Self-portrait (1379) is the painting Peter Parler is best remembered for; it belongs to the Pyhän viituksen katedraali, Köln. Head of Charles IV (1375) and Itsenäinen itseisarjakuva (1379) complete the trio of best-loved canvases. Our catalogue counts 4 works by Peter Parler. Here are the 4 most famous, with the year, the museum and the story of each canvas.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty lokakuu 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
Peter Parlerin Maalaus ”Itsensä Retretti” – Katolisen Arkkitehtuurin Symboolinen Ilmaisu Pietro Cavallini: Mestari Romanialle Läpi keskiajan italialaista taidetta. Hän ei ollut yksinkertaisesti maalari; hän oli arkkitehti ja keskeinen tekijä hänen aikansa näkökulmasta erityisesti hänen mestarillisen sovelluksensa roomalaiseen naturalismiin gothisin kehässä. Hänen työnsä määrittävässä asemassa oli katolisen katedraalin rakentaja, joka uskalsi korostaa asemaansa ja henkilökohtaista näkemystään aikoinaan ainutlaatuisella tavalla maalauksen historiassa. Kun hän rakensi St. Vitusin katedraalin ja Charles Bridgellä Prahaan,…
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Peter Parler teokset | Tämän listan maalaukset |
|---|---|---|---|
| Köln | 3 | Self-portrait, Head of Charles IV, Itsenäinen itseisarjakuva | |
| Praha | 1 | Tomb of Ottokar II |
Peter Parler's dated canvases on this page run from 1375 to 1379, only 5 years: here they are, year after year.
Peter Parlerin Maalaus ”Itsensä Retretti” – Katolisen Arkkitehtuurin Symboolinen Ilmaisu Pietro Cavallini: Mestari Romanialle Läpi keskiajan italialaista taidetta. Hän ei ollut yksinkertaisesti maalari; hän oli arkkitehti ja keskeinen…
Self-portrait (1379), Pyhän viituksen katedraali, Köln. Head of Charles IV (1375) and Itsenäinen itseisarjakuva (1379) follow.
Peter Parler, born in 1330, was 49 years old: Self-portrait dates from 1379.
4 works by Peter Parler are in our catalogue, dated 1375 to 1379.
Mostly in Pyhän viituksen katedraali (Köln) ja Pyhän Vituksen katedraali (Praha); the list above names each museum and its canvases.
In 1379, which gave 2 of the 4 works on this page, Self-portrait among them.
The earliest canvas here is Head of Charles IV (1375); the latest is Self-portrait (1379).
The Pyhän viituksen katedraali, Köln holds 3 of the works on this page, among them Self-portrait, Head of Charles IV ja Itsenäinen itseisarjakuva.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.