Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      Daniel Saint, 1778 – 1847

      Daniel Saintn 5 tunnetuinta maalausta

      Portrait de Mme Savary, duchesse de Rovigo (1840) on teos, josta Daniel Saint tunnetaan parhaiten. Portrait of the duchess of berry ja Unknown Man täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 7 teosta taiteilijalta Daniel Saint. Tässä ovat 5 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      Daniel Saint muotokuva
      Daniel Saint · 1778 – 1847
      Syntynyt · kuollut
      1778 – 1847, Saint-Lô
      Teokset valikoimassamme
      7
      Tunnetuimmat
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Eniten teoksia kohteessa
      Nationalmuseum

      Daniel Saint -taiteilijan kymmenen rakastetuinta maalausta

      Lady with a Greyhound (1842) tekijä Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Käsinmaalattu öljyreprosentio alkaen $178 24 × 41 cm

      Missä Daniel Saintn kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 2 museota.

      Museo Kaupunki Daniel Saint teokset Tämän listan maalaukset
      Nationalmuseum, TukholmaNationalmuseum Tukholma 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saintn kuuluisimmat teokset, vuosi toisensa jälkeen

      Daniel Saint -taiteilijan täällä esitetyt kankaat kattavat vain 3 vuotta, vuodesta 1840 vuoteen 1842: vuosi toisensa jälkeen.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) tekijä Daniel Saint
        Kangas 5 / 5

        Lady with a Greyhound

        Ikä 64 vuotta

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saintn kankaat, kysymys kerrallaan

      Mistä maalauksesta Daniel Saint tunnetaan parhaiten?Lue vastaus

      Portrait de Mme Savary, duchesse de Rovigo (1840), jota seuraavat Portrait of the duchess of berry ja Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: kuinka vanha Daniel Saint oli teoksen maalauksen aikaan?Lue vastaus

      Daniel Saint, syntynyt vuonna 1778, oli 62 vuotta vanha: Portrait de Mme Savary, duchesse de Rovigo on peräisin vuodelta 1840.

      Kuinka monta maalausta Daniel Saint loi?Lue vastaus

      Luettelossamme on 7 teosta taiteilijalta Daniel Saint, aikaväliltä 1840–1842.

      Missä Daniel Saint'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa Nationalmuseum (Tukholma) ja Château de Chambord (Chambord); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Mikä kuuluisa Daniel Saint -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on Portrait de Mme Savary, duchesse de Rovigo (1840); uusin on Lady with a Greyhound (1842).

      Mitkä Daniel Saint -taiteilijan teokset kuuluvat Nationalmuseum -museon kokoelmiin?Lue vastaus

      Nationalmuseum, Tukholma -museossa on 2 tämän sivun teoksista, mukaan lukien Unknown Man ja Charles X, King of France and Navarre.

      Mistä voin ostaa Daniel Saint -taiteilijan maalauksen reproduktiota?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Tapaa taiteilija: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.