Walker Everett, 1904 – 1968
Walker Everettn 2 tunnetuinta maalausta
Trespassing (1964) on teos, josta Walker Everett tunnetaan parhaiten; se kuuluu museoon Smithsonian American Art Museum, kaupungissa Washington, D.C.. Katalogissamme on 2 teosta taiteilijalta Walker Everett. Tässä ovat 2 tunnetuinta teosta vuosiluvun, museon ja jokaisen maalauksen tarinan kera.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty lokakuu 2026.
- Syntynyt · kuollut
- 1904 – 1968
- Teokset valikoimassamme
- 2
- Tunnetuimmat
- Trespassing (1964)
- Eniten teoksia kohteessa
- Smithsonian American Art Museum
Walker Everett -taiteilijan kymmenen rakastetuinta maalausta
Missä Walker Everettn kankaat riippuvat
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Walker Everett teokset | Tämän listan maalaukset |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Trespassing, Freight Station |
Walker Everettn kuuluisimmat teokset, vuosi toisensa jälkeen
Walker Everett -taiteilijan täällä esitetyt kankaat kattavat vain 3 vuotta, vuodesta 1964 vuoteen 1966: vuosi toisensa jälkeen.
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1964
1 / 2
Trespassing
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1966
Kangas 2 / 2Freight Station
Walker Everettn kankaat, kysymys kerrallaan
Mistä maalauksesta Walker Everett tunnetaan parhaiten?Lue vastaus
Trespassing (1964)
Trespassing: kuinka vanha Walker Everett oli teoksen maalauksen aikaan?Lue vastaus
Walker Everett, syntynyt vuonna 1904, oli 60 vuotta vanha: Trespassing on peräisin vuodelta 1964.
Kuinka monta maalausta Walker Everett loi?Lue vastaus
Luettelossamme on 2 teosta taiteilijalta Walker Everett, aikaväliltä 1964–1966.
Missä Walker Everett'n kuuluisimmat kankaat riippuvat nykyään?Lue vastaus
Pääasiassa kohteissa Smithsonian American Art Museum (Washington, D.C.); yllä oleva lista nimeää jokaisen museon ja sen teokset.
Mikä kuuluisa Walker Everett -maalaus on tehty ensin ja mikä viimeisenä?Lue vastaus
Varhaisin tässä kokoelmassa oleva kangas on Trespassing (1964); uusin on Freight Station (1966).
Mitkä Walker Everett -taiteilijan teokset kuuluvat Smithsonian American Art Museum -museon kokoelmiin?Lue vastaus
Smithsonian American Art Museum, Washington, D.C. -museossa on 2 tämän sivun teoksista, mukaan lukien Trespassing ja Freight Station.
Tapaa taiteilija: Walker Everett
The Quiet Observer of the American Landscape
Walker Everett lived a life that mirrored the steady, unhurried pace of the scenes he chose to paint. Born in the United States in 1904, he spent his years observing the textures of everyday life and the structural bones of the changing landscape. His work does not shout for attention; instead, it invites a closer look at the quiet corners of the world, finding weight and presence in the mundane details of architecture and industry.
His approach to the canvas was grounded in a sense of place. He had a way of capturing the stillness of a moment, whether it was the tension of a boundary or the heavy silence of a transit hub. There is a certain honesty in how he handled his subjects, treating a simple building or a stretch of land with the same gravity and respect as any grand monument.
A Focus on Structure and Space
The works that remain of his career offer a glimpse into a mind preoccupied with the intersection of human construction and the natural environment. His paintings often deal with the way light and shadow define the edges of our world. Through his use of oil on canvas, he explored several specific themes:
- The intersection of private boundaries and public spaces.
- The heavy, functional geometry of industrial architecture.
- The stillness found within transit and freight environments.
In his 1964-1965 work, Trespassing, he examined the subtle tensions of space. A few years later, in 1966, he turned his attention to the Freight Station, a piece that captures the stark, utilitarian beauty of a railroad setting. These works demonstrate a consistent interest in how we inhabit and move through the spaces we build.
Legacy and Recognition
Though he passed away in 1968, Everett's vision remains preserved in significant collections. His ability to find meaning in the structural and the ordinary earned him a place in the Smithsonian American Art Museum in Washington, D.C. His paintings were part of the collections gifted by Maurice Massaro, ensuring that his specific way of seeing the American landscape would be kept for those who value the quiet strength of a well-observed scene.