Forest Landscape with Bathing Children (1867) on teos, josta Carl Ebert tunnetaan parhaiten; se kuuluu museoon Bavarian State Painting Collections, kaupungissa München. Evening Landscape (1875) ja Landscape society in a park täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 5 teosta taiteilijalta Carl Ebert. Tässä ovat 5 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Carl Ebert teokset | Tämän listan maalaukset |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Noin vuosikymmen maalauspöydän ääressä, 1867–1875: Carl Ebertn vuosiluvulliset kankaat, vuosi toisensa jälkeen.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Seuraavina ovat Evening Landscape (1875) ja Landscape society in a park.
Carl Ebert, syntynyt vuonna 1821, oli 46 vuotta vanha: Forest Landscape with Bathing Children on peräisin vuodelta 1867.
Luettelossamme on 5 teosta taiteilijalta Carl Ebert, aikaväliltä 1867–1875.
Pääasiassa kohteissa Bavarian State Painting Collections (München) ja Lenbachhaus (München); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Varhaisin tässä kokoelmassa oleva kangas on Forest Landscape with Bathing Children (1867); uusin on Evening Landscape (1875).
Bavarian State Painting Collections, München -museossa on 2 tämän sivun teoksista, mukaan lukien Forest Landscape with Bathing Children ja Evening Landscape.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.