Kaikista Halfdan Strøm's teoksista Portrait of Mathea Strøm, the Artist's Mother (1885) on tunnetuin; se on esillä National Museum of Art, Architecture and Design -museossa, kaupungissa Oslo. Heti perässä tulevat Dolce far niente. Interior with the Artist's Parents (1883) ja Girl Friends (1888). Halfdan Strømin 21 teoksen joukosta nämä 21 ovat kuuluisimpia; jokaisesta on esitetty päivämäärä, museo ja tarina.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Halfdan Strøm teokset | Tämän listan maalaukset |
|---|---|---|---|
| Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends | |
| Oslo | 5 | Portrait, Portrait, Self-portrait |
Portrait of Mathea Strøm, the Artist's Mother (1885), National Museum of Art, Architecture and Design, Oslo. Seuraavina ovat Dolce far niente. Interior with the Artist's Parents (1883) ja Girl Friends (1888).
Halfdan Strøm, syntynyt vuonna 1863, oli 22 vuotta vanha: Portrait of Mathea Strøm, the Artist's Mother on peräisin vuodelta 1885.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover ja Scene from the Vegetable Market. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.
Luettelossamme on 21 teosta taiteilijalta Halfdan Strøm, aikaväliltä 1883–1920.
Pääasiassa kohteissa National Museum of Art, Architecture and Design (Oslo) ja Oslo Museum (Oslo); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Aikakaudella 1880s, jolta on 6 tästä sivusta löytyvää 21 teoksesta, joukossa on Portrait of Mathea Strøm, the Artist's Mother.
Varhaisin tässä kokoelmassa oleva kangas on Dolce far niente. Interior with the Artist's Parents (1883); uusin on Self-portrait (1920).
National Museum of Art, Architecture and Design, Oslo -museossa on 16 tämän sivun teoksista, mukaan lukien Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents ja Girl Friends.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.