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Franz Ehrlich, 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), Bauhaus Dessau Foundation. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Franz Ehrlich topimpressionists.com/hr/artists/franz-ehrlich_hr/
Datumi umjetnika
1907 – 1984
Prvobitne dimenzije
32 x 45 cm
Održano na lokaciji
Bauhaus Dessau Foundation topimpressionists.com/hr/museums/bauhaus-dessau-foundation-dessau-rosslau_hr/
Artistic style
Architectural Drafting
Influences
Bauhaus
Notable elements or techniques
Orthographic projection; Hatching for shading
Subject or theme
Urban Planning; Socialist Architecture

U kontekstu

3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) — Franz Ehrlich

Koje su dimenzije?

Originalne dimenzije su 32 × 45 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada bi ovo moglo biti naslikano?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 77 u smrti.

Shaded: životni opus Franz Ehrlich (1907–1984) svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1952 Glavni radni period: 1952–1970 Kasna djela: od 1970

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Za ovu ploču nema točno navedene godine — sudeći prema umjetnikovom životnom dobu i stilu djela, na koje desetljeće biste uputili?

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: topimpressionists.com/hr/art/similar/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Sap Green #636254

    Katalogirana paleta

    • #636254
    • #1D1E1C
    • #6A695B
    • #59594C

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Monochrome Dominantna paleta boja na slici.
    Naziv primarne boje
    Sap Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Franz Ehrlich u posljednjih dvanaest mjeseci — ukupno 4 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 83,8%
    2. 2 Sjedinjene Američke Države 10,8%
    3. 3 Hong Kong 2,7%
    4. 4 Japan 2,7%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Franz Ehrlich

    1. 1 Little house in a forest near Berggiesshübel (Floor plans, views, section and layout plan), 1947 8,1%
    2. 2 63 - 64 (Painting with violin, New Year, 1964 8,1%
    3. 3 Floor plan Sleeping room (with interior furnishings), 1962 5,4%
    4. 4 Painting with violin, 1979 5,4%
    5. 5 3 panels 72/51 5,4%
    6. 6 A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan), 1976 2,7%
    7. 7 A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan), 1976 2,7%
    8. 8 A.D.W. MAIN BUILDING 1RST TOP FLOOR 1RST WORKING DESIGN (Academy of Sciences), 1976 2,7%
    9. 9 BASIC SCHEME FOR ROOM UNITS AND UTILISATION IN THE HV HOUSE (Trading House Berlin), 1974 2,7%
    10. 10 1 piece filing cabinet (with tubular steel feet and marble tabletop), 1981 2,7%
    11. 11 HKB II - NEW-BUILD 1RST TOP FLOOR (Ministry of the Interior, Berlin, plan view), 1950 2,7%
    12. 12 800 YRS. DAS BUCH [THE BOOK]. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    13. 13 SALES COUNTER, 1957 2,7%
    14. 14 1rst Front door project (Baumann House, Berlin), 1962 2,7%
    15. 15 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), 1949 2,7%
    16. 16 800 YRS. WALL 4 + 5. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    17. 17 Bookshop Hauptstraße / Transversal section (FDGB Bookshop, 1949 2,7%
    18. 18 Table and chair for dining room, 1954 2,7%
    19. 19 800 YRS. BOX FRAME (Leipzig Trade Fair), 1965 2,7%
    20. 24 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) ova slika 2,7%

    Zajedno ova djela zauzimaju 72,9% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 101 djela ovog umjetnika, od kojih je 30 pregledano barem jednom. Ova je slika na 24 mjestu među njima, s 2,7% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) — Franz Ehrlich

    A Blueprint for Utopia: Examining Franz Ehrlich’s “3rd FLOOR”

    The architectural drawing titled “3rd FLOOR,” created by Franz Ehrlich in 1956, transcends mere technical documentation; it embodies the aspirations of a nation grappling with its identity after decades under Nazi oppression and subsequent Soviet influence. This meticulously crafted plan for a foreign representation of the German Democratic Republic—specifically designed for the Leipzig Trade Fair—offers a fascinating glimpse into the ethos of socialist architecture during the GDR era. Ehrlich, a Bauhaus graduate who endured imprisonment during the Nazi regime, channeled his artistic sensibilities into this project, resulting in an image that speaks volumes about control, precision, and the pursuit of idealized urban landscapes.

    Style & Technique: The drawing exemplifies architectural drafting—a style prioritizing accuracy and detail above stylistic flourishes. Ehrlich employed pencil or pen on paper, utilizing precise lines to delineate walls, doorways, and room boundaries. Hatching was skillfully applied to simulate shading and depth, creating subtle tonal variations that convey a sense of materiality without resorting to illusionistic perspective.

    Historical Context: Produced in 1956, “3rd FLOOR” reflects the GDR’s commitment to showcasing its achievements on the international stage. The drawing served as part of a larger exhibit at the Leipzig Trade Fair, aiming to portray the GDR as a beacon of progress and social harmony—a deliberate counterpoint to the perceived failures of capitalism.

    Composition & Spatial Arrangement: Symmetry dominates the composition, mirroring the GDR’s ideological framework. Rooms are arranged around a central large space, reflecting the importance of communal life and centralized planning within socialist society. The careful consideration of spatial relationships underscores the desire for orderliness and efficiency.

    Symbolism Beyond Geometry: While seemingly devoid of artistic embellishment, “3rd FLOOR” carries symbolic weight. The orthogonal projection—a top-down view without three-dimensional rendering—represents a deliberate rejection of Western artistic conventions. More profoundly, the meticulous lines and shading evoke feelings of control and functionality – mirroring the GDR’s ambition to impose rational order upon urban space.

    A Legacy of Precision: Franz Ehrlich's dedication to architectural drafting is evident in every detail of “3rd FLOOR.” His masterful use of hatching creates a convincing illusion of depth, subtly hinting at the textures and materiality of the building. This drawing stands as testament to his artistic vision—a blueprint not just for constructing buildings but also for shaping perceptions of socialist ideals.

    Materials Used: Pencil or ink on paper – reflecting a commitment to honest craftsmanship and avoiding artificial enhancements.

    Size & Dimensions

    The artwork measures 32 x 45 cm.

    Artist Biography

    Franz Ehrlich (1907-1984), born in Reuth, Germany, was a Bauhaus graduate who experienced imprisonment during the Nazi regime. He continued to contribute to the world of art after his release, leaving behind a legacy that is both inspiring and thought-provoking.

    Further Exploration

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    Umjetnik i muzej

    Umjetnik

    Franz Ehrlich

    Rođeni u Reut, Njemačka

    Rano djetinjstvo i obrazovanje

    Franz Ehrlich, znameniti njemački arhitekt, kaligraf i grafički dizajner, rođen je 1907. godine. Njegove formativne godine obiljele su urođene sklonosti prema umjetnosti, što ga je navelo na upis u prestižni Bauhaus u Dessauu od 1927. do 1930. godine. Ova izvrsna institucija odigrala je ključnu ulogu u oblikovanju Ehrlichove umjetničke perspektive, uvodeći ga u avantgardne pokrete tog vremena.

    Umjetnička karijera i komunistička pripadnost

    Ehrlichova povezanost s komunističkom partijom imala je dubok utjecaj na njegov život i karijeru. Godine 1935. nacistički režim ga je uhitio i zatvorio, što je bio događaj koji je značajno izmijenio putanju njegovih umjetničkih težnji. Unatoč tim izazovima, Ehrlich je nastavio doprinositi svijetu umjetnosti, ostavljajući za sobom naslijeđe koje je istovremeno inspirativno i potiče na razmišljanje.

    Značajna djela

    Neka od najistaknutijih Ehrlichovih djela uključuju:

    800 godina. Das Buch [Knjiga]. Tlocrt i prikazi (izložbene police, sajam u Leipzigu), što služi kao svjedočanstvo njegovog inovativnog pristupa dizajnu i arhitekturi.

    Izvedba kuće prof. dr. Baumanna (temeljni plan), koja prikazuje njegovu stručnost u arhitektonskom planiranju.

    1933. (foto-skulpturalni reklamni projekt), jedinstvena mješavina fotografije i skulpture koja naglašava njegov eksperimentalni duh.

    Muzeji i kolekcije koje čuvaju radove Ehrlicha

    AllPaintingsStore.com posjeduje opsežnu kolekciju Ehrlichovih djela, uključujući ona gore spomenuta. Fondacija Bauhaus Dessau (Dessau-Roßlau, Njemačka) također je značajno čvorište njegovih umjetničkih poduhvata.

    Naslijeđe i utjecaj

    Doprinosi Franca Ehrlicha svijetu umjetnosti višestruki su i odražavaju njegov široki raspon interesa i talenata. Njegova iskustva, kako kreativna tako i osobna, nude dragocjen uvid u presjek umjetnosti i politike tijekom ključnog trenutka u njemačkoj povijesti.

    Pogledajte više Ehrlichovih djela na https://AllPaintingsStore.com/@/franz-ehrlich

    Istražite Fondaciju Bauhaus Dessau i njezinu kolekciju na Fondacija Bauhaus Dessau (Dessau-Roßlau, Njemačka)

    Muzej

    Bauhaus Dessau Foundation

    Izloženo u Dessau-Roßlau, Deutschland

    A Legacy Forged in Experimentation: The Bauhaus Dessau Foundation

    Nestled within the meticulously restored Bauhaus building itself, the Bauhaus Dessau Foundation isn’t merely a museum; it’s an immersive experience. Established in 1994 to safeguard and propagate the radical ideas of Walter Gropius’ legendary school, this institution stands as a testament to a pivotal moment in architectural and design history. More than just showcasing finished products, the Foundation delves into the process of creation – the interplay between art, architecture, technology, and social theory that defined the Bauhaus ethos. The building itself, a masterpiece of functionalist design, immediately establishes this atmosphere; its stark lines, expansive glass walls, and carefully considered spatial relationships invite exploration and contemplation. It’s a space designed to stimulate thought, mirroring the very principles championed by the Bauhaus movement.

    The Foundation's core mission is threefold: preservation, research, and education. It diligently maintains the building’s original fabric, ensuring that future generations can appreciate its groundbreaking design. Simultaneously, it conducts rigorous scholarly research into the Bauhaus’ diverse practices – from furniture design and typography to stagecraft and urban planning. And crucially, it offers a dynamic program of exhibitions, workshops, lectures, and performances, fostering dialogue between past and present, tradition and innovation.

    The Collection: Beyond Iconic Objects

    While iconic pieces like Marcel Breuer’s Wassily Chair undoubtedly draw crowds, the Foundation's collection extends far beyond these instantly recognizable symbols. It’s a remarkably comprehensive archive encompassing not just finished objects but also preliminary sketches, drafts, models, and correspondence – offering an unparalleled glimpse into the creative process itself. A particular highlight is the extensive documentation of the “Versuchsstätte” (experimental workshop), where students explored new materials, techniques, and spatial configurations under the guidance of master craftsmen and artists.

    Early Bauhaus Drawings: A remarkable collection of preparatory sketches reveals the iterative nature of design at the school – a constant process of refinement and experimentation. Furniture Prototypes: Witness the evolution of iconic designs, from initial models to fully realized pieces, showcasing the ingenuity and resourcefulness of Bauhaus craftsmen. Stagecraft & Lighting Designs: Explore the innovative use of light and space in theatrical productions, demonstrating the Bauhaus’ commitment to integrating art and technology. Architectural Models: Examine meticulously crafted scale models that illustrate Gropius' visionary approach to building design – a synthesis of form and function.

    Architecture as Art: The Bauhaus Building Itself

    The Bauhaus building itself is arguably the most significant artwork within the Foundation’s holdings. Designed by Walter Gropius, it represents a radical departure from traditional architectural conventions – a testament to the Bauhaus’ belief in “form follows function.” The building’s open floor plan, expansive glazing, and carefully considered use of natural light create a dynamic and flexible space that fostered collaboration and experimentation.

    Beyond its aesthetic qualities, the building is also a remarkable feat of engineering – incorporating innovative technologies such as a central heating system and a sophisticated lighting design. It’s a living laboratory, constantly evolving through ongoing research and adaptation. The Foundation actively engages in preserving and restoring the building's original features while simultaneously exploring new ways to utilize its unique spatial qualities.

    Exhibitions & Events: A Living Dialogue with the Past

    “Versuchsstätte Bauhaus. The Collection” (2019-2026): This landmark exhibition provides a comprehensive overview of the school's experimental workshop, revealing the diverse range of materials and techniques explored by students and teachers. Annual Bauhaus Festival: A vibrant celebration of Bauhaus culture, featuring concerts, performances, workshops, and lectures. Thematic Exhibitions: Regularly scheduled exhibitions explore specific aspects of the Bauhaus’ legacy – from furniture design to typography to stagecraft.

    Furthermore, the Foundation hosts a range of educational programs, including workshops for children and adults, offering hands-on experiences that connect visitors with the principles of Bauhaus design.

    A Unique Destination: More Than Just a Museum

    The Bauhaus Dessau Foundation transcends the traditional museum experience. It’s a dynamic research center, an architectural landmark, and a vibrant cultural hub – all rolled into one. Its commitment to preserving the Bauhaus legacy while simultaneously engaging with contemporary issues makes it a truly unique destination for art lovers, design enthusiasts, and anyone interested in understanding the profound impact of this revolutionary movement. A visit here isn’t simply about seeing objects; it's about experiencing an idea—the belief that art, architecture, and society can be profoundly intertwined.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)

    topimpressionists.com/hr/art/download/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/

    Navedite ovo umjetničko djelo

    MLA
    Ehrlich, Franz. 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan). n.d., Bauhaus Dessau Foundation. https://topimpressionists.com/hr/art/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/
    APA
    Ehrlich, Franz (n.d.). 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) [Painting]. Bauhaus Dessau Foundation. https://topimpressionists.com/hr/art/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/
    Chicago
    Franz Ehrlich. 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan). n.d. Bauhaus Dessau Foundation. https://topimpressionists.com/hr/art/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/
    Harvard
    Ehrlich, Franz (n.d.) 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan). Bauhaus Dessau Foundation. Available at: https://topimpressionists.com/hr/art/franz-ehrlich-3rd-floor-design-for-a-foreign-representation-of-D4RCZP-en/

    Pogledajte pažljivije

    3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) — Franz Ehrlich

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: gdr architecture, floor plan design, urban planning. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo 1933 (photo-sculptural advertising project) (1933) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Motivi koji se ponovno pojavljuju u radovima autora Franz Ehrlich: bauhaus principles, socialist urban vision, architectural precision. Koje od njih vidite ovdje?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Kviz o umjetnosti

    3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) — Franz Ehrlich

    Koliko dobro poznajete ovo umjetničko djelo?

    Označite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the primary purpose of this artwork?

      • A To depict a landscape scene.
      • B To represent a floor plan for a building.
      • C To illustrate a portrait painting.
    2. 2. The artwork utilizes which drawing technique?

      • A Sculptural modeling.
      • B Watercolor painting.
      • C Orthographic projection (plan view).
    3. 3. Which historical period is reflected in the style and subject matter of this piece?

      • A Renaissance.
      • B Romanticism.
      • C Socialist Realism (GDR).
    4. 4. What does the hatching technique contribute to the image?

      • A It creates vibrant color gradients.
      • B It enhances the sharpness of details.
      • C It simulates shading and depth within the rooms.
    5. 5. Franz Ehrlich is associated with which influential artistic movement?

      • A Cubism.
      • B Impressionism.
      • C Bauhaus.

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1A · 2C · 3C · 4C · 5C

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Pitanja i odgovori

    Koja boja dominira u kompoziciji djela "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)" autora Franz Ehrlich?

    Boja koja najviše dolazi do izražaja u djelu "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)" je Sap Green (#636254). Dominantna boja korisna je pri uklapanju umjetničkog djela u interijer.

    Gdje se preporučuje izlaganje djela "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)" u formatu Landscape?

    Format Landscape djela "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)" autora Franz Ehrlich preporučuje se za Living Room. Format i prostor zajedno usmjeravaju postavljanje reprodukcije.

    Koja je tehnika korištena za "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)"?

    Franz Ehrlich koristio je tehniku Acrylic On Canvas za "3rd FLOOR (Design for a foreign representation of the GDR. Floor plan)". Ova tehnika definira materijalnu prirodu izvornog djela.