Still Life with Green Bowl (1935) on teos, josta Hermann Euler tunnetaan parhaiten; se kuuluu museoon Bavarian State Painting Collections, kaupungissa München. Katalogissamme on 2 teosta taiteilijalta Hermann Euler. Tässä ovat 2 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty lokakuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Hermann Euler teokset | Tämän listan maalaukset |
|---|---|---|---|
| München | 2 | Still Life with Green Bowl, Strauss |
Tämän sivun Hermann Euler -taiteilijan historialliset kankaat ovat kaikki vuodelta 1935: tässä ne ovat, suosituimmuusjärjestyksessä.
Still Life with Green Bowl (1935)
Hermann Euler, syntynyt vuonna 1900, oli 35 vuotta vanha: Still Life with Green Bowl on peräisin vuodelta 1935.
Katalogissamme on 2 teosta taiteilijalta Hermann Euler.
Pääasiassa kohteissa Bavarian State Painting Collections (München); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Aikakaudella 1935, jolta on 2 tästä sivusta löytyvää 2 teoksesta, joukossa on Still Life with Green Bowl.
Bavarian State Painting Collections, München -museossa on 2 tämän sivun teoksista, mukaan lukien Still Life with Green Bowl ja Strauss.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.