Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      Fred Roe, 1864 – 1947

      Fred Roen 24 tunnetuinta maalausta

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) on teos, josta Fred Roe tunnetaan parhaiten. The Passing of John Sargent (1947) ja May the Eighth täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 24 teosta taiteilijalta Fred Roe. Tässä ovat 24 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      Fred Roe muotokuva
      Fred Roe · 1864 – 1947
      Syntynyt · kuollut
      1864 – 1947, Cambridge
      Teokset valikoimassamme
      24
      Tunnetuimmat
      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)
      Eniten teoksia kohteessa
      Guildhall Art Gallery

      Fred Roe -taiteilijan kymmenen rakastetuinta maalausta

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) tekijä Fred Roe
      1

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front

      1915 · Oil

      The darkness of the Western Front presses in from all sides, heavy and absolute, yet a small circle of light holds the night at bay. Around a central campfire, soldiers gather, their forms etched against the gloom by the flickering orange glow of the flames. Some men sit on the earth, their bodies slumped in exhaustion, while others stand, perhaps watching the embers or lost in thought. The fire acts…

      Käsinmaalattu öljyreprosentio alkaen $178 27 × 37 cm Alkuperäisen kokoinen $711 108 × 173 cm Tilaa alkuperäisen kokoisena →
      The Passing of John Sargent (1947) tekijä Fred Roe
      2

      The Passing of John Sargent

      1947 · Oil On Canvas · Guildhall Art Gallery, Lontoo

      The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the quietude of a grand cathedral. Fred Roe, the artist behind this large-scale work, directs our gaze toward a gathering of clergymen and dignitaries. They stand assembled around an altar, their presence filling the space with a sense of formal ritual and heavy…

      Käsinmaalattu öljyreprosentio alkaen $453 40 × 25 cm Alkuperäisen kokoinen $935 163 × 104 cm Tilaa alkuperäisen kokoisena →
      May the Eighth tekijä Fred Roe
      3

      May the Eighth

      Oil

      In this oil painting, titled May the Eighth, Fred Roe captures a moment of profound historical weight. Created about 1915, the work belongs to the artist's significant period of engagement with the realities of the Great War. It is a piece that reflects the gravity of the era through its specific focus on military movement and the human cost of conflict.

      Käsinmaalattu öljyreprosentio alkaen $178 37 × 27 cm Alkuperäisen kokoinen $447 116 × 85 cm Tilaa alkuperäisen kokoisena →

      Fred Roe: kankaat, sijoitukset 11–24

      S. O. S (1929) tekijä Fred Roe
      #17

      S. O. S

      1929 · Grundy Art Gallery

      The painting "S. O. S" by Fred Roe is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1929, this oil…

      Tilaa tämä kangas alkaen $178 →

      Mitä Fred Roe maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Missä Fred Roen kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 7 museota.

      Museo Kaupunki Fred Roe teokset Tämän listan maalaukset
      Guildhall Art Gallery, LontooGuildhall Art Gallery Lontoo 2 The Passing of John Sargent, Recruiting in the Guildhall, London, by Sir Charles Wakefield
      Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Nelson Leaving Portsmouth for the 'Victory', 1805
      Shakespeare Birthplace Trust, AvonShakespeare Birthplace Trust Avon 1 Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire
      Wycombe District Council Offices, High WycombeWycombe District Council Offices High Wycombe 1 West Wycombe, Buckinghamshire
      Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 The Toast is England
      Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 1 S. O. S
      Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 The News, Chelsea Pensioners

      Fred Roen kuuluisin kangas, vuosikymmenestä toiseen

      1. 1890s
      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s
      6. 1940s
        The Passing of John Sargent (1947) tekijä Fred Roe
        2 / 24

        The Passing of John Sargent

        Ikä 76–83 · Guildhall Art Gallery

        The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the…

      Fred Roen kankaat, kysymys kerrallaan

      Mistä maalauksesta Fred Roe tunnetaan parhaiten?Lue vastaus

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915), jota seuraavat The Passing of John Sargent (1947) ja May the Eighth.

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front: kuinka vanha Fred Roe oli teoksen maalauksen aikaan?Lue vastaus

      Fred Roe, syntynyt vuonna 1864, oli 51 vuotta vanha: Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front on peräisin vuodelta 1915.

      Mitkä ovat Fred Roe'n kymmenen kuuluisinta taulua?Lue vastaus

      Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, The Passing of John Sargent, May the Eighth, Nelson Leaving Portsmouth for the 'Victory', 1805, The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, West Wycombe, Buckinghamshire, The Toast is England, The Return of the Hero (Lord Nelson) ja Nathaniel Louis Cohen. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta maalausta Fred Roe loi?Lue vastaus

      Luettelossamme on 24 teosta taiteilijalta Fred Roe, aikaväliltä 1890–1947.

      Missä Fred Roe'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa Guildhall Art Gallery (Lontoo), Victoria Art Gallery (Bath) ja Shakespeare Birthplace Trust (Avon); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Milloin Fred Roe maalasi kuuluisimmat teoksensa?Lue vastaus

      Aikakaudella 1920s, jolta on 5 tästä sivusta löytyvää 24 teoksesta, joukossa on Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Mikä kuuluisa Fred Roe -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on Nelson Leaving Portsmouth for the 'Victory', 1805 (1890); uusin on The Passing of John Sargent (1947).

      Mitä tekniikkaa Fred Roe käyttää eniten maalauksissaan?Lue vastaus

      Oil, käytetty 2 teoksessa sivun 24 teoksesta.

      Mitkä Fred Roe -taiteilijan teokset kuuluvat Guildhall Art Gallery -museon kokoelmiin?Lue vastaus

      Guildhall Art Gallery, Lontoo -museossa on 2 tämän sivun teoksista, mukaan lukien The Passing of John Sargent ja Recruiting in the Guildhall, London, by Sir Charles Wakefield.

      Mistä voin ostaa Fred Roe -taiteilijan maalauksen reproduktiota?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Tapaa taiteilija: Fred Roe

      The Visionary Brush of Fred Roe

      To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

      The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

      From London Studios to the American Frontier

      A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

      This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

      A Legacy of Detail and Discovery

      Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

      As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

      • Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.
      • Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.
      • Cultural Documentation: His role as a visual historian for both the English past and the American frontier.
      • Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

      Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.