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      Adèle Romany, 1769 – 1846

      Adèle Romanyn 37 tunnetuinta maalausta

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) on teos, josta Adèle Romany tunnetaan parhaiten; se kuuluu museoon National Museum of Women in the Arts, kaupungissa Washington, D.C.. Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804) täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 39 teosta taiteilijalta Adèle Romany. Tässä ovat 37 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      Adèle Romany muotokuva
      Adèle Romany · 1769 – 1846
      Syntynyt · kuollut
      1769 – 1846, Paris
      Taidesuuntaus
      Neoclassicism
      Teokset valikoimassamme
      39
      Tunnetuimmat
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Eniten teoksia kohteessa
      Library-museum of the Comédie-Française

      Adèle Romany -taiteilijan kymmenen rakastetuinta maalausta

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tekijä Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Käsinmaalattu öljyreprosentio alkaen $178 27 × 36 cm Alkuperäisen kokoinen $522 97 × 128 cm Tilaa alkuperäisen kokoisena →
      Madame Coury, Duhamel Widow (1811) tekijä Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Tukholma

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Käsinmaalattu öljyreprosentio alkaen $178 28 × 36 cm Alkuperäisen kokoinen $467 90 × 117 cm Tilaa alkuperäisen kokoisena →
      Portrait of a Young Woman (1804) tekijä Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Pariisi

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Käsinmaalattu öljyreprosentio alkaen $178 29 × 35 cm Alkuperäisen kokoinen $242 51 × 61 cm Tilaa alkuperäisen kokoisena →
      Portrait of Julie Candeille (1791) tekijä Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Käsinmaalattu öljyreprosentio alkaen $178 29 × 34 cm
      Portrait of a Young Harpist (1795) tekijä Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Käsinmaalattu öljyreprosentio alkaen $178 28 × 35 cm Alkuperäisen kokoinen $351 73 × 92 cm Tilaa alkuperäisen kokoisena →
      Portrait of a woman (1795) tekijä Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Pariisi

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Käsinmaalattu öljyreprosentio alkaen $178 29 × 35 cm Alkuperäisen kokoinen $291 62 × 76 cm Tilaa alkuperäisen kokoisena →
      Portrait of Amélie-Justine Pontois (1795) tekijä Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Käsinmaalattu öljyreprosentio alkaen $178 28 × 36 cm Alkuperäisen kokoinen $240 49 × 61 cm Tilaa alkuperäisen kokoisena →
      Charles-Antoine d'Artenay (1792) tekijä Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Käsinmaalattu öljyreprosentio alkaen $178 29 × 35 cm Alkuperäisen kokoinen $253 53 × 65 cm Tilaa alkuperäisen kokoisena →
      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) tekijä Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      Käsinmaalattu öljyreprosentio alkaen $203 28 × 35 cm Alkuperäisen kokoinen $377 73 × 92 cm Tilaa alkuperäisen kokoisena →
      A young person hesitating to play the piano in front of her family (1804) tekijä Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      Käsinmaalattu öljyreprosentio alkaen $278 36 × 28 cm Alkuperäisen kokoinen $746 146 × 113 cm Tilaa alkuperäisen kokoisena →

      Adèle Romany: kankaat, sijoitukset 11–37

      Mlle Raucourt as Agrippine (1812) tekijä Adèle Romany
      #22

      Mlle Raucourt as Agrippine

      1812 · Library-museum of the Comédie-Française

      In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

      Tuo tämä valo kotiisi alkaen $178 →
      Portrait of Fleury (1818) tekijä Adèle Romany
      #28

      Portrait of Fleury

      1818 · Library-museum of the Comédie-Française

      A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…

      Saatko käsinmaalattuna alkaen $178 →
      Baptiste cadet (1832) tekijä Adèle Romany
      #36

      Baptiste cadet

      1832 · Library-museum of the Comédie-Française

      The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

      Tuo tämä valo kotiisi alkaen $178 →

      Adèle Romany’n kankaat aikakausittain

      Mitä Adèle Romany maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Missä Adèle Romanyn kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 8 museota.

      Museo Kaupunki Adèle Romany teokset Tämän listan maalaukset
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, TukholmaNationalmuseum Tukholma 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, PariisiMusée Marmottan Monet Pariisi 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, PariisiMusée Jacquemart-André Pariisi 1 Portrait of a woman

      Adèle Romanyn kuuluisin kangas, vuosikymmenestä toiseen

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) tekijä Adèle Romany
        3 / 37

        Portrait of a Young Woman

        Ikä 31–40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) tekijä Adèle Romany
        Kangas 2 / 37

        Madame Coury, Duhamel Widow

        Ikä 41–50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) tekijä Adèle Romany
        Sijoitus 32 / 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        Ikä 61–70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      Adèle Romanyn kankaat, kysymys kerrallaan

      Mistä maalauksesta Adèle Romany tunnetaan parhaiten?Lue vastaus

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Seuraavina ovat Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: kuinka vanha Adèle Romany oli teoksen maalauksen aikaan?Lue vastaus

      Adèle Romany, syntynyt vuonna 1769, oli 26 vuotta vanha: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou on peräisin vuodelta 1795.

      Mitkä ovat Adèle Romany'n kymmenen kuuluisinta taulua?Lue vastaus

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ja A young person hesitating to play the piano in front of her family. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta maalausta Adèle Romany loi?Lue vastaus

      Luettelossamme on 39 teosta taiteilijalta Adèle Romany, aikaväliltä 1791–1836.

      Missä Adèle Romany'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) ja Museum of Fine Arts (Boston); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Milloin Adèle Romany maalasi kuuluisimmat teoksensa?Lue vastaus

      Aikakaudella 1800s, jolta on 13 tästä sivusta löytyvää 37 teoksesta, joukossa on Portrait of a Young Woman.

      Mikä kuuluisa Adèle Romany -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on Portrait of Julie Candeille (1791); uusin on Portrait of Voltaire (1836).

      Mitä aiheita Adèle Romany maalasi eniten?Lue vastaus

      Woman (24), Man (14) ja White dress (6), yhteensä 37 teosta tällä sivulla.

      Mitä tekniikkaa Adèle Romany käyttää eniten maalauksissaan?Lue vastaus

      Oil On Canvas, käytetty 29 teoksessa sivun 37 teoksesta.

      Mihin taidesuuntaukseen Adèle Romany kuuluu?Lue vastaus

      Neoclassicism, kuten tämän sivun teokset osoittavat.

      Mitkä Adèle Romany -taiteilijan teokset kuuluvat Library-museum of the Comédie-Française -museon kokoelmiin?Lue vastaus

      Library-museum of the Comédie-Française, Paris -museossa on 5 tämän sivun teoksista, mukaan lukien Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ja Portrait of Fleury.

      Mistä voin ostaa Adèle Romany -taiteilijan maalauksen reproduktiota?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Tapaa taiteilija: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.