Self-Portrait with Cigarette (1909) est le tableau pour lequel Hans Sutter est le plus célèbre ; il appartient au Staatliche Kunsthalle Karlsruhe, Carlsruhe. Self-Portrait (1910) et Coast near St. Tropez (1911) complètent le trio des toiles les plus appréciées. Notre catalogue compte 4 œuvres de Hans Sutter. Voici les 4 plus célèbres, avec l'année, le musée et l'histoire de chaque toile.
Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main sur toile de lin, ou sous forme d'impression d'art, réalisée selon les dimensions de votre choix.
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Hans Sutter | Peintures de cette liste |
|---|---|---|---|
| Carlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| Munich | 1 | Coast near St. Tropez |
Les toiles datées de Hans Sutter présentées ici ne couvrent que 3 années, de 1909 à 1911 : année après année.
Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Carlsruhe. Suivis de Self-Portrait (1910) et Coast near St. Tropez (1911).
Hans Sutter, né(e) en 1887, avait 22 ans : Self-Portrait with Cigarette date de 1909.
4 œuvres de Hans Sutter figurent dans notre catalogue, datées de 1909 à 1911.
Principalement dans Staatliche Kunsthalle Karlsruhe (Carlsruhe) et Collections d'État de Peinture de Bavière (Munich) ; la liste ci-dessus énumère chaque musée et ses toiles.
En 1911, qui a produit 2 des 4 œuvres de cette page, Coast near St. Tropez parmi elles.
La toile la plus ancienne ici date de Self-Portrait with Cigarette (1909) ; la plus récente date de Coast near St. Tropez (1911).
Le Staatliche Kunsthalle Karlsruhe, Carlsruhe détient 3 des œuvres de cette page, dont Self-Portrait with Cigarette, Self-Portrait et Landscape near St.Tropez.
Oui. Chaque tableau de cette page peut être commandé depuis sa propre page, soit sous forme de reproduction à l'huile peinte à la main, soit sous forme d'impression d'art, dans la taille de votre choix.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.