Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      John Boultbee, 1753 – 1812

      John Boultbeen 21 tunnetuinta maalausta

      A Bay Horse in a Field (1778) on teos, josta John Boultbee tunnetaan parhaiten; se kuuluu museoon Yale Center for British Art, kaupungissa New Haven. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) ja 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 24 teosta taiteilijalta John Boultbee. Tässä ovat 21 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      John Boultbee muotokuva
      John Boultbee · 1753 – 1812
      Syntynyt · kuollut
      1753 – 1812, Derby
      Teokset valikoimassamme
      24
      Tunnetuimmat
      A Bay Horse in a Field (1778)
      Eniten teoksia kohteessa
      National Trust

      John Boultbee -taiteilijan kymmenen rakastetuinta maalausta

      A Bay Horse in a Field (1778) tekijä John Boultbee
      1

      A Bay Horse in a Field

      1778 · Oil On Canvas · Yale Center for British Art, New Haven

      A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

      Käsinmaalattu öljyreprosentio alkaen $178 40 × 25 cm Alkuperäisen kokoinen $359 104 × 67 cm Tilaa alkuperäisen kokoisena →
      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) tekijä John Boultbee
      2

      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

      1780 · Oil On Canvas

      In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

      Käsinmaalattu öljyreprosentio alkaen $178 35 × 28 cm Alkuperäisen kokoinen $563 132 × 104 cm Tilaa alkuperäisen kokoisena →
      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) tekijä John Boultbee
      3

      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

      1792 · Oil · Shugborough Hall, Stoke-on-Trent

      In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

      Käsinmaalattu öljyreprosentio alkaen $178 36 × 28 cm Alkuperäisen kokoinen $352 93 × 72 cm Tilaa alkuperäisen kokoisena →
      A Grey Arab Stallion in a Desert Landscape (1790) tekijä John Boultbee
      4

      A Grey Arab Stallion in a Desert Landscape

      1790 · Oil On Canvas · Yale Center for British Art, New Haven

      A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

      Käsinmaalattu öljyreprosentio alkaen $178 36 × 28 cm Alkuperäisen kokoinen $336 90 × 69 cm Tilaa alkuperäisen kokoisena →
      Robert Bakewell (1791) tekijä John Boultbee
      5

      Robert Bakewell

      1791 · Oil On Canvas · National Portrait Gallery, Lontoo

      In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

      Käsinmaalattu öljyreprosentio alkaen $178 36 × 28 cm Alkuperäisen kokoinen $344 91 × 71 cm Tilaa alkuperäisen kokoisena →
      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) tekijä John Boultbee
      6

      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

      1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

      A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

      Käsinmaalattu öljyreprosentio alkaen $178 35 × 29 cm Alkuperäisen kokoinen $238 59 × 50 cm Tilaa alkuperäisen kokoisena →
      An Oak Tree struck by Lightning in Dunham Park (1808) tekijä John Boultbee
      7

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil On Canvas · Dunham Massey Hall

      In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

      Käsinmaalattu öljyreprosentio alkaen $178 33 × 30 cm Alkuperäisen kokoinen $289 76 × 61 cm Tilaa alkuperäisen kokoisena →
      A Bay Hunter Named 'Sir Oliver' (1808) tekijä John Boultbee
      8

      A Bay Hunter Named 'Sir Oliver'

      1808 · Oil On Canvas · National Trust, Altrincham

      A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

      Käsinmaalattu öljyreprosentio alkaen $178 34 × 30 cm Alkuperäisen kokoinen $533 126 × 101 cm Tilaa alkuperäisen kokoisena →
      An Oak Tree struck by Lightning in Dunham Park (1808) tekijä John Boultbee
      9

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil · National Trust, Altrincham

      A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

      Käsinmaalattu öljyreprosentio alkaen $178 35 × 29 cm Alkuperäisen kokoinen $289 76 × 61 cm Tilaa alkuperäisen kokoisena →

      John Boultbee: kankaat, sijoitukset 11–21

      John Boultbee’n kankaat aikakausittain

      Mitä John Boultbee maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Missä John Boultbeen kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 8 museota.

      Museo Kaupunki John Boultbee teokset Tämän listan maalaukset
      National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
      Yale Center for British Art, New HavenYale Center for British Art New Haven 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
      Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
      National Trust, AltrinchamNational Trust Altrincham 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
      National Trust, StockportNational Trust Stockport 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
      National Portrait Gallery, LontooNational Portrait Gallery Lontoo 1 Robert Bakewell
      Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
      Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

      John Boultbeen kuuluisin kangas, vuosikymmenestä toiseen

      1. 1770s
        A Bay Horse in a Field (1778) tekijä John Boultbee
        Kangas 1 / 21

        A Bay Horse in a Field

        Ikä 17–26 · Yale Center for British Art

        A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

      2. 1780s
      3. 1790s
      4. 1800s

      John Boultbeen kankaat, kysymys kerrallaan

      Mistä maalauksesta John Boultbee tunnetaan parhaiten?Lue vastaus

      A Bay Horse in a Field (1778), Yale Center for British Art, New Haven. Seuraavina ovat Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) ja 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

      A Bay Horse in a Field: kuinka vanha John Boultbee oli teoksen maalauksen aikaan?Lue vastaus

      John Boultbee, syntynyt vuonna 1753, oli 25 vuotta vanha: A Bay Horse in a Field on peräisin vuodelta 1778.

      Mitkä ovat John Boultbee'n kymmenen kuuluisinta taulua?Lue vastaus

      A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park ja 'Garrick' A Bullock. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta maalausta John Boultbee loi?Lue vastaus

      Luettelossamme on 24 teosta taiteilijalta John Boultbee, aikaväliltä 1778–1808.

      Missä John Boultbee'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa National Trust (Milford), Yale Center for British Art (New Haven) ja Shugborough Hall (Stoke-on-Trent); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Milloin John Boultbee maalasi kuuluisimmat teoksensa?Lue vastaus

      Aikakaudella 1800s, jolta on 4 tästä sivusta löytyvää 21 teoksesta, joukossa on Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794.

      Mikä kuuluisa John Boultbee -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on A Bay Horse in a Field (1778); uusin on An Oak Tree struck by Lightning in Dunham Park (1808).

      Mitä aiheita John Boultbee maalasi eniten?Lue vastaus

      Horse (4), Grass (4) ja Sky (3), yhteensä 21 teosta tällä sivulla.

      Mitä tekniikkaa John Boultbee käyttää eniten maalauksissaan?Lue vastaus

      Oil On Canvas, käytetty 6 teoksessa sivun 21 teoksesta.

      Mitkä John Boultbee -taiteilijan teokset kuuluvat National Trust -museon kokoelmiin?Lue vastaus

      National Trust, Milford -museossa on 4 tämän sivun teoksista, mukaan lukien 'Garrick' A Bullock, 'Garrick's Sister' A Cow ja 'Broken Horned Beauty' A Cow.

      Mistä voin ostaa John Boultbee -taiteilijan maalauksen reproduktiota?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Tapaa taiteilija: John Boultbee

      John Boultbee: A Painter of Horses and British Life

      John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

      Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

      A Royal Patronage and Sporting Subjects

      Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

      Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

      Technique and Style

      Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

      His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

      Legacy and Significance

      Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

      Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.