Format papier

Guide des œuvres étudiantes

Self Portrait (recto)

Nom Niveau Date

john guthrie spence smith, Self Portrait (recto) (1917). Libre de droits.

Informations clés

Artiste
john guthrie spence smith topimpressionists.com/fr/artists/john-guthrie-spence-smith/
Dates de l'artiste
1880 – 1951
Peinture
1917
Dimensions originales
50 x 41 cm
Mouvement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

En contexte

Self Portrait (recto) — john guthrie spence smith

Dimensions

L'original mesure 50 × 41 cm (hauteur × largeur), représenté ici à côté d'un adulte de taille moyenne.

Date de création

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Ombré : la vie de john guthrie spence smith (1880–1951) ▲ cette œuvre, 1917

Œuvres similaires

  • Bakehouse Close, 1941 topimpressionists.com/fr/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor topimpressionists.com/fr/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 topimpressionists.com/fr/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

Choisissez une œuvre ci-dessus : nommez deux points communs avec celle-ci, et une différence.

D'autres œuvres à découvrir aux côtés de celle-ci : topimpressionists.com/fr/art/similar/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

Palette de couleurs

Mesuré à partir de l'image

    Couleur principale

    Walnut #614423

    Palette enregistrée

    • #614423
    • #34200D
    • #CCA46C
    • #94703E
    Palette
    Earthy La famille de couleurs dominante dans l'image.
    Couleur principale
    Walnut
    Intensité
    Balanced Le degré de saturation et la variété des couleurs, allant d'une teinte unique et atténuée à une multitude de nuances éclatantes.
    Contraste
    Bold Le degré de variation de la luminosité et de la saturation des couleurs à travers l'œuvre.
    Harmonie
    Unified Palette L'harmonie des couleurs, de leur contraste à leur parfaite unité.
    Luminosité
    Deep_shadow Le degré de luminosité ou d'obscurité de l'image dans son ensemble, des ombres profondes aux hautes lumières éclatantes.
    Saturation
    Balanced Soft La pureté et l'intensité des couleurs, allant d'un gris presque imperceptible à une vivacité totale.

    Artiste et musée

    Artiste

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

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    Citer cette œuvre

    MLA
    smith, john guthrie spence. Self Portrait (recto). 1917, https://topimpressionists.com/fr/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    APA
    smith, john guthrie spence (1917). Self Portrait (recto) [Painting]. https://topimpressionists.com/fr/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Chicago
    john guthrie spence smith. Self Portrait (recto). 1917. https://topimpressionists.com/fr/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Harvard
    smith, john guthrie spence (1917) Self Portrait (recto). Available at: https://topimpressionists.com/fr/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Observez de près

    Self Portrait (recto) — john guthrie spence smith

    Zoom sur l'œuvre

    Répondez avec vos propres mots. Il n'y a pas de mauvaises réponses ici — seulement des réponses que vous pouvez justifier.

    1. Qu'est-ce qui attire votre regard en premier, et pourquoi ?
    2. Quelles couleurs ou quelles formes créent l'atmosphère — et quelle est cette atmosphère ?
    3. Combien de visages pouvez-vous trouver ? ____ (notre catalogue en dénombre 1 — êtes-vous d'accord ?)
    4. Notre catalogue répertorie cette œuvre sous : portrait painting, self reflection, earth tones art. Êtes-vous d'accord ? Que souhaiteriez-vous ajouter ou retirer ?
    5. Revenez sur Bakehouse Close (1941), présenté plus haut dans ce guide. Citez deux points communs avec cette œuvre, ainsi qu'une différence.

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