Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      John Mare, 1739 – 1803

      John Maren 3 tunnetuinta maalausta

      Dr. Benjamin Youngs Prime (1733-1791) (1774) on teos, josta John Mare tunnetaan parhaiten; se kuuluu museoon New York Historical Society, kaupungissa New York. John Keteltas (1739-1766) (1767) ja Jeremiah Platt (1767) täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 3 teosta taiteilijalta John Mare. Tässä ovat 3 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun maalauksista on tilattavissa joko käsin maalatun öljyreproduktiona pellavalle tai valitun kokoisena taideprinttinä.

      John Mare muotokuva
      John Mare · 1739 – 1803
      Syntynyt · kuollut
      1739 – 1803, New York City
      Teokset valikoimassamme
      3
      Tunnetuimmat
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Eniten teoksia kohteessa
      New York Historical Society

      John Mare -taiteilijan kymmenen rakastetuinta maalausta

      Dr. Benjamin Youngs Prime (1733-1791) (1774) tekijä John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Käsinmaalattu öljyreprosentio alkaen $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) tekijä John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Käsinmaalattu öljyreprosentio alkaen $178 29 × 35 cm
      Jeremiah Platt (1767) tekijä John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Käsinmaalattu öljyreprosentio alkaen $178 28 × 36 cm Alkuperäisen kokoinen $513 98 × 123 cm Tilaa alkuperäisen kokoisena →

      Mitä John Mare maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Missä John Maren kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 2 museota.

      Museo Kaupunki John Mare teokset Tämän listan maalaukset
      New York Historical Society, New YorkNew York Historical Society New York 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      John Maren kuuluisimmat teokset, vuosi toisensa jälkeen

      Noin vuosikymmen maalauspöydän ääressä, 1767–1774: John Maren vuosiluvulliset kankaat, vuosi toisensa jälkeen.

      1. 1767
        John Keteltas (1739-1766) (1767) tekijä John Mare
        2 / 3

        John Keteltas (1739-1766)

        Ikä 28 vuotta · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) tekijä John Mare
        Kangas 3 / 3

        Jeremiah Platt

        Ikä 28 vuotta · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) tekijä John Mare
        Kangas 1 / 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Ikä 35 vuotta · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Maren kankaat, kysymys kerrallaan

      Mistä maalauksesta John Mare tunnetaan parhaiten?Lue vastaus

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York. Seuraavina ovat John Keteltas (1739-1766) (1767) ja Jeremiah Platt (1767).

      Dr. Benjamin Youngs Prime (1733-1791): kuinka vanha John Mare oli teoksen maalauksen aikaan?Lue vastaus

      John Mare, syntynyt vuonna 1739, oli 35 vuotta vanha: Dr. Benjamin Youngs Prime (1733-1791) on peräisin vuodelta 1774.

      Kuinka monta maalausta John Mare loi?Lue vastaus

      Luettelossamme on 3 teosta taiteilijalta John Mare, aikaväliltä 1767–1774.

      Missä John Mare'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa New York Historical Society (New York) ja Metropolitan Museum of Art (New York); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Milloin John Mare maalasi kuuluisimmat teoksensa?Lue vastaus

      Aikakaudella 1767, jolta on 2 tästä sivusta löytyvää 3 teoksesta, joukossa on John Keteltas (1739-1766).

      Mikä kuuluisa John Mare -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus

      Varhaisin tässä kokoelmassa oleva kangas on John Keteltas (1739-1766) (1767); uusin on Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Mitä aiheita John Mare maalasi eniten?Lue vastaus

      Man (2), Wig (2) ja Cravat (2), yhteensä 3 teosta tällä sivulla.

      Mitkä John Mare -taiteilijan teokset kuuluvat New York Historical Society -museon kokoelmiin?Lue vastaus

      New York Historical Society, New York -museossa on 2 tämän sivun teoksista, mukaan lukien Dr. Benjamin Youngs Prime (1733-1791) ja John Keteltas (1739-1766).

      Mistä voin ostaa John Mare -taiteilijan maalauksen reproduktiota?Lue vastaus

      Kyllä. Jokainen tämän sivun maalauksista voidaan tilata omalta sivultaan joko käsin maalatun öljyreprodusktion tai taideprintinina valitsemassasi koossa.

      Tapaa taiteilija: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.