Parmi toutes les peintures de Daniel Block, Portrait of Sophia of Holstein-Gottorp (1635) est la plus célèbre ; elle est exposée au Staatliches Museum Schwerin, à Schwerin. Parmi les 2 œuvres de Daniel Block dans notre catalogue, voici les 2 plus célèbres, chacune présentée avec sa date, son musée et son histoire.
Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main sur toile de lin, ou sous forme d'impression d'art, réalisée selon les dimensions de votre choix.
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Daniel Block | Peintures de cette liste |
|---|---|---|---|
| Schwerin | 1 | Portrait of Sophia of Holstein-Gottorp | |
| Varsovie | 1 | Equestrian portrait of John Albert II, Duke of Mecklenburg |
L'année 1635 regroupe toutes les toiles datées de Daniel Block présentes sur cette page : les voici, par ordre de célébrité.
Portrait of Sophia of Holstein-Gottorp (1635)
Daniel Block, né(e) en 1580, avait 55 ans : Portrait of Sophia of Holstein-Gottorp date de 1635.
2 œuvres de Daniel Block figurent dans notre catalogue.
Principalement dans Staatliches Museum Schwerin (Schwerin) et Musée National de Varsovie (Varsovie) ; la liste ci-dessus énumère chaque musée et ses toiles.
En 1635, qui a produit 2 des 2 œuvres de cette page, Portrait of Sophia of Holstein-Gottorp parmi elles.
Oui. Chaque tableau de cette page peut être commandé depuis sa propre page, soit sous forme de reproduction à l'huile peinte à la main, soit sous forme d'impression d'art, dans la taille de votre choix.
The life of Daniel Blok was one defined by movement and the shifting tides of European history. Born around 1580, he carried the legacy of his father, Marten Blok of Utrecht, into new territories. His early years were marked by a pursuit of skill that took him far from home, eventually leading him to Gdańsk. It was there, under the guidance of Jakob Scherer, that he began to refine his ability to capture the likenesses of others through portraiture.
His talent eventually brought him into the presence of powerful figures, most notably Gustavus Adolphus of Sweden. Painting the portraits of such a monarch placed Blok in a position of significant visibility. This period of his life saw him transition from the focused work of a painter to the more social and administrative role of a courtier.
Blok’s contributions extended beyond the canvas into the intricate details of lineage and identity. He was tasked with creating a genealogical and heraldic family tree for the Dukes of Mecklenburg-Schwerin, a work that required both artistic precision and an understanding of noble history. His professional life was deeply intertwined with the courts of Schwerin and likely Lübeck, where his son Benjamin was born in 1631.
However, the stability of his courtly life was shattered by the violence of the Thirty Years War. In 1651, a devastating fire took everything he had built. This loss forced him to leave his established life behind and seek refuge in Rostock. He spent his final years there, living quietly until his death in 1660 at the age of eighty.