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Vodič za studentska djela

Isabella Buxton

Ime Razred Datum

Thomas Bardwell, Isabella Buxton (1751), Norfolk Museums. Dostupno u javnom vlasništvu. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Thomas Bardwell topimpressionists.com/hr/artists/thomas-bardwell/
Životopis umjetnika
1704 – 1767
Slikano
1751
Lokacija izložbe
Norfolk Museums topimpressionists.com/hr/museums/norfolk-museums-norwich/

U kontekstu

Isabella Buxton — Thomas Bardwell

Godina nastanka

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 63 u smrti.

Naslikano kada je umjetnik imao 47 godina. Umjetnik je doživio 63. 22 od ukupno 48 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Thomas Bardwell (1704–1767) ▲ ovo djelo, 1751 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1748 Glavni radni år: 1748–1757 Kasna djela: od 1757

Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: topimpressionists.com/hr/art/similar/thomas-bardwell-isabella-buxton-AQRNFB-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Phthalo Green #2a271b

    Spremljena paleta

    • #2A271B
    • #957553
    • #E0BC96
    • #534533

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Phthalo Green
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Thomas Bardwell u posljednjih dvanaest mjeseci — ukupno 5 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 80,8%
    2. 2 Sjedinjene Američke Države 7,7%
    3. 3 Ujedinjeno Kraljevstvo 3,8%
    4. 4 Singapur 3,8%
    5. 5 Južnoafrička Republika 3,8%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Thomas Bardwell

    1. 1 Group Portrait (possibly of the Brewster Family), in a Domestic Interior, 1736 10,7%
    2. 2 James Poole (d.1780), Mayor of Norwich (1765), 1767 10,7%
    3. 3 William Crowe (d.1778), Mayor of Norwich (1747), 1746 7,1%
    4. 4 Jermy Harcourt, Mayor of Norwich, 1763 7,1%
    5. 5 Leonard Buxton, 1751 7,1%
    6. 6 Richard Temple (1675–1749), 1st Viscount Cobham 7,1%
    7. 7 John Buxton of Channonz, 1750 3,6%
    8. 8 Joshua Ward Receiving Money from Britannia (also known as Joshua Ward Receiving Money from Britannia and Bestowing it as Charity on the Needy), 1748 3,6%
    9. 9 Portrait of a Lady (possibly of the Nassau de Zuylestein family), 1735 3,6%
    10. 10 Mary Phipps, 1749 3,6%
    11. 11 Captain Robert Fenwick (1716–1802), His Wife Isabella Orde (d.1789), and Her Sister Ann, 1746 3,6%
    12. 12 Catherine Talbot of Ingestre and Hillingdon (1722–1785), 1752 3,6%
    13. 13 David Garrick (1717–1779), as Richard III (from 'Richard III' by William Shakespeare) 3,6%
    14. 14 Sarah Buxton, 1751 3,6%
    15. 15 James Phipps (1703–1773), 1749 3,6%
    16. 16 Anne Buxton (1721–1771), 1751 3,6%
    17. 17 Robert Buxton (1710–1750) 3,6%
    18. 18 A Member of the Whitby Family, 1759 3,6%
    19. 19 John Goodman, Mayor of Norwich, 1757 3,6%
    20. — Isabella Buxton, 1751 ova slika 0,0%

    Zajedno ova djela zauzimaju 96,6% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 54 djela ovog umjetnika, od kojih je 20 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    Thomas Bardwell

    Early Life and Apprenticeship

    Thomas Bardwell, born in 1704, emerged from a family deeply rooted in the decorative arts rather than the established world of fine painting. His initial foray into artistry wasn’t through formal training but within the practical demands of his family's business in Bungay, Suffolk. He began by crafting painted panels – functional embellishments that nonetheless required a keen eye for composition and color. This early experience, though seemingly humble, laid a crucial foundation for his later success. It instilled in him a meticulous approach to craft and an understanding of the visual impact of imagery, even before he consciously aspired to be a portraitist. The earliest documented works, conversation pieces from 1736 – notably one potentially depicting the Brewster family of Beccles now held by the Geffrye Museum – offer glimpses into this formative period. These paintings, intimate scenes capturing familial life, reveal an emerging talent for characterization and narrative detail, hinting at a sensibility that would blossom in his more ambitious commissions.

    Breaking New Ground in Norwich

    Bardwell’s trajectory took a significant turn in 1746 when he secured a commission from the Artillery Company of Norwich to paint William Crowe, who was soon to become mayor. This wasn't merely another portrait; it represented a challenge to the established artistic order within the city. Until then, John Theodore Heins, a German-born artist, had held a virtual monopoly on civic portraiture in Norwich. Bardwell’s success in capturing Crowe’s likeness – and securing this prestigious commission – effectively broke that hold, marking him as a formidable new presence on the local art scene. This initial triumph led to a series of nine portraits for St Andrew's Hall in Norwich, solidifying his reputation and establishing a distinctive style favored by the city’s prominent citizens. He wasn’t simply painting faces; he was becoming an integral part of documenting Norwich society itself.

    London Commissions and Allegorical Depth

    The 1740s and 50s saw Bardwell extend his reach to London, where he undertook a variety of portrait commissions. However, it was during this period that he ventured beyond straightforward representation, demonstrating an ambition for more complex allegorical works. Joshua Ward Receiving Money from Britannia (and bestowing it as charity on the needy), painted in 1748 and now residing within the Royal College of Surgeons’ collection, stands as a prime example. This painting isn't just a portrait of Dr. Joshua Ward; it’s a carefully constructed visual narrative. The symbolic figures of Britannia and Charity flanking Ward, coupled with the throng of grateful patients, elevate the work beyond mere likeness to a celebration of philanthropy and civic virtue. An engraving after this piece, likely by Bernard Baron, further disseminated his imagery and influence. This period reveals Bardwell's growing sophistication in using symbolism to imbue his portraits with deeper meaning, moving him away from purely descriptive representation towards works that actively engaged with moral and social themes.

    Yorkshire, Scotland, and a Return to Norwich

    Bardwell’s artistic journey wasn’t confined to the south of England. Between 1752 and 1753, he embarked on an extensive series of commissions in Yorkshire and Scotland, broadening his exposure to different patrons and regional styles. This period likely influenced his technique and further refined his ability to adapt to diverse aesthetic preferences. However, by 1759, Bardwell made the decision to settle permanently in Norwich. He became a central figure within the city’s artistic community, celebrated for his skill and dedication. An obituary published in a local newspaper lauded him as “an eminent portrait painter…who principally through the power of genius and dint of application, acquired a degree of perfection in his art.”

    Legacy and Theoretical Contributions

    Bardwell’s impact extended beyond the canvas. In 1756, he published The Practice of Painting and Perspective Made Easy, a 64-page treatise dedicated to the Earl of Rochford. This work wasn't merely a technical manual; it reflected his own artistic philosophy and offered practical guidance for aspiring painters. It demonstrates a commitment to sharing his knowledge and promoting the art of painting beyond his immediate circle. According to a general history of Norfolk published in 1829, “the best of his portraits are at Langley,” with works by Turner and Carr also noted as holding historical subjects painted by Bardwell. While perhaps not achieving the widespread fame of some of his contemporaries, Thomas Bardwell carved out a significant niche for himself as a skilled portraitist, a breaker of artistic monopolies, and a thoughtful contributor to the discourse surrounding painting in 18th-century England. His legacy resides not only in the faces he captured but also in the enduring quality of his craftsmanship and his dedication to elevating the art of portraiture within his community.

    Muzej

    Norfolk Museums

    Prikazano u Norwich, United Kingdom

    A Tapestry of Time: Discovering Norfolk Museums

    Nestled in the historic heart of Norwich, Norfolk Museums isn’t merely a collection of buildings housing artifacts; it's an immersive journey through centuries of British life, artistry, and innovation. The museums collectively represent a vibrant cultural institution dedicated to preserving and showcasing the diverse heritage of this captivating county. From the imposing silhouette of Norwich Castle to the intimate charm of Strangers’ Hall, each location whispers tales of medieval merchants, industrial pioneers, and artistic visionaries. A visit here isn't simply observation; it’s an encounter with the very soul of Norfolk.

    Norwich Castle Museum & Art Gallery:

    This Norman masterpiece, originally built as a Royal Palace, now safeguards medieval treasures that transport visitors back to a time of knights, cathedrals, and burgeoning trade. Beyond its regal origins, the castle’s collection spans centuries, offering a panoramic view of British history through art and artifacts. The curators skillfully employ academic realism—detailed depictions of architectural grandeur and illuminated manuscripts—to convey the scale and significance of Norman rule.

    Bridewell Museum:

    A stark contrast to Norwich Castle's opulence, Bridewell Museum houses the last Jacquard loom in existence, a tangible symbol of Norfolk’s industrial past. This remarkable machine speaks volumes about the ingenuity and craftsmanship that fueled Norwich’s economic growth during the Victorian era. Its architectural design—a Grade I listed building—reflects the city’s transformation from medieval roots to industrial expansion.

    The Norwich School: Capturing Norfolk's Essence

    Norfolk Museums is particularly celebrated for its exceptional art collection, spearheaded by the Norwich School painters. Active in the early 19th century, these artists—John Constable, George Eliot Palmer, John Sell Cotman—captured the essence of the Norfolk landscape and everyday life with a distinctive blend of realism and romanticism. Their canvases resonate with atmospheric perspective and meticulous attention to detail, mirroring the artistic sensibilities of their time. Examining works like ‘The Marketplace’ by Harry Goodwin offers an unparalleled glimpse into Victorian Norwich – a scene rendered with vibrant colors and masterful composition.

    Beyond Art: Portraits of Norfolk's Medical History

    However, Norfolk Museums’ commitment to storytelling extends far beyond traditional art forms. The museum’s unique collection of medical portraits at the Norfolk & Norwich University Hospital provides a fascinating exploration of over 250 years of healthcare evolution. These portraits honor the dedicated professionals who have served the community through periods of both progress and adversity—individuals whose faces are preserved in time, offering poignant reflections on medical practice and societal values.

    A Living Legacy: Engagement & Exploration

    What truly distinguishes Norfolk Museums is its holistic approach to local history, art, and heritage. It’s a place where the past isn't confined to static displays but actively engages with the present through immersive exhibits and educational programs. Collaborations with local artists and researchers foster a deeper understanding of Norfolk’s cultural landscape—a testament to the museum’s enduring mission: to inspire curiosity and cultivate appreciation for this region’s rich artistic legacy.

    Notable Exhibitions:

    Recent exhibitions have explored themes ranging from Tudor Norfolk to the Industrial Revolution, demonstrating the museum's ability to adapt its programming to contemporary interests.

    Dodatne informacije

    • Umjetnik Thomas Bardwell topimpressionists.com/hr/artists/thomas-bardwell/
    • Muzej Norfolk Museums topimpressionists.com/hr/museums/norfolk-museums-norwich/
    • Slična djela Još djela za usporedbu topimpressionists.com/hr/art/similar/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Isabella Buxton

    topimpressionists.com/hr/art/download/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Izvor za ovo umjetničko djelo

    MLA
    Bardwell, Thomas. Isabella Buxton. 1751, Norfolk Museums. https://topimpressionists.com/hr/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    APA
    Bardwell, Thomas (1751). Isabella Buxton [Painting]. Norfolk Museums. https://topimpressionists.com/hr/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Chicago
    Thomas Bardwell. Isabella Buxton. 1751. Norfolk Museums. https://topimpressionists.com/hr/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Harvard
    Bardwell, Thomas (1751) Isabella Buxton. Norfolk Museums. Available at: https://topimpressionists.com/hr/art/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Pogledajte pažljivije

    Isabella Buxton — Thomas Bardwell

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na djelo John Buxton of Channonz (1750) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    4. Thomas Bardwell je imao oko 47 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Gdje mogu vidjeti pregled za "Isabella Buxton"?

    Pregled djela "Isabella Buxton" autora Thomas Bardwell dostupan je na stranici Pregled za to umjetničko djelo.

    Može li se djelo "Isabella Buxton" autora Thomas Bardwell, koje se nalazi u muzeju Norfolk Museums, pravno reproducirati?

    Status autorskih prava za djelo "Isabella Buxton" autora Thomas Bardwell je jasan: rad pripada u javnom vlasništvu – autorska prava su istekla. Njegovo prisustvo u muzeju Norfolk Museums ne mijenja taj status.

    Koja je paleta boja korištena u djelu "Isabella Buxton" autora Thomas Bardwell?

    "Isabella Buxton" autora Thomas Bardwell koristi Earthy paletu boja. Ta paleta sažima opći koloristički karakter djela.