ja raskest kivist lõigatud diagonaalne trepp tormab otse vaataja ruumi, luues kütkestava süvenemise. Trepi tipus istub Neitsi Mary, kelle keha on anud Kristuse Laste kaaluga, luues püsivalt…
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Titiani teos „Paaven Paul III oma lapselapsedega“, maalitud 1546. aastal, on rohkem kui lihtsalt kuninglik portreet; see on hoolikalt loodud tabell vaemast, perekonnakasutust ja renessanssi poliitika subtilseid inimvoolusi.…
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In the grand tapestry of the Venetian Renaissance, few threads shine as vibrantly as Tiziano Vecellio, known eternally as Titian. His Bacchanal of the Andrians (detail) serves as…
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Portrait of Jacopo Strada The Portrait of Jacopo Strada, painted by the renowned artist Titian Ramsey Peale II, is a captivating piece that showcases the artist's skill and…
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The air hangs heavy with the scent of damp earth and ancient myth as a crowd of figures reclines along a grassy bank. Near the edge of a…
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Veneetsia Renessanssi suurepärases kudedikus on vähegi teoseid, mis võõrandavad hinge nii ülevaldava hiilgusega nagu Titiani "Trinitas glorie". See monumentaalne meistriteos, mis valmis aastal 1552, on enam kui pelgalt…
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In the hallowed halls of the Gemäldegalerie Dresden, there exists a window into the soul of the High Renaissance, a luminous canvas that captures the very essence of…
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A three-quarter length portrait of a red-haired man, positioned slightly off-center, captures a moment of quiet contemplation. He holds a book, a gesture that, alongside the presence of…
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In the hallowed halls of the Louvre Museum, there exists a window into the soul of the Italian Renaissance, a masterpiece that breathes with the warmth of a…
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Introduction The Assumption of the Virgin, also known as the Assunta, is a large oil painting by the renowned Venetian artist Tiziano Vecellio, better known as Titian. Created…
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In the heart of the Venetian Renaissance, where the light of the Adriatic meets the profound spiritual fervor of the era, Tiziano Vecellio—known eternally as Titian—crafted a masterpiece…
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In this three-quarter-length portrait, we encounter Nicolò Zen, a man whose very posture suggests the weight of his station. He is positioned slightly off-center, his gaze directed toward…
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Tiziano Vecellio, kogu maailmas tuntud Titiana nime all, possesioneris võrredevatele vaimule, mis vangutas oma teemaja essentsia – lahke, mis kõlas läbi tema äärmiselt pika ja mõjuva karjääri. Tema…
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seisab kui sügav mõõtmõte Renessansi portretistuse püsivastest jõudest, püüledes kinni mitte lihtsalt inimest, vaid vaimuliku ja ajalise autoriteedi olemust. Selles lummavas õli-puit-maalus on teema esitatud autoriteetse olekuga, istudes…
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A single man occupies the space, caught in a three-quarter view that commands the eye. He wears the heavy, dark sheen of polished steel, a suit of armor…
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Tiziani Flora (detail), mida on maalitud aastal 1515 ja mis kuulub praegu Galleria degli Uffizi pühendatud HOPU hallide sisse, on olulisem kui lihtsalt portree; see on suurepärane mediteerimine…
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A single man occupies the center of this somber space, his body bathed in a directional light that emerges from the upper left. He is a muscular, bearded…
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Guidobaldo II della Rovere is captured in a three-quarter view, his figure emerging from deep shadow. He wears dark steel armor, its surface reflecting light with a muted…
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The figure of Saint Catherine of Alexandria occupies the center of a dark, heavy space. She looks upward, her eyes fixed on a break in the turbulent clouds…
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The air in the room feels heavy and still, as if the very atmosphere has paused to witness this intimate encounter. Venus sits in a soft, luminous glow,…
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A Vision of Celestial Grace In the quiet, hallowed atmosphere of the High Renaissance, few images capture the intersection of the divine and the human as poignantly as…
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Titaan Ramsay Peale II 1843. aasta tõlgendus teosest „Paavst III Pauli portree ilma klossist“ on palju enema kui lihtsalt sarnasus; see on sügav psühholoogiline uuring, aken ajaloo üksühest…
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The Death of Actaeon - A Dramatic Echo of Classical Myth Titian Ramsey Peale II’s “The Death of Actaeon” transcends mere depiction; it embodies the very essence of…
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See ikooniline maaliklassik, mille lõi aastal 1530 suuremeister Titaan (Tiziano Vecellio), kehastab kõiki neid ilu ja emotsionaalse sügavuse märke, mis on iseloomulikud kõrgel renessanssil. See ei ole pelgalt…
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The scene unfolds in a divided world. On the left, a shadowed stable holds the Holy Family in an intimate, quiet darkness. The Virgin Mary sits draped in…
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Titian's "The Healing of the Wrathful Son," painted in 1511, isn’t merely a depiction of a miraculous event; it’s a profound meditation on compassion, faith, and the transformative…
Five figures are gathered around a musical performance, their attention anchored by the shared focus of the melody. The composition is tightly cropped, pulling the viewer into an…
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In the hallowed corridors of the Museo del Prado, there exists a canvas that does more than merely depict a myth; it breathes with the warmth of life…
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The composition rests in a steady, pyramidal shape, drawing the eye toward the intimate center where flesh meets flesh. The Madonna sits as the anchor, her form a…
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A diagonal composition directs the eye from the pale, slumped figure of Christ in the lower left toward the expressive mourners on the right. The scene captures the…
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Step closer to observe the quiet dignity of this sitter. She sits before us in a three-quarter length pose, her gaze steady and direct, meeting yours with an…
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In the grand tapestry of the Italian Renaissance, few moments capture the raw electricity of leadership as profoundly as Titian’s The Marchese del Vasto Addressing his Troops. Painted…
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Tiziani teos „Keiser Karl V oma koega seismas“, mida on maalis 1533, on olulisem kui pelgalt portret; see on hoolikalt välja mõeldud ülesütlus võimust, ülimuslikkusest ja igavsest sidumistest…
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In this 1551 oil on canvas, Titian captures King Philip II of Spain seated in a moment of heavy stillness. The monarch, the son of Emperor Charles V,…
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Titian’s “Venus Anadyomene,” painted around 1520, isn't merely a depiction of the goddess; it’s an embodiment of Renaissance ideals—a vibrant celebration of beauty, mythology, and the mastery of…
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The air in the painting feels heavy, thick with the silence of the wilderness. A central figure, Christ, sits caught in a moment of profound internal weight. His…
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Taevalik tõus: Tiziano Vecellio Neitsi Mari tõusupüha uurimine Veneetsia renessanss õitses rikkate suzuguide, nagu doogide, patroonluse all, luues keskkonna, kus kunstiline ambitsioon ei tunnud piire. Selle ajastu tähtede…
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Titian’s “Assumption of the Virgin,” a detail from this monumental work housed within the Basilica di Santa Maria Gloriosa dei Frari in Venice, is more than just a…
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Venusest imetlemine (detail) Pühitsemistseremoonnist avaldavad huvi ja imetlus suurkogud armastavaid enneeli. Nende külgedel seisavad aplaudeerivad madalad pühad – paremal pool on Johann Esoteerik, Johann Baptist ja Antoni. Kardinaal…
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Vaadeveste Venetsia pilvus: Uuring Titiani Venusit pe Peegeliga Titian Vecellio, kes on universaalselt tunnustatud kui Venetsia Titan, ei olnud lihtsalt kunstnik; ta oli natuurjõud, mis muutas maalistiku keelt.…
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In the grand tapestry of the Italian Renaissance, few images command as much immediate reverence as Titian’s Portrait of Doge Andrea Gritti. This monumental work is far more…
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A dignified man emerges from a sea of deep, earthy tones, his gaze meeting the viewer with a heavy sense of gravity. He sits in a three-quarter length…
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A single male figure occupies the center of this vertical oil painting. He is positioned slightly off-center against a backdrop of rugged, rocky terrain. The man possesses an…
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The composition centers on the visceral proximity of two female figures, their forms emerging from a dark, atmospheric void. One figure, draped in crimson, holds the pale, severed…
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Titiani „Püha Hinge Jahu”, maalitud 1545. aastal, ei ole lihtsalt usuline esitus; see on elavvärviline värvi ja liikumise välk, mis vangistab kristliku teoloogias keerulise hetke – Pentecost’i. See…
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Itaalia renessanssi südames, kus Adriatiku säravad veed kohtusid poliitilise mõujulaimate kõrgustega, tabas Titian midagi enamat kui vaid sarnasu; ta igatses ühe ajastu igavendust. Doge Andrea Gritti portret, mida…
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The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Tizian | Paintings from this list |
|---|---|---|---|
 Museo del Prado |
Madrid | 68 | Portrait of Emperor Charles V at Muhlberg, Andriani bacchanalia, Inimese langus |
 National Gallery |
London | 44 | Bacchus ja Ariadne, Prudence'i reguleeritud aja allegoria, Diana ja Akteon |
 Santa Maria Gloriosa dei Frari |
Venetsia | 16 | Pühima Mari Ülestõus, Pesaros Madonna, Neitsi Maarja taevaseks tõusmine |
 National Gallery of Art |
Washington | 22 | The Feast of the Gods, Venus peegli ees, Venüs peegligaega |
 Kunsthistorisches Museum |
Viin | 41 | Diana ja Kallisto, Portrait of Benedetto Varchi, Woman in a Fur Coat (detail) |
 Museo di Capodimonte |
Neapel | 22 | Portrait of Pope Paul III with His Grandsons, St Mary Magdalene, Paaven Paav III oma lapselastega Alessandro ja Ottavio Farnesega (detail) |
 Louvre'i muuseum |
Pariis | 19 | Naija peegligaga, Mees sõrguga, Viimane tee Emmaus |
 Galleria degli Uffizi |
Firenze | 22 | Venus of Urbino Urbino Venus, Flora, Flora (detail) |
The Head of a Man, painted by the renowned artist Tiziano Vecellio (Titian) in 1509, is an exquisite example of Renaissance art. This oil on canvas painting measures…
Assumption of the Virgin (El Greco) – A Celestial Echo in Toledo’s Walls The Assumption of Mary by El Greco, completed in 1577–1579, stands as an arresting testament…
Titian (Tiziano Vecellio) loodud monumentaalne teos, valminud 1523. aastal, tabab klassikalise müteoloogia pöördelist hetke – jumal Bacchus, veini ja pidude jumal, kohtub Ariadnega, kes on maha jäetud Naxose…
Titaani maal "Urbino Venus", valminud 1538. aastal, seisab kui üks kõige ikoonilisemaid ja mõjukamaid teoseid kogu lääne kunstiajaloos. See pole pelgalt naise kujutamine; see on sügav kaemus ilu…
Titian Ramsay Peale II's “Portrait of Pope Paul III with His Grandsons,” though conceived in the mid-16th century by the master Venetian painter Titian, offers a captivating glimpse…
Titian Ramsay Peale II teos „Venus peegli ees“, mis valmis aastal 1554, astub välja puhtast visuaalsest esitlusest; see kehastab kõrge renessanssi vaimu — ajastut, mida iseloomustasid humanistlikud ideaalid,…
Titian Ramsay Peale II's "Abduction of Europa," completed in 1562, is not merely a depiction of a classical myth; it’s a vibrant testament to the artist’s deep engagement…
In the twilight of the Venetian Renaissance, Tiziano Vecellio, known eternally as Titian, reached a pinnacle of emotional expression that few artists in history have ever matched. His…
Venus of Urbino Urbino Venus (1538), Galleria degli Uffizi, Firenze. Pühima Mari Ülestõus (1516) and Püha ja profaanne armastus (1514) follow.
Tizian, born in 1490, was 48 years old: Venus of Urbino Urbino Venus dates from 1538.
Venus of Urbino Urbino Venus, Pühima Mari Ülestõus, Püha ja profaanne armastus, Bacchus ja Ariadne, Abduction of Europa, The Feast of the Gods, Portrait of Emperor Charles V at Muhlberg, Koncert Champetre, Diana ja Aktaion and The flaying of marsyas, state museum kromeriz. Each canvas in the ranking above comes with its year and its museum.
953 works by Tizian are in our catalogue, dated 1508 to 1576.
Mostly in Museo del Prado (Madrid), National Gallery (London) and Santa Maria Gloriosa dei Frari (Venetsia); the list above names each museum and its canvases.
In 1510s, which gave 19 of the 100 works on this page, Pühima Mari Ülestõus among them.
The earliest canvas here is Ariosto portree (1508); the latest is Pietà (1576).
Renaissance (20), Renessanss (14) and Mythology (10), across the 100 works on this page.
Oil On Canvas, used in 46 of the 100 works on this page.
Kõrgrenessanss, as the canvases on this page show.
The Museo del Prado, Madrid holds 19 of the works on this page, among them Portrait of Emperor Charles V at Muhlberg, Andriani bacchanalia and Inimese langus.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Pieve di Cadore rasketes ja mäetšandikes alus sai poiss Tiziano Vecellio alustada elu, mis muutus lõpuks ära lõõtsik lamedat õli lamedal kangil. Sündinud umbes 1490. aastal oli ta sõnumest Gregorio Vecellio ja naisest nimega Lucia. Pere elas piirkonnas, kus Veneetsia Alpid kaugeid ja muutuvaid ningid maastiku üle kaskutasid – maastikus, mis ehkki vist sosistas valo salajaid noore mõistuse vastu. Tunnustades oma poegade juures olevat talenti, suunas pere pilgu suure linnani Veneetsiasse, korralides noore Tiziano ja tema venna Francesco tee meistrite ateljeitesse. See otsus vaikivad mägedest Veneetsia kohinavasse ja soolasesse õhku muutus kõike.
Tema varajased aastad läksid läbi aia, kus hingas Veneetsia, mis pulsis kaubandusega ja värvide rikkuses. Ta õppis esmalt oma käsitluskunsti mosaiikmeister Sebastiano Zuccato juures, enne kui liikus Gentile Bellini ja oma venna Giovanni ringkondades. Siiski oli just tema koosveetud aeg Giorgionega, mis määrkas tema tegeliku tee. Koos töötasid nad Fondaco dei Tedeschi välisrekvisiidide maalimisel, mis oli saksa kaupmeeste aktiivne kaubanduspost. Need varajased päevilid otsis tema pintsel teatud lüürikat, viisi, kuidas vangustada õhku ise läbi peenete toonide ja õrna, poeetilise puudutuse.
Aegade möödudes asendus tema noorekonnu peen ja eeterlik olemus palju lihvarumulisema ja dramaatilisema lähenemisega. Ta liikus eemale oma varajase õppeperioodi vaikivast rahuast, et omakustada julgemat värvikasutust. Tema pintslilöögid muutusid hiirlikuks jõgudeks, liidesid sujuvad ja segitud pindad laia ja ekspressiivse märgistusega, mis nägi välja elavuse.
Ta õppis korduvalt õlise märgistusega õhukke värvikihte alusmaalide peale, tehnikaga, mis võimaldas tal saavutada luminosität, mida vähesed suutsid kopeerida. See ei olnud pelgalt subjekti kirjeldamine, vaid samasalt sammetsi kaalul, naha säras ja kogu atmosfääri vangistamine, mis figureeritud ümber on. Tema teemad olid sama mitmekülgsed kui Veneetsia tänavatel liiguvad inimesed. Ta sai portreemaali meistriks, vangistades oma mudelid psühholoogilise sügavuse – nii füüsilise sarnasus kuni peidetud iseloomuni. Tema müütilised stseenid ja religioosne kompositsioonid olid täidetud sensuaalsuse ja pingeid, mis tõmbas vaatajat ligi. Teosena Venus of Urbinoi ta määrkas uuesti inimkeha esituse viisi, kasutades värvi, et luua olevale täiskasvusoleku tunde, mis tundus peaaegu füüdsena. Ta oli mees, kes mõistis, et valo ei kuku lihtsalt objekti peale; see interageerib sellega, luues varju ja sära drama.
Tiziano Vecellio kuulsus jõudis lõpuks Euroopa kõrgeimad õigekogud. Ta sai võimuliste meeste lemmikuks, teenides pealikuna keiser Karl V, Hispaania kuningas Philip II ja paavus III Paul. See kõrgelöõksuline patroonus võimaldas tal töötada monumentaalses mõidus, luues massiivseid lamedat, mis täitsid palatside sale ja suurte kirikute altarid. Ta omandas haruldast diplomaatilist peenust, kohandades oma stiili erinevate kuninglikud õigekogud tastega, kuid kaotamata kunagi seda eripõhilist häälet, mis tegi temast oma ajastu titaan.
Kui ta 1576. aastal Veneetsias lahkus, jättis ta järel pärandi, mis levis läbi sajandite. Tema mõju tunnistati neil, kes tema järel tulid – Rubensist kuni Rembrandt ja Delacroix. Ta toimis sildina Kõgien Renessansi ja tulevase Barokperioodi vahel, tõestades, et värv võib olla sama ekspressiivne kui joon. Tema maalid on säilinud maailma suurimates kollektsioonides, Madridi Pradost kuni Londoni National Gallery kuni, toimides püsliku mälestikuna mehest, kes valistas nägemise kunsti.
