Over and Under

Artiste

Carol Robertson

Carol Robertson: A World Rendered in Circles and Light

Carol Robertson, a Canadian artist born in Berkshire, England, in 1955, has quietly established herself as a significant figure within contemporary abstract painting. Her work, characterized by its serene yet deeply layered compositions, explores the interplay of light, shadow, and geometric form—particularly the circle—to create introspective portraits of both the internal and external world. Robertson’s journey is one of continuous refinement, marked by a dedication to her craft, a profound engagement with color theory, and an unwavering pursuit of a visual language that speaks directly to the soul.

Robertson's artistic education began at Cardiff College of Art in the late 1970s, where she honed her foundational skills. Following this, she pursued a Master’s degree at Chelsea School of Art, further solidifying her understanding of painting techniques and theoretical approaches. Early influences included the reductive abstraction of artists like Rothko and Kenneth Noland, figures who demonstrated how geometric forms could evoke profound emotional responses. However, Robertson quickly moved beyond mere imitation, developing a distinct voice rooted in her own experiences and observations. Her time in Italy during the Boise Scholarship proved pivotal, exposing her to the architectural grandeur of ancient Rome and sparking an enduring fascination with circular motifs – a theme that would become central to her artistic vocabulary.

The Language of Geometry

Robertson’s work is immediately recognizable for its consistent use of geometric forms, most notably circles. These aren't simply decorative elements; they represent a deliberate choice—a conscious rejection of the chaotic potential of purely pictorial representation. As she herself has explained, geometry provides a framework, a constraint that allows her to focus on the essential qualities of color and light. The circle, in particular, holds a complex significance for Robertson, drawing upon its symbolic resonance across cultures – from ancient mythology to religious iconography, representing wholeness, infinity, and the cyclical nature of existence. Her exploration of this form isn't static; she deconstructs it into arcs and segments, introducing an element of disruption and asymmetry that prevents her work from becoming overly rigid or predictable.

A key aspect of Robertson’s process involves a layered approach to surface preparation. Beginning with poured and stained grounds – often incorporating multiple layers of oil paint – she creates atmospheric fields upon which to build her geometric compositions. This technique, developed over time, adds depth and texture to the paintings, imbuing them with a palpable physicality. The careful application of color, meticulously drawn lines, and subtle gradations of tone contribute to the overall sense of quiet contemplation that characterizes her work.

A Journey Through Color and Light

Robertson’s palette is deliberately restrained, favoring muted tones and subtle shifts in hue. She isn't interested in creating vibrant, immediately arresting images; instead, she seeks to evoke a mood or atmosphere through the careful orchestration of color relationships. Her use of light—both natural and artificial—is equally considered, shaping the forms and defining the spatial relationships within each painting. She often describes her process as channeling sensory or poetic material through the parameters of geometry, suggesting that her paintings are not merely representations of the external world but rather expressions of an inner landscape.

Recognition and Legacy

Robertson’s artistic journey has been marked by both critical acclaim and significant awards. She won first prize in the Singer & Friedlander/Sunday Times Watercolour Competition in 2005, a testament to the power and emotional resonance of her work. Throughout her career, she has exhibited extensively in the UK and internationally, including solo shows at Flowers East Gallery and Howard Gardens Gallery, as well as participating in group exhibitions at institutions such as the Royal Festival Hall. Her commitment to artistic exploration is further evidenced by her involvement in residencies at prestigious locations like the Ballinglen Arts Foundation in Ireland and the Kunstgarten in Graz, Austria – experiences that have undoubtedly shaped her evolving aesthetic.

Carol Robertson’s legacy lies not only in the beauty of her paintings but also in her unwavering dedication to a rigorous and deeply personal artistic practice. Her work invites viewers to contemplate the fundamental elements of perception—light, color, form—and to engage with their own inner worlds through the quiet power of abstraction.

Musée

Collection du Conseil des Arts

Exposé à Londres, Royaume-Uni

À propos de la Collection du Conseil des Arts

La Collection du Conseil des Arts est une collection nationale d’emprunt renommée dans le monde, dédiée à l'art britannique moderne et contemporain. Elle fonctionne comme un « musée sans murs », apportant des œuvres exceptionnelles directement aux communautés du Royaume-Uni grâce à des prêts et des expositions itinérantes.

Spécialisations et Aspects Notables

Domaines d'intérêt clés :

La collection se spécialise dans la présentation de la diversité et de la profondeur de l'art moderne et contemporain créé par des artistes britanniques.

Collection d’emprunt nationale :

Elle fonctionne comme un « musée sans murs », rendant l'art accessible dans tout le Royaume-Uni grâce à des prêts à d'autres institutions.

Accès et engagement du public :

La collection s'engage en faveur d'un accès diversifié au public, garantissant que l'art parvienne aux publics au-delà des lieux de musée traditionnels.

Points forts de la Collection

Francis Bacon :

Découvrez des œuvres puissantes et émotionnellement chargées de ce personnage emblématique de l'art britannique du 20e siècle.

David Hockney :

Explorez des peintures, des gravures et des œuvres numériques vibrantes reflétant la perspective unique d'Hockney sur le monde.

Lucian Freud :

Vivez des portraits intimes et sans détours qui capturent l'essence de la forme humaine et de l'émotion.

Henry Moore :

Admirez des sculptures monumentales explorant les thèmes de l'humanité, de la nature et de l'abstraction.

Histoire et Contexte

La Collection du Conseil des Arts a une histoire riche enracinée dans le soutien à l'art et à la culture britanniques. Établie pour promouvoir l'expression artistique contemporaine, elle est devenue un atout essentiel pour les musées, les galeries et les espaces publics du Royaume-Uni.

Ce qui la rend unique

Accès décentralisé :

Contrairement aux musées traditionnels avec des emplacements fixes, la Collection du Conseil des Arts apporte l'art directement aux communautés grâce à son programme de prêt.

Expositions dynamiques :

Les expositions itinérantes de la collection offrent de nouvelles perspectives sur l'art britannique et engagent divers publics dans tout le pays.

Soutien aux artistes :

En acquérant et en promouvant des œuvres d'artistes contemporains, la Collection du Conseil des Arts joue un rôle essentiel dans la promotion de l'innovation artistique et du talent au Royaume-Uni.

Informations sur les Visites

Bien que la Collection du Conseil des Arts n’ait pas d’emplacement physique permanent, vous pouvez découvrir ses œuvres grâce à :

Expositions itinérantes : Consultez leur site web pour connaître les expositions à venir dans des lieux près de chez vous.

Prêts aux musées et galeries : Découvrez des pièces de la collection exposées dans diverses institutions du Royaume-Uni.

Ressources en ligne : Explorez l'archive numérique de la collection et apprenez-en davantage sur l'histoire de l'art britannique grâce à leur plateforme en ligne.