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      Jacob Coning, 1647 – 1724

      Jacob Coning : les 16 peintures les plus célèbres

      Parmi toutes les peintures de Jacob Coning, Nicolas de Seue (1691) est la plus célèbre. Juste après, on retrouve Portrait of Peter Wessel Tordenskiold (1700) et Nikolaj Sibbern (1720). Parmi les 16 œuvres de Jacob Coning dans notre catalogue, voici les 16 plus célèbres, chacune présentée avec sa date, son musée et son histoire.

      Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main sur toile de lin, ou sous forme d'impression d'art, réalisée selon les dimensions de votre choix.

      Portrait de Jacob Coning
      Jacob Coning · 1647 – 1724
      Né · mort
      1647 – 1724, La Haye
      Œuvres de notre catalogue
      16
      Les plus célèbres
      Nicolas de Seue (1691)
      Plus d'œuvres à
      National Museum of Art, Architecture and Design

      Les 10 peintures les plus célèbres de Jacob Coning

      Les peintures de Jacob Coning classées de 11 à 16

      Où les toiles de Jacob Coning sont exposées

      Les 3 musées qui détiennent la plupart des peintures de cette page.

      Musées Ville Œuvres de Jacob Coning Peintures de cette liste
      National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
      Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
      Musée Boijmans Van Beuningen, RotterdamMusée Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

      Décennie par décennie : la toile la plus célèbre de Jacob Coning

      1. 1660s
        The Cattle Pen (1666) de Jacob Coning
        4 sur 16

        The Cattle Pen

        Âge 13 – 22 · Musée Boijmans Van Beuningen
      2. 1690s
      3. 1700s
      4. 1720s

      Vos questions sur les peintures de Jacob Coning, réponses

      Quel est le tableau le plus célèbre de Jacob Coning ?Lire la réponse

      Nicolas de Seue (1691), suivi de Portrait of Peter Wessel Tordenskiold (1700) et Nikolaj Sibbern (1720).

      Quel âge avait Jacob Coning au moment de Nicolas de Seue ?Lire la réponse

      Jacob Coning, né(e) en 1647, avait 44 ans : Nicolas de Seue date de 1691.

      Quelles sont les dix peintures les plus célèbres de Jacob Coning ?Lire la réponse

      Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss et Akershus Fortress near Christiania/Oslo. Chaque toile du classement ci-dessus est accompagnée de son année et de son musée.

      Combien de peintures de Jacob Coning sont connues ?Lire la réponse

      16 œuvres de Jacob Coning figurent dans notre catalogue, datées de 1666 à 1720.

      Dans quels musées se trouvent les toiles les plus célèbres de Jacob Coning ?Lire la réponse

      Principalement dans National Museum of Art, Architecture and Design (Oslo), Oslo Museum (Oslo) et Musée Boijmans Van Beuningen (Rotterdam) ; la liste ci-dessus énumère chaque musée et ses toiles.

      En quelles années Jacob Coning a-t-il peint ses toiles les plus célèbres ?Lire la réponse

      En 1690s, qui a produit 10 des 16 œuvres de cette page, Nicolas de Seue parmi elles.

      Quelles sont les premières et les dernières toiles célèbres de Jacob Coning ?Lire la réponse

      La toile la plus ancienne ici date de The Cattle Pen (1666) ; la plus récente date de Nikolaj Sibbern (1720).

      Que puis-je voir de Jacob Coning au National Museum of Art, Architecture and Design ?Lire la réponse

      Le National Museum of Art, Architecture and Design, Oslo détient 9 des œuvres de cette page, dont Krapfoss near Moss, Halden, seen from a hill on the foreground et View of Moss.

      Puis-je commander une copie peinte à la main d'un tableau de Jacob Coning ?Lire la réponse

      Oui. Chaque tableau de cette page peut être commandé depuis sa propre page, soit sous forme de reproduction à l'huile peinte à la main, soit sous forme d'impression d'art, dans la taille de votre choix.

      Jacob Coning : l'histoire du peintre

      A Master of the Topographical Eye

      In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

      The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

      The Art of the Landscape and the Court

      Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

      His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

      • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
      • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
      • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

      Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

      Legacy and Historical Significance

      The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

      Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.