Along the River Front, New York (1912) on teos, josta Everett Warner tunnetaan parhaiten; se kuuluu museoon Toledo Museum of Art, kaupungissa Toledo. Katalogissamme on 5 teosta taiteilijalta Everett Warner. Tässä ovat 2 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen haut, vierailut ja tilaukset. Päivitetty marraskuu 2026.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Everett Warner teokset | Tämän listan maalaukset |
|---|---|---|---|
| Toledo | 1 | Along the River Front, New York | |
| New York | 1 | "Manhattan Contrasts," New York City |
Everett Warner’n aikakauden kankaat tällä sivulla ulottuvat vuodesta 1912 vuoteen 1917, vain 6 vuoden ajalta: tässä ne ovat, vuosi vuodelta.
Along the River Front, New York (1912)
Everett Warner, syntynyt vuonna 1877, oli 35 vuotta vanha: Along the River Front, New York on peräisin vuodelta 1912.
Luettelossamme on 5 teosta taiteilijalta Everett Warner, aikaväliltä 1912–1917.
Pääasiassa kohteissa Toledo Museum of Art (Toledo) ja New York Historical Society (New York); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Varhaisin tässä kokoelmassa oleva kangas on Along the River Front, New York (1912); uusin on "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.