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Opiskelijoiden teosopas

The Day's End

Nimi Luokka Päivämäärä

Ernest Procter, The Day's End (1927), New Walk Museum - Art Gallery. Tekijänoikeusvapaa. Näe tämä kangas liikkuvan valon alla: piirros, lakan alta paljastuva todellinen väri ja puhdas pigmentti

Faktat

Taiteilija
Ernest Procter topimpressionists.com/fi/artists/ernest-procter/
Taiteilijan elinvuodet
1885 – 1935
Maalaus
1927
Alkuperäinen koko
92 x 107 cm
Pidetään paikassa
New Walk Museum - Art Gallery topimpressionists.com/fi/museums/new-walk-museum-art-gallery-leicester_fi/

Kontekstissa

The Day's End — Ernest Procter

Kuinka suuri teos on?

Alkuperäinen koko on 92 × 107 cm (korkeus × leveys), esitetty tässä keskipitkän aikuisen rinnalla.

Milloin teos on maalattu?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 50 kuollessa.

Maalattu taiteilijan ollessa 42-vuotias. Taiteilija eli 50-vuotiaaksi. 5 tästä taiteilijasta luettelossamme olevista 16 päivätyöstä on tehty aiemmin.

Varjostettu: Ernest Procter elämäntyö (1885–1935) ▲ tämä teos, 1927 jokainen päivätty maalaus, vuosikymmen kerrallaan

Ensimmäiset teokset: vuoteen 1925 asti Keskeiset työvuodet: 1925–1929 Myöhäistuotanto: vuodesta 1929 alkaen

Nämä kolme vyöhykettä jakavat tämän luettelon päivätyt teokset ensimmäiseen neljännekseen, keskimmäiseen puolikkaaseen ja viimeiseen neljännekseen. Ne eivät muodosta taiteilijan koko tuotantoa: ohut jakso voi olla aukko historiassa pikemminkin kuin hiljainen kausi. Samat vuodet, joiden varrelle taiteilijan elämä on piirtynyt

Vertaa teoksia

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: topimpressionists.com/fi/art/similar/ernest-procter-the-day-s-end-AQUEHC-en/

Värit

Kuvan perusteella määritetty

    Pääväri

    Gray #887f6e

    Luetteloidut värit

    • #887F6E
    • #383026
    • #59554E
    • #B9B195

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Väripaletti
    Earthy Kuvan hallitseva väriperhe.
    Päävärin nimi
    Gray
    Intensiteetti
    Monochromatic Värien kylläisyys ja vaihtelu ulottuvat yksittäisestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Bold Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Strong Color Unity Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Balanced Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Missä päin maailmaa tätä maalausta katsotaan?

    • alle 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja yli
    Tässä teoksessa on liian vähän rekisteröityjä vierailijoita kartoitettavaksi, joten levyssä näkyvät kaikki Ernest Procter:n teokset viimeisen kahdentoista kuukauden ajalta — yhteensä 4 maata. Mistä nämä luvut ovat peräisin

    Kymmenen johtavaa maata

    1. 1 Kiina 57,1%
    2. 2 Yhdistynyt kuningaskunta 14,3%
    3. 3 Irlanti 14,3%
    4. 4 Yhdysvallat 14,3%

    Etsi kartalta kolme tumminta maata. Sijaitseeko tätä maalausta säilyttävä museo jossakin näistä maista? Kirjoita yksi syy, miksi kaukana asuvat ihmiset saattaisivat katsoa sitä.

    Ernest Procter katsotuimmat 6 teosta

    1. 1 The Cottage, 1931 50,0%
    2. 2 On the Banks of the Irawaddy, 1912 12,5%
    3. 3 Uphill from the North, 1934 12,5%
    4. 4 Hampstead Heath (Figures and Dogs amongst Trees), 1929 12,5%
    5. 5 Shipton Hill, Dorset 12,5%
    6. — The Day's End, 1927 tämä teos 0,0%

    Yhdessä nämä teokset muodostavat 100,0% kaikesta huomiosta, jonka tämän taiteilijan maalaukset ovat saaneet viimeisen kahdentoista kuukauden aikana. Luettelossa on 19 tämän taiteilijan teosta, joista 5 on katsottu vähintään kerran. Tätä teosta ei ole vielä katsottu kyseisellä ajanjaksolla — se sulkee listan ilman sijoitusta. Sama laskutapa kuukausittain

    Palkit mittaavat huomiota, eivät laatua. Valitse ylin teos ja vastaa seuraavaan: nimeä yksi asia, joka voisi tehdä maalauksesta kuuluisan muutenkin kuin sen teknisen taituruuden perusteella.

    Tietoja teoksesta

    The Day's End — Ernest Procter

    The painting The Day's End by Ernest Procter is a stunning example of modern British art. Created in 1927, this oil on canvas piece measures 92 x 107 cm and is currently housed at the New Walk Museum - Art Gallery in Leicester, United Kingdom. The artwork features two naked women embracing each other, set against a breathtaking landscape with mountains and water.

    Artistic Style and Influences

    Ernest Procter's style is characterized by his use of bold colors and expressive brushstrokes, which are evident in The Day's End. His work was influenced by various artistic movements, including modernism and impressionism. As a prominent artist of his time, Procter was part of a group of artists who sought to break away from traditional techniques and explore new ways of expressing themselves. Key Features of the painting include:

    The use of vibrant colors to create a sense of warmth and intimacy

    The emphasis on the emotional connection between the two women

    The beautiful landscape, which adds depth and context to the scene

    For more information on Ernest Procter and his works, visit /art/list/?Filter=AQUEHC-Ernest-Procter-The-Day-s-End.

    Other notable artists whose works are featured on https://AllPaintingsStore.com include Harry Morley, known for his painting A Wayside Madonna, and George Howland Beaumont, who created the stunning Mountain Scenery. These artists, along with Ernest Procter, have contributed to the rich cultural heritage of British art.

    To learn more about the New Walk Museum - Art Gallery and its collection, visit /art/list/?Filter=A@D3BR8T-Discovering-the-Artworks-of-County-Hall-Matlock-Matlock-United-Kingdom. For handmade oil painting reproductions of The Day's End and other notable works, browse the extensive collection on https://AllPaintingsStore.com.

    Taiteilija ja museo

    Taiteilija

    Ernest Procter

    Ernest Procter: A Cornish Vision of Light and Sensuality

    Born in Tynemouth, Northumberland, in 1885, Ernest Procter’s artistic journey began within a family steeped in tradition – his father, Henry Richardson Procter, was a distinguished chemist and Fellow of the Royal Society, while his lineage traced back to generations of Quaker tanners. This unique blend of scientific rigor and artisanal heritage profoundly shaped Procter's approach to art, imbuing his work with both meticulous observation and a deep appreciation for texture and materiality. Initially educated at Bootham Friends’ School in York, he later found his way to Newlyn, Cornwall, a burgeoning hub of artistic innovation during the early 20th century – a place that would become inextricably linked to his identity and creative output.

    Newlyn, with its vibrant community of artists drawn from across Britain, offered Procter an environment ripe for experimentation. He enrolled in Stanhope Forbes’ School of Painting, absorbing the principles of Impressionism and the Newlyn School's distinctive style – a focus on capturing the fleeting effects of light and atmosphere, particularly within the rugged beauty of the Cornish coastline. His time under Forbes proved formative, fostering his technical skills and introducing him to fellow students like Dod Procter, whom he would later marry in 1912. This union marked not only a personal partnership but also a collaborative artistic force; together, they established the Harvey-Procter School, a respected institution that nurtured young artists and contributed significantly to the local art scene.

    The Influence of Forbes and Parisian Training

    Stanhope Forbes’ teachings were crucial in shaping Procter's early style. Forbes emphasized direct observation, encouraging students to capture the essence of their subjects rather than relying on academic conventions. This approach is evident in Procter’s landscapes – particularly his depictions of Penlee Point, a dramatic headland overlooking the Atlantic – where he masterfully renders the interplay of light and shadow, conveying both the grandeur and vulnerability of the Cornish coastline. However, Procter's artistic development extended beyond Newlyn; he spent time studying at the Atelier Colarossi in Paris, immersing himself in the vibrant atmosphere of the Parisian art world and absorbing the techniques of Impressionism and Post-Impressionism. Artists like Pierre-Auguste Renoir and Paul Cézanne undoubtedly influenced his palette and approach to capturing fleeting moments.

    Portraits and the Exploration of Sensuality

    While Procter’s landscapes are undeniably striking, it is perhaps in his portraits that he truly excelled. His subjects – often young women from the local fishing community – were rendered with a remarkable sensitivity and attention to detail. He eschewed idealized representations, instead capturing their inherent dignity and vulnerability. Works like “Professor Henry Richardson Procter” showcase this talent for realism, while simultaneously conveying a sense of quiet wisdom and inner strength. His portraits are not merely likenesses; they are imbued with emotion, revealing the subtle nuances of human character through masterful use of light, shadow, and texture – particularly his signature impasto technique.

    Key Works and Recognition

    Among Procter’s most celebrated works is “Morning,” a captivating portrait of a young fisherman's daughter that caused a sensation at the 1927 Royal Academy exhibition. The painting’s evocative depiction of light, shadow, and emotion secured it the title of "Picture of the Year" and was subsequently purchased by the Daily Mail for display in the Tate Gallery. Other notable works include “Penlee Point,” a stunning landscape that exemplifies his mastery of capturing the Cornish coastline, and “Uphill from the North,” a vibrant depiction of a coastal scene showcasing his ability to translate the beauty of nature onto canvas. His work was also exhibited at the Royal Academy, the Leicester Galleries, and other prestigious venues throughout Britain.

    A Legacy in Cornwall

    Ernest Procter’s artistic legacy extends far beyond his individual paintings. He played a pivotal role in fostering the Newlyn School and its distinctive style, contributing to the development of Cornish art as a whole. His commitment to teaching and mentorship ensured that his techniques and vision were passed on to future generations of artists. Even today, Procter's work continues to resonate with viewers, offering a poignant glimpse into the beauty and spirit of Cornwall – a testament to an artist who captured not just the landscape but also the very essence of human experience.

    Museo

    New Walk Museum - Art Gallery

    Näytteillä paikassa Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Lue lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää The Day's End lataussivulle

    topimpressionists.com/fi/art/download/ernest-procter-the-day-s-end-AQUEHC-en/

    Viittaa tämä teos

    MLA
    Procter, Ernest. The Day's End. 1927, New Walk Museum - Art Gallery. https://topimpressionists.com/fi/art/ernest-procter-the-day-s-end-AQUEHC-en/
    APA
    Procter, Ernest (1927). The Day's End [Painting]. New Walk Museum - Art Gallery. https://topimpressionists.com/fi/art/ernest-procter-the-day-s-end-AQUEHC-en/
    Chicago
    Ernest Procter. The Day's End. 1927. New Walk Museum - Art Gallery. https://topimpressionists.com/fi/art/ernest-procter-the-day-s-end-AQUEHC-en/
    Harvard
    Procter, Ernest (1927) The Day's End. New Walk Museum - Art Gallery. Available at: https://topimpressionists.com/fi/art/ernest-procter-the-day-s-end-AQUEHC-en/

    Katso tarkemmin

    The Day's End — Ernest Procter

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen Burmese Boy in a Bullock Cart (1925). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. Ernest Procter oli noin 42-vuotias tämän teoksen syntyhetkellä. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?
    5. Mitä taiteilija on ehkä halunnut sinun tuntevan?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Kysymykset ja vastaukset

    Mitkä värit ja mikä hallitseva sävy määrittelevät teoksen "The Day's End"?

    Ernest Procter:n "The Day's End"-teoksessa käytetään Earthy väripalettia, jossa Gray (#887f6e) on hallitseva väri.

    Kuka on teoksen "The Day's End" taiteilija?

    Teoksen "The Day's End" taiteilija on Ernest Procter. Teos on luetteloitu Ernest Procter nimellä.

    Voinko nähdä röntgenkuvan teoksesta Ernest Procter:n "The Day's End"?

    Ernest Procter:n "The Day's End" -teoksen Röntgentutkimus -sivu on interaktiivinen katseluohjelma, jonka avulla voit selata teoksen kuvaa yhdennellätoista optisella kerroksella, mukaan lukien röntgenkuvamainen näkymä.