Isaac Newton (1702) वह पेंटिंग है जिसके लिए सर गॉडफ्रे नॉलर सबसे अधिक जाने जाते हैं। Portrait of Pyotr Potyomkin (1682) और William Russell, 1st Duke of Bedford (1690) सबसे पसंदीदा कैनवस की तिकड़ी को पूरा करते हैं। हमारे कैटलॉग में सर गॉडफ्रे नॉलर की 372 कृतियाँ शामिल हैं। यहाँ 100 सबसे प्रसिद्ध कृतियाँ, उनके वर्ष, संग्रहालय और प्रत्येक कैनवास की कहानी के साथ दी गई हैं।
हमारे लोकप्रियता स्कोर के आधार पर रैंक किया गया, जो प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर को जोड़ता है। अक्टूबर 2026 में अपडेट किया गया। इस पृष्ठ पर प्रत्येक पेंटिंग को लिनन कैनवास पर हाथ से बनाई गई ऑयल रिप्रोडक्शन के रूप में, या आपके द्वारा चुने गए आकार में तैयार किए गए फाइन आर्ट प्रिंट के रूप में ऑर्डर किया जा सकता है।
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
A single figure emerges from a void of deep, atmospheric darkness. Anthony Leigh stands in the center of a vertical silence, draped in heavy, voluminous black garments that…
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The room falls away into a deep, indistinct darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled with…
इसे हाथ से पेंट करवाएं →
The man gazes out from a soft, oval vignette, his presence commanding the space through a dramatic interplay of light and shadow. He is draped in the heavy,…
इसे हाथ से पेंट करवाएं →
A man emerges from a void of shadow. Edward Southwell meets the viewer with a steady, unblinking stare that pierces the darkness of the background. His hair, a…
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This portrait depicts Sidney Godolphin, 1st Earl of Godolphin. The subject was a British Tory statesman who held the office of Lord High Treasurer from 8 May 1702…
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This portrait of Aubrey de Vere, 20th Earl of Oxford, was executed by Sir Godfrey Kneller, Bt. around 1690. The sitter, who lived from 1627 to 1703, is…
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This portrait presents Charles Seymour, 6th Duke of Somerset. The subject is a single male figure, captured in a moment of quiet, poised dignity. Godfrey Kneller rendered this…
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The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
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The gaze of Arthur Maynwaring meets the viewer through this oil on canvas, a work captured by the hand of Sir Godfrey Kneller, Bt. around 1710. He appears…
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This three-quarter length portrait by Godfrey Kneller depicts William Pulteney, 1st Earl of Bath, a statesman. Painted in 1717, the work is identified as NPG 3194. It belongs…
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In the sweeping theatricality of the English Baroque, few works capture the intersection of political power and maritime discovery as profoundly as Sir Godfrey Kneller’s 1692 masterpiece, “Edward…
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This portrait depicts King George I, a figure associated with thirty different portraits. The work is a replica of a painting from 1714, executed by the artist Godfrey…
इस रोशनी को अपने घर लाएं →
इन कैनवस पर सबसे अधिक बार आने वाले चार विषय, और उनके सबसे प्रिय उदाहरण।
वे 8 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | सर गॉडफ्रे नॉलर की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 नेशनल पोर्ट्रेट गैलरी |
लंदन | 73 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 हैम्पटन कोर्ट पैलेस |
लंदन | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 रॉयल कलेक्शन |
लंदन | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 नेशनल मैरीटाइम म्यूज़ियम |
लंदन | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
नॉरविच | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 स्कॉटिश राष्ट्रीय पोर्ट्रेट गैलरी |
एडिनबर्ग | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 Yale Center for British Art |
न्यू हेवन | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his…
Isaac Newton (1702), जिसके बाद Portrait of Pyotr Potyomkin (1682) और William Russell, 1st Duke of Bedford (1690) आते हैं।
1646 में जन्मे सर गॉडफ्रे नॉलर की आयु 56 वर्ष थी: Isaac Newton 1702 का है।
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend और Charles Fitzroy, 2nd Duke of Grafton। ऊपर दी गई रैंकिंग में प्रत्येक कैनवास के साथ उसका वर्ष और संग्रहालय दिया गया है।
सर गॉडफ्रे नॉलर की 372 कृतियाँ हमारे कैटलॉग में उपलब्ध हैं, जिनकी अवधि 1666 से 1717 तक है।
अधिकतर नेशनल पोर्ट्रेट गैलरी (लंदन), हैम्पटन कोर्ट पैलेस (लंदन) और रॉयल कलेक्शन (लंदन) में; ऊपर दी गई सूची में प्रत्येक संग्रहालय और उनके कैनवस का नाम दिया गया है।
1690s में, जिसने इस पृष्ठ पर 100 कृतियों में से 38 कृतियाँ दीं, जिनमें से William Russell, 1st Duke of Bedford शामिल हैं।
यहाँ सबसे पुराना कैनवास Portrait of Johann Philipp Schönborn, elector of Mainz (1666) है; और सबसे नया Richard Lumley, 2nd Earl of Scarbrough (1717) है।
इस पृष्ठ पर 100 कृतियों में Man (19), Wig (9) और Dark background (8)
Oil On Canvas, जो इस पृष्ठ पर मौजूद 100 कृतियों में से 19 में उपयोग किया गया है।
जैसा कि इस पृष्ठ पर मौजूद कैनवस दिखाते हैं, Baroque style।
नेशनल पोर्ट्रेट गैलरी, लंदन में इस पृष्ठ पर मौजूद कृतियों में से 24 मौजूद हैं, जिनमें William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton और Richard Lumley, 2nd Earl of Scarbrough शामिल हैं।
हाँ। इस पृष्ठ पर मौजूद प्रत्येक पेंटिंग को उसके अपने पृष्ठ से हाथ से बनाई गई ऑयल रिप्रोडक्शन (तेल चित्रकला प्रतिकृति) के रूप में, या आपके द्वारा चुने गए आकार में एक फाइन आर्ट प्रिंट के रूप में ऑर्डर किया जा सकता है।
