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Opiskelijoiden teosopas

After the Storm

Nimi Luokka Päivämäärä

John H (Jock) Wilson, After the Storm (1800), Folkestone Library – History Resource Centre. Vapaasti käytettävissä oleva teos. Katso tämä kangas liikkuvan valon alla: piirros, lakan alla oleva todellinen väri ja paljas pigmentti

Tiedot

Taiteilija
John H (Jock) Wilson topimpressionists.com/fi/artists/john-h-jock-wilson/
Taiteilijan elinvuodet
1774 – 1855
Maalaus
1800
Alkuperäinen koko
48 x 63 cm
Järjestetty paikassa
Folkestone Library – History Resource Centre topimpressionists.com/fi/museums/folkestone-library-history-resource-centre-folkestone/

Kontekstissa

After the Storm — John H (Jock) Wilson

Mitat

Alkuperäinen koko on 48 × 63 cm (korkeus × leveys), esitetty tässä rinnakkain keskipitkän aikuisen kanssa.

Teos on maalattu milloin?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 81 kuollessa.

Maalattu taiteilijan ollessa 26-vuotias. Taiteilija eli 81-vuotiaaksi. 0 tästä taiteilijasta luettelossamme olevista 5 päivätyöstä on tehty aiemmin.

Varjostettu: John H (Jock) Wilson elämäntyö (1774–1855) ▲ tämä teos, 1800 jokainen päivätty maalaus, vuosikymmen kerrallaan

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: topimpressionists.com/fi/art/similar/john-h-jock-wilson-after-the-storm-AS7RVP-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Espresso #33403f

    Valittu paletti

    • #33403F
    • #5C6159
    • #C1B7A8
    • #8C8271

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Päävärin nimi
    Espresso
    Voimakkuus
    Monochromatic Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Balanced Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Softly Mixed Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Balanced Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Missä päin maailmaa tätä maalausta katsotaan?

    • alle 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja yli
    Tässä teoksessa on yksinään liian vähän rekisteröityjä vierailijoita kartoitettavaksi, joten levyssä näkyvät kaikki John H (Jock) Wilson:n teokset viimeisen kahdentoista kuukauden ajalta — yhteensä 1 maata. Mistä nämä luvut ovat peräisin

    Kymmenen johtavaa maata

    1. 1 Kiina 100,0%

    Etsi kartalta kolme tumminta maata. Sijaitseeko tätä maalausta säilyttävä museo jossakin näistä maista? Kirjoita yksi syy, miksi kaukana asuvat ihmiset saattaisivat katsoa sitä.

    John H (Jock) Wilson teosten 8 katsotuimmat teokset

    1. 1 A Coastal Scene Between Nieuport and Ostend, 1816 14,3%
    2. 2 St Mary Redcliffe from the Floating Harbour 14,3%
    3. 3 Approaching Storm, Entrance to the Firth of Forth 14,3%
    4. 4 Port Scene, 1855 14,3%
    5. 5 Shipping off the Coast 14,3%
    6. 6 Coast Scene, Stormy Effect 14,3%
    7. 7 On the Scheldt 14,3%
    8. — After the Storm, 1800 tämä maalaus 0,0%

    Yhdessä nämä teokset muodostavat 100,0% kaikesta huomiosta, jonka tämän taiteilijan maalaukset ovat saaneet viimeisen kahdentoista kuukauden aikana. Luettelossa on 20 tämän taiteilijan teosta, joista 7 on katsottu vähintään kerran. Tätä maalausta ei ole vielä katsottu kyseisellä ajanjaksolla — se sulkee listan ilman sijoitusta. Sama laskutapa kuukausittain

    Palkit sijoittuvat huomion, eivät laadun mukaan. Valitse ylin teos ja tämä: nimeä yksi asia, joka voisi tehdä maalauksesta kuuluisan muutenkin kuin sen teknisen taituruuden perusteella.

    Taiteilija ja museo

    Taiteilija

    John H (Jock) Wilson

    Early Life and Artistic Beginnings

    John H. “Old Jock” Wilson, born in Ayr, Scotland, in 1774, emerged from a background steeped in the practicalities of maritime life—his father was a merchant sea captain. This early connection to the ocean would profoundly shape his artistic trajectory, imbuing his later works with an authenticity and emotional resonance rarely found in purely academic landscapes. Initially destined for a trade, Wilson’s path took an unexpected turn when he apprenticed as a house painter in Edinburgh at the young age of thirteen. However, it was under the tutelage of Alexander Nasmyth, a prominent Scottish landscape artist, that his true vocation began to blossom. For two years, Wilson honed his skills in Montrose, painting evocative scenes and sharing his burgeoning talent by teaching drawing—a testament to his natural inclination for both creation and instruction.

    London and the Rise to Prominence

    The allure of London beckoned in 1798, a city brimming with artistic opportunity. Wilson initially found work as a scenery painter for Astley’s Amphitheatre and other theatres, a demanding role that nevertheless sharpened his observational skills and mastery of atmospheric perspective. This period proved crucial in developing his ability to capture dramatic light and movement—qualities that would become hallmarks of his mature style. From 1807 onwards, Wilson consistently exhibited at the Royal Academy, showcasing seventy-six paintings over the course of four decades. He also maintained a prolific presence at the British Institution between 1813 and 1854 with an impressive one hundred and forty-four exhibits. His dedication to exhibiting established him within the London art world, garnering recognition for his increasingly sophisticated depictions of coastal scenes and landscapes.

    A Master of Marine Painting

    Wilson’s artistic focus centered on the raw beauty and untamed power of the sea. He wasn't merely documenting coastlines; he was capturing a feeling—the chill spray of waves, the brooding presence of storm clouds, the delicate interplay of light on water. His paintings often featured small ships battling choppy seas, evoking both the vulnerability and resilience of human endeavor against the forces of nature. This realism, combined with a romantic sensibility, resonated deeply with audiences. In 1825, he received a prestigious premium from the British Institution for The Battle of Trafalgar, a work that was subsequently acquired by Lord Northwick—a clear indication of his growing reputation and artistic merit. The painting’s eventual allocation to East Ayrshire Council in 2010 ensured its continued public accessibility, allowing future generations to appreciate Wilson's skill.

    Founding the Society of British Artists

    Wilson wasn’t content simply to exhibit within established institutions; he actively sought to create new avenues for artistic expression. He was a founding member of the Society of British Artists in 1823, an organization dedicated to promoting the work of British artists independent of the Royal Academy's often-conservative standards. His commitment to this society culminated in his presidency in 1827—a testament to his leadership and influence within the artistic community. Simultaneously, he was elected as an honorary member of the Scottish Academy, further solidifying his position as a respected figure on both sides of the border.

    A Legacy Continued Through Generations

    John Wilson’s impact extended beyond his own prolific output; he fostered a family tradition of artistic excellence. His son, John James Wilson (known as “Young Jock”), followed in his father's footsteps and became a painter himself. Even further down the line, his grandson, William John Wilson, continued the lineage as a theatre scene painter and manager—a direct continuation of the profession that had launched his grandfather’s career. This multi-generational dedication speaks volumes about Wilson’s enduring influence and the profound impact he had on those around him. His works continue to captivate viewers with their evocative power, offering a glimpse into the beauty and drama of 19th-century coastal life—a legacy that endures through time.

    Museo

    Folkestone Library – History Resource Centre

    Näytteillä kohteessa Folkestone, United Kingdom

    A Coastal Tapestry of Time and Tide

    Nestled along the rugged Kentish coastline, where the English Channel meets the enduring cliffs, the Folkestone Library – History Resource Centre serves as much more than a mere repository of local lore; it is a profound portal into the very soul of a town shaped by the rhythmic pulse of the sea. To enter this space is to embark on a sensory journey through centuries of maritime adventure and Victorian refinement. The museum breathes with the echoes of seafaring legends, capturing the essence of Folkestone’s evolution from a modest settlement into a bustling, fashionable port. Here, the history of trade, migration, and even the shadows of invasion are woven into a narrative as complex and layered as the coastal landscape itself.

    The museum beautifully captures this maritime heritage, showcasing artifacts that speak to the town's role as a vital shipping hub. Visitors may find themselves captivated by meticulously crafted models of historic vessels, which stand as silent sentinels of an era when the harbour was a gateway between Britain and the continent. This duality—the pull of the sea and the grounding presence of the cliffs—is palpable throughout the collection, fostering a profound appreciation for the town's multifaceted heritage.

    Victorian Splendor and the Romantic Eye

    The architectural presence of the centre, characterized by its elegant

    Neo-Georgian

    symmetry, mirrors the grandeur of the nineteenth century when Folkestone blossomed into a premier seaside retreat. This period of prosperity is vividly reflected in the museum’s curated vistas, particularly through its celebrated collection of landscape paintings. These works, often featured in notable exhibitions such as

    “Kentish Landscapes,”

    offer a window into the Romantic sensibility that once captivated the English aristocracy. For the discerning collector or interior designer, these canvases provide more than just historical insight; they offer a breathtaking visual connection to the dramatic cliffs and turbulent waters of the Kent coast, where light and shadow dance across the painted shoreline.

    Beyond the canvas, the museum vividly recreates the golden age of the Victorian era, offering glimpses into the daily lives, customs, and aspirations of those who flocked to its shores. Imagine strolling through a space that evokes the atmosphere of elegant promenades and lavish social gatherings, where period furnishings and captivating narratives bring the past to life. It is a place where the history of a fashionable resort meets the intimate details of local life, creating an immersive experience that transcends simple observation.

    The Silent Witnesses of Prehistoric Worlds

    Beyond the human chronicles of maritime trade and social ascent lies a deeper, more ancient story etched into the very bedrock of the region. One of the most remarkable treasures housed within the centre is undoubtedly the

    Samuel Joseph Mackie Fossil Collection

    . This assembly of ammonites and belemnites serves as a magnificent window into a world lost to time, offering compelling evidence of the prehistoric life that once thrived in this region long before human presence. These specimens are not presented merely as isolated scientific curiosities; rather, they are contextualized within their environment, allowing visitors to appreciate the intricate web of life that existed in the deep geological past.

    This collection, a testament to Folkestone’s immense geological significance, sparks a sense of wonder and curiosity. By examining these ancient remains alongside detailed maps illustrating prehistoric shoreline positions, one gains a profound understanding of the deep time that underpins our modern world. The Folkestone Library – History Resource Centre stands as a living hub for discovery, where the echoes of the sea, the grandeur of Victorian art, and the whispers of prehistoric life converge to create an unforgettable cultural experience.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää After the Storm lataussivulle

    topimpressionists.com/fi/art/download/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Teoksen lähdeviite

    MLA
    Wilson, John H (Jock). After the Storm. 1800, Folkestone Library – History Resource Centre. https://topimpressionists.com/fi/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    APA
    Wilson, John H (Jock) (1800). After the Storm [Painting]. Folkestone Library – History Resource Centre. https://topimpressionists.com/fi/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Chicago
    John H (Jock) Wilson. After the Storm. 1800. Folkestone Library – History Resource Centre. https://topimpressionists.com/fi/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Harvard
    Wilson, John H (Jock) (1800) After the Storm. Folkestone Library – History Resource Centre. Available at: https://topimpressionists.com/fi/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Katso tarkemmin

    After the Storm — John H (Jock) Wilson

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen Fair on the Town Moor, Newcastle (1810). Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    4. John H (Jock) Wilson oli noin 26-vuotias tämän teoksen syntyhetkellä. Mikä teoksessa näyttää taiteilijan työlle tuossa vaiheessa?
    5. Mitä taiteilija on ehkä halunnut sinun tuntevan?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Kysymykset ja vastaukset

    Voinko nähdä teoksen John H (Jock) Wilson:n "After the Storm" omalla seinälläni ennen ostopäätöstä?

    Teoksen John H (Jock) Wilson:n "After the Storm" AR-esikatselu sivu käyttää lisättyä todellisuutta näyttääkseen teoksen omassa tilassasi yhteensopivalla laitteella.

    Ovatko teoksen John H (Jock) Wilson:n "After the Storm" värit kylläisiä vai hillittyjä?

    Teoksen John H (Jock) Wilson:n "After the Storm" värikylläisyys on Muted.

    Onko John H (Jock) Wilson teos "After the Storm" tekijänoikeudeltaan vapaa (public domain), ja miksi?

    John H (Jock) Wilson teos "After the Storm" on tekijänoikeusvapaa – sen tekijänoikeussuoja on päättynyt. Tekijänoikeusajat lasketaan taiteilijan kuolinvuodesta, ja John H (Jock) Wilson kuoli vuonna 1855.