Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      Eddie Arning, 1898 – 1993

      Eddie Arningn 21 tunnetuinta maalausta

      Six Figures with Pigeons and Buildings (1970) on teos, josta Eddie Arning tunnetaan parhaiten. Two Soldiers (1968) ja Blue Churn on Yellow (1964) täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 21 teosta taiteilijalta Eddie Arning. Tässä ovat 21 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen haut, vierailut ja tilaukset. Päivitetty marraskuu 2026.

      Eddie Arning muotokuva
      Eddie Arning · 1898 – 1993
      Syntynyt · kuollut
      1898 – 1993
      Teokset valikoimassamme
      21
      Tunnetuimmat
      Six Figures with Pigeons and Buildings (1970)

      Eddie Arning -taiteilijan kymmenen rakastetuinta maalausta

      Two Soldiers (1968) tekijä: Vincent van Gogh Eddie Arning
      2

      Two Soldiers

      1968

      The painting "Two Soldiers" is a remarkable work of art created by Eddie Arning in 1968. This crayon on paper piece measures 48 x 64 cm and is currently housed at the Smithsonian American Art Museum in the United States. As a professional expert in Art and salesman for https://AllPaintingsStore.com, I can appreciate the unique style and technique employed by Eddie Arning in this piece. Artist Background Eddie Arning was…

      Eddie Arning: kankaat, sijoitukset 11–21

      Jesus Craze (1972) tekijä: Vincent van Gogh Eddie Arning
      #21

      Jesus Craze

      1972

      The painting "Jesus Craze" by Eddie Arning is a thought-provoking artwork that showcases the artist's unique style and technique. Created in 1972, this oil on paper piece measures…

      Mitä Eddie Arning maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Eddie Arningn kuuluisimmat teokset, vuosi toisensa jälkeen

      Noin vuosikymmen maalauspöydän ääressä, 1964–1973: Eddie Arningn vuosiluvulliset kankaat, vuosi toisensa jälkeen.

      1. 1964
      2. 1964
      3. 1964
      4. 1966
        Windmill (1966) tekijä: Vincent van Gogh Eddie Arning
        Sijoitus 5 / 21

        Windmill

        Ikä 68 vuotta
      5. 1967
      6. 1968
        Two Soldiers (1968) tekijä: Vincent van Gogh Eddie Arning
        2 / 21

        Two Soldiers

        Ikä 70 vuotta

        The painting "Two Soldiers" is a remarkable work of art created by Eddie Arning in 1968. This crayon on paper piece measures 48 x 64 cm and is…

      7. 1968
      8. 1969
      9. 1969
        Airplane (1969) tekijä: Vincent van Gogh Eddie Arning
        Sijoitus 10 / 21

        Airplane

        Ikä 71 vuotta
      10. 1969
        Birds (1969) tekijä: Vincent van Gogh Eddie Arning
        Kangas 11 / 21

        Birds

        Ikä 71 vuotta
      11. 1969
      12. 1970
      13. 1970
      14. 1970
      15. 1970
      16. 1970
      17. 1971
      18. 1972
      19. 1972
      20. 1972
        Jesus Craze (1972) tekijä: Vincent van Gogh Eddie Arning
        Kangas 21 / 21

        Jesus Craze

        Ikä 74 vuotta

        The painting "Jesus Craze" by Eddie Arning is a thought-provoking artwork that showcases the artist's unique style and technique. Created in 1972, this oil on paper piece measures…

      21. 1973

      Eddie Arningn kankaat, kysymys kerrallaan

      Mistä maalauksesta Eddie Arning tunnetaan parhaiten?Lue vastaus

      Six Figures with Pigeons and Buildings (1970), jota seuraavat Two Soldiers (1968) ja Blue Churn on Yellow (1964).

      Six Figures with Pigeons and Buildings: kuinka vanha Eddie Arning oli teoksen maalauksen aikaan?Lue vastaus

      Eddie Arning, syntynyt vuonna 1898, oli 72 vuotta vanha: Six Figures with Pigeons and Buildings on peräisin vuodelta 1970.

      Mitkä ovat Eddie Arning'n kymmenen kuuluisinta taulua?Lue vastaus

      Six Figures with Pigeons and Buildings, Two Soldiers, Blue Churn on Yellow, The Forest, Windmill, Red Boat on Blue, Colonel Sanders, Three Men in a Circle, Two Houses ja Airplane. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta maalausta Eddie Arning loi?Lue vastaus

      Luettelossamme on 21 teosta taiteilijalta Eddie Arning, aikaväliltä 1964–1973.

      Milloin Eddie Arning maalasi kuuluisimmat teoksensa?Lue vastaus

      Aikakaudella 1970, jolta on 5 tästä sivusta löytyvää 21 teoksesta, joukossa on Six Figures with Pigeons and Buildings.

      Mikä kuuluisa Eddie Arning -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on Blue Churn on Yellow (1964); uusin on Mother Feeding Children (1973).

      Tapaa taiteilija: Eddie Arning

      A Vision in Crayon: The Singular World of Eddie Arning

      Eddie Arning (1898-1993) was an American outsider artist whose work, largely created during the latter half of his life, offers a profoundly unique and compelling vision of faith, Americana, and everyday existence. Born in Texas, Arning lived a relatively quiet life as a farmer and handyman before embarking on a prolific artistic journey that would only gain recognition after his death. He wasn’t formally trained; his medium was almost exclusively crayon, and his subjects sprang from the depths of his personal beliefs and observations. To call him “self-taught” feels inadequate – Arning didn't seek instruction, he simply *needed* to create, driven by an inner compulsion that manifested in a vibrant, often startlingly direct style. His art isn’t about technical mastery; it’s about raw expression, unwavering conviction, and the unfiltered translation of his internal world onto paper.

      From Farm Life to Artistic Revelation

      Arning's early life provided little indication of the artistic fervor that would later consume him. He worked the land, a practical existence far removed from galleries or art schools. The turning point appears to have come in his 60s, when he began producing an astonishing number of crayon drawings and paintings. These weren’t sketches or preliminary studies; they were fully realized works, often large in scale, depicting scenes ranging from biblical narratives – particularly those surrounding Jesus Christ – to depictions of contemporary American life, rural landscapes, and even abstract patterns. The sheer volume of his output is remarkable, suggesting a relentless creative energy that demanded release. He wasn’t creating for an audience; he was creating because he *had* to. This inherent need is crucial to understanding the power and authenticity of his work. His home became filled with these images, transforming his living space into a personal chapel and gallery simultaneously.

      Themes and Symbolism: A Personal Mythology

      The core of Arning’s artistic vision revolves around religious themes, specifically his interpretation of Christianity. However, his depictions of Jesus are far from conventional. They are often intensely emotional, sometimes unsettling, and imbued with a distinctly personal symbolism. Figures radiate light, appear in multiple forms within the same composition, or are surrounded by swirling patterns that suggest divine energy. Beyond religious iconography, Arning’s work is populated with scenes of everyday life – families, farm animals, cars, houses – rendered with a naive simplicity that belies their emotional depth. He frequently incorporated text into his works, often repeating phrases or biblical verses, further emphasizing the spiritual and moral weight he attached to his subjects. Vintage Americana is also a key element; images of mid-century automobiles, clothing styles, and domestic interiors ground his visions in a specific time and place, creating a fascinating juxtaposition between the sacred and the mundane. The repetition of certain motifs – stars, crosses, swirling lines – suggests a personal mythology that unfolds across the breadth of his oeuvre.

      Technique and Style: The Power of Crayon

      Arning’s choice of crayon as his primary medium is perhaps one of the most striking aspects of his work. It's an unconventional material for serious art, often associated with childhood or amateur expression. Yet, Arning wielded it with remarkable skill and intensity. He layered colors to create depth and texture, used bold outlines to define forms, and exploited the inherent vibrancy of the crayon itself. His style is characterized by a naive simplicity, a lack of traditional perspective or anatomical accuracy that contributes to the raw emotional power of his images. The slightly waxy texture of the crayon adds another layer of tactility to his work, inviting viewers to engage with it on a visceral level. He often worked on large sheets of paper or cardboard, creating expansive compositions that envelop the viewer in his world. This deliberate choice of scale and medium reinforces the sense of immediacy and authenticity that defines his art.

      Legacy and Historical Significance: The Outsider’s Voice

      Eddie Arning remained largely unknown during his lifetime. His work was discovered after his death by a collector who recognized its extraordinary power and originality. Since then, it has gained increasing attention from the art world, earning him recognition as a significant figure in outsider art and American folk art. Arning’s work challenges conventional notions of artistic training and skill, demonstrating that profound creativity can emerge from unexpected sources. His unwavering faith, his unique vision, and his raw emotional expression resonate deeply with viewers, offering a glimpse into the inner world of an artist who remained true to himself despite – or perhaps because of – his isolation. He stands as a testament to the power of art as a means of personal revelation and spiritual exploration, a voice from the margins that continues to captivate and inspire.
      • His work is now held in numerous private collections and museums.
      • Arning’s “Jesus craze” artwork has become particularly sought after by collectors.
      • He represents a significant example of self-taught American art from the 20th century.