1
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
Käsinmaalattu öljyreprosentio alkaen $178 26 × 39 cm
Daswanth, 1500 – 1584
4 kuuluisinta Daswanth -maalausta, järjestettynä
Daswanth suosituin maalaus on The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), joka sijaitsee kohteessa Clevelandin taidemuseo, Cleveland. Seuraavina listalla ovat The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ja The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560), jotka ovat lukijoiden tunnetuimpia teoksia. Katalogissamme on 4 teosta taiteilijalta Daswanth: tässä ovat 4 kuuluisinta, jokaisesta on ilmoitettu vuosi, museo sekä se, mikä tekee teoksesta erityisen.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.
- Syntynyt · kuollut
- 1500 – 1584
- Teokset valikoimassamme
- 4
- Tunnetuimmat
- The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560)
- Eniten teoksia kohteessa
- Clevelandin taidemuseo
Daswanth parhaat 10 maalausta: teokset, jotka kaikki tuntevat
2
The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night
Käsinmaalattu öljyreprosentio alkaen $328 25 × 39 cm
3
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
Käsinmaalattu öljyreprosentio alkaen $178 26 × 39 cm
4
Umar Defeats a Dragon
Käsinmaalattu öljyreprosentio alkaen $1453 28 × 36 cm
Alkuperäisen kokoinen $1540 55 × 70 cm Tilaa alkuperäisen kokoisena →
Missä Daswanthn kankaat riippuvat
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Daswanth teokset | Tämän listan maalaukset |
|---|---|---|---|
 Clevelandin taidemuseo |
Cleveland | 3 | The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night |
 MAK – Museum of Applied Arts |
Wien | 1 | Umar Defeats a Dragon |
Daswanthn suosituimmat teokset vuosi vuodelta
Daswanth maalauspöydän ääressä yli 18 vuotta, 1560–1577: vuosittain rakastetuimmat teokset aikajärjestyksessä.
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1560
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1560
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1560
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1577
Kangas 4 / 4
Umar Defeats a Dragon
Tietoa Daswanth -taiteilijan kankaista: vastauksia kysymyksiisi
Mikä on Daswanth tunnetuin maalaus?Lue vastaus
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), Clevelandin taidemuseo, Cleveland. Seuraavina ovat The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ja The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).
Kuinka vanha Daswanth oli, kun The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) maalattiin?Lue vastaus
Daswanth, syntynyt vuonna 1500, oli 60 vuotta vanha: The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) on peräisin vuodelta 1560.
Kuinka monta teosta Daswanth maalasi yhteensä?Lue vastaus
Luettelossamme on 4 teosta taiteilijalta Daswanth, aikaväliltä 1560–1577.
Mistä voin nähdä Daswanth'n kuuluisimmat kankaat?Lue vastaus
Pääasiassa kohteissa Clevelandin taidemuseo (Cleveland) ja MAK – Museum of Applied Arts (Wien); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Milloin Daswanth maalasi rakastetuimmat teoksensa?Lue vastaus
Aikakaudella 1560, jolta on 3 tästä sivusta löytyvää 4 teoksesta, joukossa on The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot).
Mitkä ovat Daswanth's varhaisimmat ja viimeisimmät kuuluisat maalaukset?Lue vastaus
Varhaisin tässä kokoelmassa oleva kangas on The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560); uusin on Umar Defeats a Dragon (1577).
Mitä Daswanth -teoksia Clevelandin taidemuseo -museossa on esillä?Lue vastaus
Clevelandin taidemuseo, Cleveland -museossa on 3 tämän sivun teoksista, mukaan lukien The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night ja The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night.
Voinko ostaa Daswanth -teoksen reproduktioita kankaalle?Lue vastaus
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.
Daswanth: elämä maalauksessa
The Creative Spirit of the Mughal Era
Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.
His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.
Masterpieces and Contributions
Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:
- Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
- Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.
His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.