Format papira

Vodič za studentska djela

Red Hills

Ime Razred Datum

June Redfern, Red Hills, Maclaurin Art Gallery at Rozelle House. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
June Redfern topimpressionists.com/hr/artists/june-redfern/
Životopis umjetnika
1951 –
Izvorni dimenzije
136 x 166 cm
Lokacija izložbe
Maclaurin Art Gallery at Rozelle House topimpressionists.com/hr/museums/maclaurin-art-gallery-at-rozelle-house-ayr/

U kontekstu

Red Hills — June Redfern

Dimenzije

Originalne dimenzije su 136 × 166 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada bi ovo moglo biti naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Red iznad: godine. Red ispod: dob umjetnika na početku i na kraju svakog razdoblja, pri čemu se rođenje računa kao nula.

svaka datirana slika, desetljeće po desetljeće

Za ovu ploču nema točno navedene godine — sudeći prema umjetnikovom životnom dobu i stilu djela, na koje desetljeće biste uputili?

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: topimpressionists.com/hr/art/similar/june-redfern-red-hills-AR2CYJ-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Rosy Brown #b8b077

    Spremljena paleta

    • #B8B077
    • #1E1811
    • #9A6E37
    • #5A3E28

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Balanced Harmony Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora June Redfern u posljednjih dvanaest mjeseci — ukupno 1 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 100,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    2 najgledanijih djela umjetnika June Redfern

    1. 1 From Two Paths, 1994 100,0%
    2. — Red Hills ova slika 0,0%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 11 djela ovog umjetnika, od kojih je 1 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Muzej

    Maclaurin Art Gallery at Rozelle House

    Prikazano u Ayr, United Kingdom

    A Sanctuary of Scottish Spirit

    Nestled within the verdant, rolling embrace of the Rozelle Estate in Ayr, the Maclaurin Art Gallery at Rozelle House emerges as more than a mere destination; it is a profound encounter with the soul of Scotland. As one approaches the elegant Georgian façade, which dates back to 1760, there is an immediate sense of stepping into a curated history of refined taste and stately living. The architecture itself, transformed in the nineteenth century by the masterful hand of David Bryce, serves as a stately prelude to the treasures held within. For the visitor, the transition from the tranquil, sun-dappled parklands to the hallowed halls of the gallery is seamless, offering a sanctuary where the whispers of the past meet the vibrant energy of the present. It is a place where the very air seems to hum with stories, inviting both the casual wanderer and the dedicated scholar to lose themselves in a journey through Scottish creativity.

    A Tapestry of Light and Texture

    Inside these walls, the collection unfolds like a grand narrative of Scottish identity, spanning centuries of artistic evolution. One can trace the sweeping movements of landscape painting that capture the rugged, mist-shrouded Highlands, moving through the dignified poise of classical portraiture into the daring frontiers of the contemporary era. For the discerning collector or interior designer, the gallery offers a masterclass in materiality and visual depth. The work of artists such as

    Rosa Lee

    provides a particularly striking experience; her canvases, layered with oil and wax, invite a tactile appreciation of texture and color that echoes the expressive power of both Impressionism and Expressionism. This dialogue between tradition and innovation ensures that every corner of the gallery offers a new perspective on how light, form, and medium can define an era, making it an essential pilgrimage for those who seek inspiration in the interplay of surface and spirit.

    Where History and Art Converge

    Beyond the brilliance of the canvas, the Maclaurin Art Gallery serves as a vital custodian of Ayrshire’s rich cultural heritage. It is a place where fine art and local history are inextricably linked, with exhibits that illuminate the industrial legacy and early settlements of the region. To wander through these galleries is to participate in a living archive, where historical artifacts breathe alongside modern masterpieces. This commitment to accessibility—offering a democratic space for all to explore—makes the gallery a beacon of community engagement and a true cultural landmark. Whether one is drawn by the architectural grandeur of Rozelle House, the profound historical echoes of the region, or the sheer aesthetic beauty of the collection, the Maclaurin stands as an unforgettable testament to the enduring power of art to connect us to our roots and inspire our future.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Red Hills

    topimpressionists.com/hr/art/download/june-redfern-red-hills-AR2CYJ-en/

    Izvor za ovo umjetničko djelo

    MLA
    Redfern, June. Red Hills. n.d., Maclaurin Art Gallery at Rozelle House. https://topimpressionists.com/hr/art/june-redfern-red-hills-AR2CYJ-en/
    APA
    Redfern, June (n.d.). Red Hills [Painting]. Maclaurin Art Gallery at Rozelle House. https://topimpressionists.com/hr/art/june-redfern-red-hills-AR2CYJ-en/
    Chicago
    June Redfern. Red Hills. n.d. Maclaurin Art Gallery at Rozelle House. https://topimpressionists.com/hr/art/june-redfern-red-hills-AR2CYJ-en/
    Harvard
    Redfern, June (n.d.) Red Hills. Maclaurin Art Gallery at Rozelle House. Available at: https://topimpressionists.com/hr/art/june-redfern-red-hills-AR2CYJ-en/

    Pogledajte pažljivije

    Red Hills — June Redfern

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: abstract landscape, nude figures, emotional art. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na Composition of People, ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    5. Motivi koji se ponovno pojavljuju u radovima autora June Redfern: hill & adamson landscapes, redfern's expressive style, emotional abstractionism. Koje od njih vidite ovdje?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Gdje mogu vidjeti pregled za "Red Hills"?

    Stranica Pregled za "Red Hills" omogućuje vam pregled umjetničkog djela prije narudžbe.

    Gdje se "Red Hills" nalazi među uobičajenim motivima umjetnika June Redfern?

    Među zabilježenim temama umjetnika June Redfern – hill & adamson landscapes, redfern's expressive style, emotional abstractionism, human struggle and power, isolation and vulnerability, conflict within nature" – djelo "Red Hills" donosi vlastiti fokus na abstract landscape, nude figures, emotional art, desolate scene, dynamic composition, human vulnerability, warm color palette.

    Gdje mogu vidjeti originalno djelo "Red Hills" autora June Redfern?

    Originalno djelo "Red Hills" možete vidjeti u muzeju Maclaurin Art Gallery at Rozelle House, Ayr, United Kingdom.