Mrs. Benajah Johnson (1830) on teos, josta A. Patrick tunnetaan parhaiten; se kuuluu museoon Smithsonian American Art Museum, kaupungissa Washington, D.C.. Katalogissamme on 2 teosta taiteilijalta A. Patrick. Tässä ovat 2 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | A. Patrick teokset | Tämän listan maalaukset |
|---|---|---|---|
| Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Tämän sivun A. Patrick -taiteilijan historialliset kankaat ovat kaikki vuodelta 1830: tässä ne ovat, suosituimmuusjärjestyksessä.
Mrs. Benajah Johnson (1830)
Katalogissamme on 2 teosta taiteilijalta A. Patrick.
Pääasiassa kohteissa Smithsonian American Art Museum (Washington, D.C.); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Aikakaudella 1830, jolta on 2 tästä sivusta löytyvää 2 teoksesta, joukossa on Mrs. Benajah Johnson.
Smithsonian American Art Museum, Washington, D.C. -museossa on 2 tämän sivun teoksista, mukaan lukien Mrs. Benajah Johnson ja Benajah Johnson.
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.