Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      Frederic Yates, 1854 – 1919

      16 kuuluisinta Frederic Yates -maalausta, järjestettynä

      Frederic Yatesn suosituin maalaus on Charlotte Mason (1842–1923) (1902). Seuraavina listalla ovat Path on Nab Scar (1900) ja At Dent, August 1904 (1904), jotka ovat lukijoiden tunnetuimpia teoksia. Katalogissamme on 16 teosta taiteilijalta Frederic Yates: tässä ovat 16 kuuluisinta, jokaisesta on ilmoitettu vuosi, museo sekä se, mikä tekee teoksesta erityisen.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      Frederic Yates muotokuva
      Frederic Yates · 1854 – 1919
      Syntynyt · kuollut
      1854 – 1919, Southampton
      Teokset valikoimassamme
      16
      Tunnetuimmat
      Charlotte Mason (1842–1923) (1902)
      Eniten teoksia kohteessa
      Abbot Hall Art Gallery

      Frederic Yates parhaat 10 maalausta: teokset, jotka kaikki tuntevat

      Charlotte Mason (1842–1923) (1902) tekijä Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Käsinmaalattu öljyreprosentio alkaen $178 27 × 37 cm Alkuperäisen kokoinen $211 40 × 52 cm Tilaa alkuperäisen kokoisena →

      Lisää Frederic Yates -kangasmaalauksia, 11–16

      Missä Frederic Yatesn kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 5 museota.

      Museo Kaupunki Frederic Yates teokset Tämän listan maalaukset
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Frederic Yatesn suosituimmat teokset vuosi vuodelta

      15 vuotta maalauspöydän ääressä, vuodesta 1900 vuoteen 1914: Frederic Yates'n rakastetuimmat teokset, vuosi vuodelta.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) tekijä Frederic Yates
        16 / 16

        Girl with a Pigeon

        Ikä 47 vuotta · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) tekijä Frederic Yates
        Kangas 1 / 16

        Charlotte Mason (1842–1923)

        Ikä 48 vuotta

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      Tietoa Frederic Yates -taiteilijan kankaista: vastauksia kysymyksiisi

      Mikä on Frederic Yates tunnetuin maalaus?Lue vastaus

      Charlotte Mason (1842–1923) (1902), jota seuraavat Path on Nab Scar (1900) ja At Dent, August 1904 (1904).

      Kuinka vanha Frederic Yates oli, kun Charlotte Mason (1842–1923) maalattiin?Lue vastaus

      Frederic Yates, syntynyt vuonna 1854, oli 48 vuotta vanha: Charlotte Mason (1842–1923) on peräisin vuodelta 1902.

      Mitkä ovat Frederic Yates 10 kuuluisinta maalausta?Lue vastaus

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard ja John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta teosta Frederic Yates maalasi yhteensä?Lue vastaus

      Luettelossamme on 16 teosta taiteilijalta Frederic Yates, aikaväliltä 1900–1914.

      Mistä voin nähdä Frederic Yates'n kuuluisimmat kankaat?Lue vastaus

      Pääasiassa kohteissa Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) ja Cumbria Archive And Local Studies Centre (Barrow-in-Furness); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Milloin Frederic Yates maalasi rakastetuimmat teoksensa?Lue vastaus

      Aikakaudella 1904, jolta on 2 tästä sivusta löytyvää 16 teoksesta, joukossa on At Dent, August 1904.

      Mitkä ovat Frederic Yates's varhaisimmat ja viimeisimmät kuuluisat maalaukset?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on Path on Nab Scar (1900); uusin on Rydal Water (1914).

      Mitä Frederic Yates -teoksia Abbot Hall Art Gallery -museossa on esillä?Lue vastaus

      Abbot Hall Art Gallery, Kendal -museossa on 5 tämän sivun teoksista, mukaan lukien Path on Nab Scar, Rydal Valley ja View near Rydal.

      Voinko ostaa Frederic Yates -teoksen reproduktioita kankaalle?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Frederic Yates: elämä maalauksessa

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.