Atelier — Ilmainen toimitus ympäri maailman — Toimitusaika 2–6 viikkoa
      John Ward, 1912 – 1981

      John Wardn 27 tunnetuinta maalausta

      The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821 (1821) on teos, josta John Ward tunnetaan parhaiten; se kuuluu museoon Ferens Art Gallery, kaupungissa Hull. The 'Swan' and 'Isabella' (1830) ja Shipping on a River Estuary (1830) täydentävät suosituimpien taideteosten kolmikon. Katalogissamme on 27 teosta taiteilijalta John Ward. Tässä ovat 27 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.

      Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026.

      John Ward muotokuva
      John Ward · 1912 – 1981
      Syntynyt · kuollut
      1912 – 1981
      Teokset valikoimassamme
      27
      Tunnetuimmat
      The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821 (1821)
      Eniten teoksia kohteessa
      Ferens Art Gallery

      John Ward -taiteilijan kymmenen rakastetuinta maalausta

      John Ward: kankaat, sijoitukset 11–27

      Mitä John Ward maalasi eniten

      Nämä neljä aihetta toistuvat näissä maalauksissa useimmin, ja jokaisesta on esitetty suosituin esimerkki.

      Missä John Wardn kankaat riippuvat

      Tämän sivun teoksista eniten sisältävät 4 museota.

      Museo Kaupunki John Ward teokset Tämän listan maalaukset
      Ferens Art Gallery, HullFerens Art Gallery Hull 13 The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821, Hull from the Humber (The Buoy Yacht 'Zephyr'), The Return of the 'William Lee' from Calcutta
      Towner, EastbourneTowner Eastbourne 2 All Night Café, The Reverend Dr Lushington
      National Gallery of Art, WashingtonNational Gallery of Art Washington 1 The Northern Whale Fishery: The 'Swan' and 'Isabella'
      Salford Museum - Art Gallery, Greater ManchesterSalford Museum - Art Gallery Greater Manchester 1 Landscape

      John Wardn kankaat, kysymys kerrallaan

      Mistä maalauksesta John Ward tunnetaan parhaiten?Lue vastaus

      The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821 (1821), Ferens Art Gallery, Hull. Seuraavina ovat The 'Swan' and 'Isabella' (1830) ja Shipping on a River Estuary (1830).

      Mitkä ovat John Ward'n kymmenen kuuluisinta taulua?Lue vastaus

      The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821, The 'Swan' and 'Isabella', Shipping on a River Estuary, A Riverside Caprice, The Citadel and Entrance to the Old Harbour, Hull, Hull from the Humber (The Buoy Yacht 'Zephyr'), The Return of the 'William Lee' from Calcutta, HMS 'Britannia' and Units of the Fleet off Spithead, Hampshire, The 'Fanny Voase' off Spurn ja Ships on the Humber and the South Blockhouse, Hull. Jokaisessa yllä olevassa sijoituksessa olevassa kankaassa on ilmoitettu sen vuosi ja museo.

      Kuinka monta maalausta John Ward loi?Lue vastaus

      Katalogissamme on 27 teosta taiteilijalta John Ward.

      Missä John Ward'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus

      Pääasiassa kohteissa Ferens Art Gallery (Hull), Towner (Eastbourne) ja National Gallery of Art (Washington); yllä oleva lista nimeää jokaisen museon ja sen teokset.

      Mitä aiheita John Ward maalasi eniten?Lue vastaus

      Boats (3), Winter (2) ja Landscape (2), yhteensä 27 teosta tällä sivulla.

      Mitkä John Ward -taiteilijan teokset kuuluvat Ferens Art Gallery -museon kokoelmiin?Lue vastaus

      Ferens Art Gallery, Hull -museossa on 13 tämän sivun teoksista, mukaan lukien The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821, Hull from the Humber (The Buoy Yacht 'Zephyr') ja The Return of the 'William Lee' from Calcutta.

      Tapaa taiteilija: John Ward

      John Ward (1798–1849): The Mariner's Painter of Hull

      John Ward was born on December 28, 1798, in Hereford, England—the youngest son of Abraham Ward, a master mariner and antiquarian, and Sarah Clark. His upbringing amidst the scent of linseed oil and his father’s fascination with ancient artifacts profoundly shaped his artistic sensibilities. From an early age, he demonstrated exceptional talent for drawing, nurtured by his parents' encouragement and formal instruction at Hereford School. This formative experience instilled in him a lifelong passion for capturing the beauty and drama of the sea—a theme that would dominate his oeuvre throughout his career.
      • Early Life & Education: Ward’s childhood was marked by exposure to maritime lore and scholarly pursuits, fostering an inquisitive spirit and grounding him in historical context.
      • Apprenticeship & Artistic Training: He apprenticed as a house painter under Thomas Meggitt, honing practical skills alongside developing his artistic vision.
      • Influence of William Anderson: Ward’s artistic style was significantly impacted by the celebrated Scottish marine artist William Anderson, whose meticulous observation and expressive brushwork served as an exemplar for Ward himself.

      Career Highlights & Artistic Style

      Ward embarked on a prolific artistic journey, establishing himself as Hull's foremost maritime painter during the first half of the 19th century. He gained renown for his ability to convey both the grandeur and vulnerability of seafaring life—a skill that resonated deeply with audiences captivated by tales of exploration and adventure. His distinctive style was characterized by a blend of realism and Romantic idealism, employing bold colors and dynamic compositions to evoke emotion and capture the essence of his subjects. Ward’s meticulous attention to detail—particularly in depicting ships' rigging and textures—demonstrated an unwavering commitment to accuracy alongside artistic creativity.
      • Early Exhibitions: Ward debuted his paintings at the Hull and East Riding Institute for the Promotion of the Fine Arts in 1827, showcasing his burgeoning talent and garnering critical acclaim.
      • Royal Academy & British Institution: He achieved considerable recognition by exhibiting at both prestigious institutions between 1840 and 1847, cementing his reputation as a leading artist of his time.
      • Engraving Commissions: Ward secured lucrative commissions for engraving reproductions of his own works, ensuring the preservation and dissemination of his artistic legacy.

      Notable Paintings & Legacy

      Ward produced an impressive body of work encompassing watercolors and oil paintings—many of which now reside in prominent collections across England and beyond. Among his most celebrated canvases are “Schooners Ellen Crawford and Dwina” (c. 1843), a masterful depiction of Hull’s maritime trade, and “H.M.S Britannia at Anchor with the Fleet,” capturing the majesty of naval power during a pivotal moment in British history. His paintings exemplify the Romantic spirit—infused with emotion and grandeur—and stand as enduring symbols of Hull's seafaring heritage. Furthermore, Ward’s influence extended beyond his own artistic output; he mentored aspiring artists and championed the importance of meticulous observation and expressive technique.
      • “Schooners Ellen Crawford and Dwina” – Oil on Panel: Demonstrates Ward’s ability to capture the dynamism of maritime life with vibrant colors and precise detail.
      • “H.M.S Britannia at Anchor with the Fleet” – Oil on Canvas: Represents a monumental achievement in Romantic landscape painting, conveying both grandeur and solemnity.
      • “A Trading Cutter Shortening Sail as Members of Her Crew Carry a Mooring Rope to a Wooden Dolphin Nearby” – Pen, Ink & Watercolor: Exemplifies Ward’s mastery of watercolor technique—characterized by delicate washes and subtle tonal variations.

      Recognition & Preservation

      John Ward's contribution to British art was acknowledged posthumously in 1883 when local newspapers celebrated his life and artistic accomplishments. Today, his paintings are housed in esteemed museums—including the Ferens Art Gallery and Hull Maritime Museum—where they continue to inspire admiration for their beauty and historical significance. The Ferens Art Gallery hosts a dedicated exhibition showcasing Ward’s oeuvre, coinciding with the opening of the Humber Bridge—a testament to his enduring legacy as Hull's premier marine artist. His works are also held in the National Gallery of Art, Washington, D.C., ensuring that his artistic vision remains accessible to audiences worldwide.