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      Lambert Mathieu, 1804 – 1861

      Lambert Mathieu : les 3 peintures les plus célèbres

      Parmi toutes les peintures de Lambert Mathieu, Self portrait by Lambert Mathieu (1804-1861) (1843) est la plus célèbre. Juste après, on retrouve Portrait of Marie-Anne Mertens (1850) et Portrait of Edward Van Even (1855). Parmi les 3 œuvres de Lambert Mathieu dans notre catalogue, voici les 3 plus célèbres, chacune présentée avec sa date, son musée et son histoire.

      Classé selon notre score de popularité, qui combine les recherches, les visites et les commandes pour chaque œuvre. Mis à jour novembre 2026. Chaque tableau de cette page peut être commandé sous forme de reproduction à l'huile peinte à la main sur toile de lin, ou sous forme d'impression d'art, réalisée selon les dimensions de votre choix.

      Portrait de Lambert Mathieu
      Lambert Mathieu · 1804 – 1861
      Né · mort
      1804 – 1861, Bure
      Œuvres de notre catalogue
      3
      Les plus célèbres
      Self portrait by Lambert Mathieu (1804-1861) (1843)

      Les 10 peintures les plus célèbres de Lambert Mathieu

      Année après année : les toiles les plus célèbres de Lambert Mathieu

      À travers 13 années, de 1843 à 1855, la palette de Lambert Mathieu se dévoile année après année à travers ses toiles les plus célèbres.

      1. 1843
      2. 1850
      3. 1855

      Vos questions sur les peintures de Lambert Mathieu, réponses

      Quel est le tableau le plus célèbre de Lambert Mathieu ?Lire la réponse

      Self portrait by Lambert Mathieu (1804-1861) (1843), suivi de Portrait of Marie-Anne Mertens (1850) et Portrait of Edward Van Even (1855).

      Quel âge avait Lambert Mathieu au moment de Self portrait by Lambert Mathieu (1804-1861) ?Lire la réponse

      Lambert Mathieu, né(e) en 1804, avait 39 ans : Self portrait by Lambert Mathieu (1804-1861) date de 1843.

      Combien de peintures de Lambert Mathieu sont connues ?Lire la réponse

      3 œuvres de Lambert Mathieu figurent dans notre catalogue, datées de 1843 à 1855.

      Quelles sont les premières et les dernières toiles célèbres de Lambert Mathieu ?Lire la réponse

      La toile la plus ancienne ici date de Self portrait by Lambert Mathieu (1804-1861) (1843) ; la plus récente date de Portrait of Edward Van Even (1855).

      Puis-je commander une copie peinte à la main d'un tableau de Lambert Mathieu ?Lire la réponse

      Oui. Chaque tableau de cette page peut être commandé depuis sa propre page, soit sous forme de reproduction à l'huile peinte à la main, soit sous forme d'impression d'art, dans la taille de votre choix.

      Lambert Mathieu : l'histoire du peintre

      The Life of a Belgian Painter

      Lambert Joseph Mathieu lived through the transformative decades of the nineteenth century, leaving behind a body of work that reflects the quiet dignity of his era. Born in 1804, he navigated a world where the brush and canvas were tools for capturing both the individual soul and the grander allegories of history. His presence in the Belgian art scene was marked by a dedication to oil on canvas, a medium through which he could manipulate light and texture to bring his subjects to life.

      The artist's hand is often seen in his more personal reflections, such as his self-portrait held within the collections of Museum M in Leuven, Belgium. In such works, one finds a man observing himself with the same care he applied to his patrons. His career was not merely about the creation of images but about the recording of faces and stories that might otherwise have faded into the shadows of history.

      Themes and Artistic Pursuits

      Mathieu's repertoire moved between the intimate and the grand. He possessed a particular skill for portraiture, capturing the likenesses of notable figures such as Charles de Luesemans and Marie-Anne Mertens. These portraits were more than simple likenesses; they were studies in character and social standing. His ability to render the weight of fabric and the subtle nuances of a gaze allowed him to connect with his subjects on a human level.

      Beyond the individual, he sought to explore deeper narratives through religious and allegorical compositions. He worked on pieces like De bekering van Sint-Hubertus Saint-Hubert and Raphael and his muse La Fornarina, where he engaged with the weight of tradition and the legends of the past. His work Allegory of Raffaell, Sanzio and the creation of the soft style demonstrates an interest in the very foundations of artistic technique and the lineage of great masters.

      A Legacy in Oil and Canvas

      The traces of Mathieu's life can still be found in auction records and museum archives, where his paintings occasionally resurface to remind us of his skill. While many of his works remain tucked away in storage or private collections, the pieces that do reach the public eye reveal a painter who understood the balance between form and feeling. His auction history shows that his works have been valued by collectors, with certain pieces reaching prices near 4,593 USD.

      Though he passed away in 1861, the physical remnants of his labor—the layers of oil paint and the stretched canvas—continue to endure. His life's work remains a part of the Belgian artistic record, preserved through the careful stewardship of institutions like Museum M. Through these surviving canvases, the quiet ambition of Lambert Mathieu continues to speak to those who look closely at the details of his brushwork.