Vodič za studentska djela
Autorska prava Ovo djelo je u javnom vlasništvu. John Varley Ii (The Younger) preminuo/la je 1933.; autorska prava traju 70 godina nakon smrti umjetnika, stoga su prestala u 2003.
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A Bazaar — John Varley Ii (The Younger)
Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 83 u smrti.
Shaded: životni opus John Varley Ii (The Younger) (1850–1933) svaka datirana slika, desetljeće po desetljeće
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Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 16 djela ovog umjetnika, od kojih je 4 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece
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Umjetnik i muzej
Rođeni u London, United Kingdom
John Varley II (the Younger), born in London in 1850, was a British landscape painter who quietly established himself as a significant contributor to the Victorian artistic tradition. While overshadowed by his father, John Varley I – a celebrated Romantic artist known for his dramatic depictions of mountainous scenery – John Varley II carved out a distinctive path focused on meticulous observation and subtle tonal variations, reflecting the influence of Impressionism alongside the core tenets of British landscape painting.
Early Life & Training: Born into an artistic family, John Varley II received his initial training from his father, absorbing the Romantic spirit and mastering watercolour techniques that prioritized capturing atmospheric effects over precise detail. This formative experience instilled in him a deep appreciation for the beauty of nature and a commitment to portraying it with sensitivity.
Notable Works & Style: Varley II’s oeuvre comprises numerous landscapes predominantly featuring British coastal regions, particularly Cornwall and Dorset. His paintings are characterized by a restrained palette—often dominated by muted greens, blues, and browns—and an emphasis on capturing the nuances of light and shadow. Unlike his father's bolder brushstrokes, Varley II favored delicate washes and subtle gradations to convey mood and texture.
Influences & Connections: Though largely independent in his artistic vision, Varley II benefited from connections within the British art world. He admired artists like Claude Monet and Eugène Boudin, whose Impressionistic approach encouraged him to prioritize capturing fleeting moments of visual experience. Furthermore, he collaborated with William Blake on several illustrations for Blake’s poems, demonstrating a shared fascination with mythology and symbolism.
Achievements & Legacy: Varley II achieved considerable recognition during his lifetime, exhibiting extensively in London and establishing himself as a respected member of the Royal Watercolour Society. His paintings continue to be admired for their understated beauty and masterful execution—testaments to his dedication to capturing the essence of British landscapes with quiet grace.
Museum Collections: Several Varley II canvases reside in prominent museums across Europe, including The Museum of John Paul II Collection in Warsaw where you can admire “Dead Tree, Garibaldi Park” and “Night Ferry, Vancouver”. These artworks offer invaluable insights into the artistic sensibilities of the Victorian era and underscore Varley II’s enduring contribution to British art history.
For a deeper understanding of John Varley I's impact on his son’s artistic development, consider reading “John Varley I: Intimate Observation & the British Romantic Landscape.” This article delves into Blake’s collaboration with Varley I and examines how it shaped Varley II’s aesthetic sensibilities. You can also discover more about Varley II’s work through online resources like Wikipedia ("John Varley (painter)") and explore his landscapes in detail at sites such as AllPaintingsStore.
topimpressionists.com/hr/art/download/john-varley-ii-the-younger-a-bazaar-9CW7DX-en/
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A Bazaar — John Varley Ii (The Younger)
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