Ülo Vilimaa, 1941 – 2021
Ülo Vilimaa kõige kuulsam 3 maalist
Untitled (2003) on teos, millega Ülo Vilimaa on kõige tuntetud. Untitled (2010) ja Untitled (2011) täiendavad kõige armastatumate tablodeid moodustavat triooti. Meie kataloogis on 3 teost kunstnikult Ülo Vilimaa. Siin on 3 kõige kuulsamat koos aasta, muuseumi ja iga linate veebilehe loo kohta.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud november 2026.
- Sündinud · surnud
- 1941 – 2021
- Meie kataloogis olevad teosed
- 3
- Kõige tuntud
- Untitled (2003)
Ülo Vilimaa populaarseimad kümneks teost
Ülo Vilimaa kõige kuulsamad lamedad, aasta-aastaga
Täpsemalt kümne aasta jooksul maalistamisel, 2003 kuni 2011: Ülo Vilimaai ajastatud lamedad pildid, aasta aastale järjel.
Ülo Vilimaa puuvangad, küsimus küsimusel
Millist maalatist Ülo Vilimaa kõige rohkem mäletatakse?Loe vastust
Untitled (2003), järglased on Untitled (2010) ja Untitled (2011).
Untitled: kui vana oli Ülo Vilimaa, kui see maalisiti?Loe vastust
1941 aastal sündinud Ülo Vilimaa oli 62 aastat vanus: Untitled on pärinev aastast 2003.
Kui palju maali Ülo Vilimaa lõi?Loe vastust
Kataloogis on 3 teost kunstnikult Ülo Vilimaa, kuupäevadelt 2003 kuni 2011.
Milline kuvaleht Ülo Vilimaa on kõige vanem ja milline kõige uuem?Loe vastust
Siin olevad kõige vanamad lamedad pildid on Untitled (2003); kõige uuemad on Untitled (2011).
Tutvuge kunstnikuga: Ülo Vilimaa
A Life in Motion and Color
Ülo Vilimaa lived a life defined by the physical language of movement and the quiet stillness of the canvas. Born in Tallinn, he was a man of many stages, though not all of them were painted. Before he was known for his brushwork, he was a dancer and a choreographer, finding his rhythm within the walls of the Vanemuine theatre. His connection to the stage was profound and long-lasting, spanning decades of discipline and expression.
His career at the Vanemuine theatre was a lifelong commitment. He began as a ballet soloist and ballet master, eventually rising to the position of principal ballet master. By the late nineties, he had transitioned into the role of director, overseeing the creative direction of the institution. This deep immersion in the theater provided him with a unique understanding of space, gesture, and the human form, elements that would eventually find their way into his visual art.
The Artist and the Stage
While his work in the theater was public and grand, his work as a painter offered a different kind of expression. He was a man who could navigate the complexities of a large-scale production and the intimate details of a single frame. His exhibitions took him across Estonia and beyond, allowing him to share his vision with diverse audiences. His artistic identity was inseparable from his theatrical one; he was a creator of movement and a creator of images.
His professional achievements were recognized by his peers and his country through several honors, including:
- Merited Artist of the Estonian SSR
- Order of the White Star, III class
A Legacy of Expression
The transition from the stage to the canvas was not a departure, but an evolution. The discipline required for ballet and the structural demands of directing a theater informed the way he approached a blank surface. He was a man who understood how a body moves through space and how a single line can suggest a sudden shift in emotion. His life was a continuous dialogue between the ephemeral nature of dance and the permanence of paint.
He passed away in 2021, leaving behind a legacy that spans the physical grace of the ballet and the visual language of the Estonian art scene. His life remains a study in the many ways a person can interpret the world, whether through the leap of a dancer or the stroke of a brush.