Od svih djela Margo Lewers, Wreckage (1956) je najpoznatije; nalazi se u muzeju Art Gallery of New South Wales, Sydney. Samo iza njih slijede Mine tunnel (1956) i Composition in blue (1955). Od 4 djela umjetnika Margo Lewers u našem katalogu, ovih 3 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.
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1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Margo Lewers | Slike iz ovog popisa |
|---|---|---|---|
| Sydney | 3 | Wreckage, Mine tunnel, Composition in blue |
Samo 2 godina, od 1955 do 1956, razlikuje datirana platna Margo Lewers na ovoj stranici: evo svake godine u boji.
Wreckage (1956), Art Gallery of New South Wales, Sydney. Prate ih Mine tunnel (1956) i Composition in blue (1955).
Margo Lewers, rođen/a 1908, imao/la je 48 godina: Wreckage datira iz 1956.
U našem katalogu nalazi se 4 djela umjetnika Margo Lewers, datiranih od 1955 do 1956.
Većinom u Art Gallery of New South Wales (Sydney); gornji popis navodi svaki muzej i njegova platna.
U 1956, koji obuhvaća 2 od ukupno 3 djela na ovoj stranici, među njima je i Wreckage.
Najstarije platno ovdje je iz Composition in blue (1955) godine; najnovije je iz Wreckage (1956) godine.
Muzej Art Gallery of New South Wales, Sydney posjeduje 3 djela s ove stranice, među kojima su i Wreckage, Mine tunnel i Composition in blue.
Margo Lewers was an Australian interdisciplinary abstract artist whose creative reach extended across various media, including painting, sculpture, tapestry, ceramics, and the domestic arts. Born in Mosman, Australia, her early compositions were characterized by an exploration of color and formal geometric abstraction. As her career progressed, her work evolved to become more fluid and expressionist by the early 1960s. Beyond the canvas, she was renowned for her landscaping and interior design, particularly for the family home at Emu Plains.
Her professional journey included the operation of Notanda Galleries, a design consultancy based on Bauhaus principles that stocked pottery, furniture, and handprinted objects. Lewers's artistic output was recognized through numerous accolades, having won at least fourteen awards and prizes. Her legacy is preserved through the Penrith Regional Gallery and Lewers Bequest, which stands on her property at Emu Plains.
Throughout her career, Lewers exhibited extensively in Australia and participated in several international travelling exhibitions. Her work has been held in numerous prestigious public collections, including:
Lewers received significant commissions for public spaces, such as the work Expansion for the Reserve Bank in Canberra and a tapestry for the Reserve Bank of Australia's boardroom. In 1957, she and Gerald Lewers were commissioned to create a garden of pebbles, cacti, and sandstone for the MLC Building in North Sydney.