Benjamin Raborg suosituin maalaus on Night Scene of Indian Tipi (1895), joka sijaitsee kohteessa Smithsonian American Art Museum, Washington, D.C.. Katalogissamme on 1 teosta taiteilijalta Benjamin Raborg: tässä ovat 1 kuuluisinta, jokaisesta on ilmoitettu vuosi, museo sekä se, mikä tekee teoksesta erityisen.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Benjamin Raborg teokset | Tämän listan maalaukset |
|---|---|---|---|
| Washington, D.C. | 1 | Night Scene of Indian Tipi |
Kaikki tällä sivulla olevat Benjamin Raborg -taiteilijan päivätyöt on maalattu vuonna 1895; tässä ovat ne, alkaen kuuluisimmista.
Night Scene of Indian Tipi (1895)
Benjamin Raborg, syntynyt vuonna 1871, oli 24 vuotta vanha: Night Scene of Indian Tipi on peräisin vuodelta 1895.
Katalogissamme on 1 teosta taiteilijalta Benjamin Raborg.
Pääasiassa kohteissa Smithsonian American Art Museum (Washington, D.C.); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.