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      Alonso Cano, 1601 – 1667

      Alonso Cano: 86 najpoznatijih slika

      Od svih djela Alonso Cano, The Crucifixion (1650) je najpoznatije; nalazi se u muzeju Muzej Prado, Madrid. Samo iza njih slijede Portrait of Garcilaso de la Vega (?) (1635) i The crucified Christ appears to Saint Teresa (1629). Od 88 djela umjetnika Alonso Cano u našem katalogu, ovih 86 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret Alonso Cano
      Alonso Cano · 1601 – 1667
      Rođen · umro
      1601 – 1667, Granada
      Pokret
      Baroque
      Djela u našem katalogu
      88
      Najpoznatije
      The Crucifixion (1650)
      Najviše djela u
      Muzej Prado

      10 najpoznatijih djela umjetnika Alonso Cano

      The Crucifixion (1650) od Alonso Cano
      1

      The Crucifixion

      1650 · Oil · Muzej Prado, Madrid

      The vertical axis of the wooden cross anchors the composition, pulling the eye upward through a void of deep blacks and umbers. A pale, luminous flesh defines the body of Christ, catching a sharp, singular light that carves out the anatomy of his musculature. This light is a quiet rebellion against the heavy, moody sky. On the horizon, a thin sliver of reddish-orange glows, a bruised light that suggests the…

      Hand-painted oil reproduction from $178 27 × 37 cm Same size as the original $526 96 × 130 cm Order at original size →
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      Portrait of Garcilaso de la Vega (?) (1635) od Alonso Cano
      2

      Portrait of Garcilaso de la Vega (?)

      1635 · Oil On Canvas · Ermitaž, Sankt Peterburg

      In this intimate portrait, we find ourselves in a close-up encounter with a man whose presence is felt through a profound sense of quietude. The subject, likely Garcilaso de la Vega, gazes directly toward the viewer with a neutral, contemplative expression that suggests a mind turned inward. His dark, wavy hair and subtle mustache frame a face illuminated by a soft, directional light coming from the upper left. This lighting…

      Hand-painted oil reproduction from $178 28 × 35 cm
      Unesite ovu svjetlost u svoj dom Pogledajte bliže
      The crucified Christ appears to Saint Teresa (1629) od Alonso Cano
      3

      The crucified Christ appears to Saint Teresa

      1629 · Oil On Canvas · Muzej Prado, Madrid

      The air feels heavy with the weight of a celestial vision. In a space where the physical world dissolves into a nebulous, atmospheric void, a profound spiritual encounter unfolds. Christ, marked by the sacrifice of the cross, descends from the upper left, his pale skin and luminous presence cutting through the darkness. He moves along a sharp diagonal, creating a tension that pulls the eye toward Saint Teresa in the…

      Hand-painted oil reproduction from $203 21 × 48 cm Same size as the original $304 44 × 99 cm Order at original size →
      Unesite ovu svjetlost u svoj dom Pogledajte bliže
      Saint Anthony of Padua (1650) od Alonso Cano
      4

      Saint Anthony of Padua

      1650 · Oil · Muzej Prado, Madrid

      The air within the frame feels heavy with a sacred stillness, as if the very atmosphere has paused to witness a miracle. In this profound moment of spiritual intimacy, Saint Anthony of Padua kneels at the base of a celestial descent, his Franciscan habit rendered in deep, earthy umbers and ochres. He cradles the infant Jesus with a tenderness that transcends the canvas, his gaze anchored by the weight of…

      Hand-painted oil reproduction from $278 24 × 42 cm
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      The crucified Christ appears to Saint Teresa of Avila (1629) od Alonso Cano
      5

      The crucified Christ appears to Saint Teresa of Avila

      1629 · Oil On Canvas · Muzej Prado, Madrid

      In this 1629 oil on canvas, a mystical encounter unfolds within a quiet, shadowed space. Saint Teresa of Avila sits at a table, her white habit providing a sharp, luminous contrast against the deep, earthy tones of the background. An inkwell and a book lie before her, marking her identity as a writer and a Doctor of the Church. Her gaze is directed upward, caught in a moment of profound…

      Hand-painted oil reproduction from $203 21 × 48 cm Same size as the original $304 44 × 99 cm Order at original size →
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      The Virgin Mary Appears to Saint Anthony (1648) od Alonso Cano
      6

      The Virgin Mary Appears to Saint Anthony

      1648 · Oil On Canvas · Bavarske državne slikopisne zbirke, München

      In 1648, Alonso Cano painted The Virgin Mary Appears to Saint Anthony. The canvas captures a celestial encounter between the Virgin Mary and Saint Anthony. She sits upon clouds in the upper left, looking down with a gentle expression. A thin, translucent veil extends from her hands toward the saint. Below, Saint Anthony kneels in the lower right, cradling the Christ Child in his arms. He gazes upward in adoration.…

      Hand-painted oil reproduction from $228 27 × 37 cm Same size as the original $739 111 × 161 cm Order at original size →
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      St. Stephanus (1626) od Alonso Cano
      7

      St. Stephanus

      1626 · Oil

      In this medium close-up of St. Stephanus, Alonso Cano captures a moment of profound spiritual intensity. The subject is positioned slightly off-center, creating a sense of natural, unforced presence within the frame. He is depicted from the waist up, his body angled in a way that suggests a sudden, overwhelming encounter. His gaze is directed upward, fixed upon an unseen divine source that remains beyond the viewer's sight. This upward…

      Hand-painted oil reproduction from $178 28 × 35 cm Same size as the original $379 77 × 100 cm Order at original size →
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      Dominican monk (1626) od Alonso Cano
      8

      Dominican monk

      1626 · Oil On Canvas

      A single male figure emerges from a deep, indeterminate shadow, his presence defined by the stark contrast of light and dark. He is a Dominican monk, captured in a bust-length portrait that feels intimate and immediate. The light, descending from the upper left, washes over his face and the crisp white of his cowl, leaving the rest of his form to dissolve into the darkness. There is a profound sense…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $285 61 × 75 cm Order at original size →
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      Portrait of an Ecclesiastic (1626) od Alonso Cano
      9

      Portrait of an Ecclesiastic

      1626 · Oil On Canvas · Hispanic Society Museum - Library, New York

      In this three-quarter length portrait, titled Portrait of an Ecclesiastic, Alonso Cano presents a figure of quiet dignity. The subject is positioned slightly off-center, set against a dark, indistinct background that creates a shallow sense of depth. This arrangement focuses the viewer's attention entirely on the man in clerical attire. He holds a small book, a gesture that suggests a life of study or devotion. Near his right hand, an…

      Hand-painted oil reproduction from $178 27 × 36 cm Same size as the original $392 79 × 103 cm Order at original size →
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      Christ Crucified (1650) od Alonso Cano
      10

      Christ Crucified

      1650 · Oil On Canvas · Muzej Prado, Madrid

      A single figure dominates the vertical composition, nailed to a wooden cross that extends beyond the upper frame. The background is a void of deep browns and blacks, utilizing tenebrism to push the subject into the immediate foreground. This stark chiaroscuro effect isolates the body against the darkness, focusing all attention on the pale, luminous skin tones of the torso. Lines define the muscular anatomy of the chest and abdomen,…

      Hand-painted oil reproduction from $178 24 × 42 cm Same size as the original $981 126 × 220 cm Order at original size →
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      Slike umjetnika Alonso Cano rangirane od 11 do 86

      Eve (1666) od Alonso Cano
      #28

      Eve

      1666 · Katedrala u Granadi

      The painting "Eve," by the Spanish Baroque master Alonso Cano, stands as a profound testament to the artistic fervor of its era—a moment captured in meticulous detail and…

      Noli me Tangere (1640) od Alonso Cano
      #31

      Noli me Tangere

      1640 · Szépművészeti Múzeum

      To stand before this depiction of Noli me Tangere is to step directly into the charged, luminous atmosphere of Baroque piety. The scene captures that exquisite tension between…

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      Descent into Limbo (1640) od Alonso Cano
      #43

      Descent into Limbo

      1640 · Los Angeles County Museum of Art

      Alonso Cano’s “Descent into Limbo,” painted in 1640, is not merely a depiction of a biblical scene; it's a profound exploration of human suffering, spiritual longing, and the…

      Neka je naslika ručno from $178 →
      Mary (1646) od Alonso Cano
      #45

      Mary

      1646 · Szépművészeti Múzeum

      A Baroque Revelation: Exploring Alonso Cano’s “Mary” Alonso Cano’s “Mary,” housed at Budapest's Szépmûvészeti Múzeum, isn’t merely a depiction of the Virgin Mary; it’s an embodiment of the…

      Neka je naslika ručno from $178 →

      Platna umjetnika Alonso Cano po razdobljima

      Early Period

      1626 · 3 djela na ovom popisu
      St. Stephanus (1626), Alonso Cano #7 St. Stephanus 1626 Dominican monk (1626), Alonso Cano #8 Dominican monk 1626 Portrait of an Ecclesiastic (1626), Alonso Cano #9 Portrait of an Ecclesiastic 1626 · Hispanic Society Museum - Library

      Mature Period

      1629 – 1666 · 29 djela na ovom popisu
      The Crucifixion (1650), Alonso Cano #1 The Crucifixion 1650 · Muzej Prado Portrait of Garcilaso de la Vega (?) (1635), Alonso Cano #2 Portrait of Garcilaso de la Vega (?) 1635 · Ermitaž The crucified Christ appears to Saint Teresa (1629), Alonso Cano #3 The crucified Christ appears to Saint Teresa 1629 · Muzej Prado Saint Anthony of Padua (1650), Alonso Cano #4 Saint Anthony of Padua 1650 · Muzej Prado The crucified Christ appears to Saint Teresa of Avila (1629), Alonso Cano #5 The crucified Christ appears to Saint Teresa of Avila 1629 · Muzej Prado

      Što je Alonso Cano najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.

      Religious 21 djela

      Descent into Limbo (1640), Alonso Cano #43 Descent into Limbo 1640 · Los Angeles County Museum of Art Cène à Emmaüs, Alonso Cano #46 Cène à Emmaüs Saint Anthony the Abbot, Alonso Cano #47 Saint Anthony the Abbot The Vision of Saint John, Alonso Cano #48 The Vision of Saint John

      Man 15 djela

      The Crucifixion (1650), Alonso Cano #1 The Crucifixion 1650 · Muzej Prado Portrait of Garcilaso de la Vega (?) (1635), Alonso Cano #2 Portrait of Garcilaso de la Vega (?) 1635 · Ermitaž The crucified Christ appears to Saint Teresa (1629), Alonso Cano #3 The crucified Christ appears to Saint Teresa 1629 · Muzej Prado The Virgin Mary Appears to Saint Anthony (1648), Alonso Cano #6 The Virgin Mary Appears to Saint Anthony 1648 · Bavarske državne slikopisne zbirke

      Saints 9 djela

      St. John the Evangelist, Alonso Cano #50 St. John the Evangelist Angels Ministering to St. Sebastian, Alonso Cano #56 Angels Ministering to St. Sebastian Three Putti Holding Cross Before Two Male Saints, Alonso Cano #59 Three Putti Holding Cross Before Two Male Saints Saint Bernardin de Sienne et saint Jean de Capistran, Alonso Cano #66 Saint Bernardin de Sienne et saint Jean de Capistran

      Woman 7 djela

      The crucified Christ appears to Saint Teresa of Avila (1629), Alonso Cano #5 The crucified Christ appears to Saint Teresa of Avila 1629 · Muzej Prado Immaculate Conception (1648), Alonso Cano #14 Immaculate Conception 1648 Maria (1648), Alonso Cano #15 Maria 1648 The Miracle at the Well (1646), Alonso Cano #26 The Miracle at the Well 1646 · Muzej Prado

      Gdje se nalaze platna umjetnika Alonso Cano

      8 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora Alonso Cano Slike iz ovog popisa
      Muzej Prado, MadridMuzej Prado Madrid 17 The Crucifixion, The crucified Christ appears to Saint Teresa, Saint Anthony of Padua
      Louvre, ParizLouvre Pariz 5 St James the Greater, St James the Greater, Saint Jacques le Majeur
      Szépművészeti Múzeum, BudimpeštaSzépművészeti Múzeum Budimpešta 3 St John the Evangelist on Pathmos, Noli me Tangere, Mary
      Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 2 Portrait of Garcilaso de la Vega (?), The Crucifixion
      Fundacion Banco Santander, MadridFundacion Banco Santander Madrid 2 St. Vincent Ferrer Preaching, The Education of the Virgin
      Kingston Lacy, Wimborne MinsterKingston Lacy Wimborne Minster 2 The Sleeping Christ Child, The Coronation of the Virgin
      Wallace Collection, LondonWallace Collection London 2 Saint John the Evangelist's Vision of Jerusalem (detail), Saint John the Evangelist's Vision of Jerusalem
      Muzej Cádiz, CádizMuzej Cádiz Cádiz 2 Self-portrait, The vision of St. Felix of Cantalice

      Od desetljeća do desetljeća: najpoznatije platno umjetnika Alonso Cano

      1. 1620s
        The crucified Christ appears to Saint Teresa (1629) od Alonso Cano
        Rangirani kao 3 od 86

        The crucified Christ appears to Saint Teresa

        Godine 19 – 28 · Muzej Prado

        The air feels heavy with the weight of a celestial vision. In a space where the physical world dissolves into a nebulous, atmospheric void, a profound spiritual encounter…

      2. 1630s
        Portrait of Garcilaso de la Vega (?) (1635) od Alonso Cano
        Rangirani kao 2 od 86

        Portrait of Garcilaso de la Vega (?)

        Godine 29 – 38 · Ermitaž

        In this intimate portrait, we find ourselves in a close-up encounter with a man whose presence is felt through a profound sense of quietude. The subject, likely Garcilaso…

      3. 1640s
        The Virgin Mary Appears to Saint Anthony (1648) od Alonso Cano
        Platno 6 od 86

        The Virgin Mary Appears to Saint Anthony

        Godine 39 – 48 · Bavarske državne slikopisne zbirke

        In 1648, Alonso Cano painted The Virgin Mary Appears to Saint Anthony. The canvas captures a celestial encounter between the Virgin Mary and Saint Anthony. She sits upon…

      4. 1650s
        The Crucifixion (1650) od Alonso Cano
        1 od 86

        The Crucifixion

        Godine 49 – 58 · Muzej Prado

        The vertical axis of the wooden cross anchors the composition, pulling the eye upward through a void of deep blacks and umbers. A pale, luminous flesh defines the…

      5. 1660s

      Vaša pitanja o slikama umjetnika Alonso Cano – odgovori

      Koje je najpoznatije djelo umjetnika Alonso Cano?Pročitajte odgovor

      The Crucifixion (1650), Muzej Prado, Madrid. Prate ih Portrait of Garcilaso de la Vega (?) (1635) i The crucified Christ appears to Saint Teresa (1629).

      Koliko je godina Alonso Cano imao/la u vrijeme nastanka djela The Crucifixion?Pročitajte odgovor

      Alonso Cano, rođen/a 1601, imao/la je 49 godina: The Crucifixion datira iz 1650.

      Po kojim deset platnena Alonso Cano je najpoznatiji/a?Pročitajte odgovor

      The Crucifixion, Portrait of Garcilaso de la Vega (?), The crucified Christ appears to Saint Teresa, Saint Anthony of Padua, The crucified Christ appears to Saint Teresa of Avila, The Virgin Mary Appears to Saint Anthony, St. Stephanus, Dominican monk, Portrait of an Ecclesiastic i Christ Crucified. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznatih slika umjetnika Alonso Cano?Pročitajte odgovor

      U našem katalogu nalazi se 88 djela umjetnika Alonso Cano, datiranih od 1624 do 1666.

      U kojim se muzejima čuvaju najpoznatija platna umjetnika Alonso Cano?Pročitajte odgovor

      Većinom u Muzej Prado (Madrid), Louvre (Pariz) i Szépművészeti Múzeum (Budimpešta); gornji popis navodi svaki muzej i njegova platna.

      U kojim je godinama Alonso Cano naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1640s, koji obuhvaća 14 od ukupno 86 djela na ovoj stranici, među njima je i The Virgin Mary Appears to Saint Anthony.

      Koja su prva i posljednja poznata platna umjetnika Alonso Cano?Pročitajte odgovor

      Najstarije platno ovdje je iz San Francisco de Borja (Saint Francis Borgia) (1624) godine; najnovije je iz Eve (1666) godine.

      Koji se motivi najčešće pojavljuju u slikama umjetnika Alonso Cano?Pročitajte odgovor

      Religious (21), Man (15) i Saints (9), kroz svih 86 djela na ovoj stranici.

      Što je Alonso Cano obično koristio za slikanje?Pročitajte odgovor

      Oil On Canvas, korišteno u 29 od 86 djela na ovoj stranici.

      Pripada li Alonso Cano kojem umjetničkom pokretu?Pročitajte odgovor

      Baroque, kao što pokazuju platna na ovoj stranici.

      Što mogu vidjeti od djela Alonso Cano u muzeju Muzej Prado?Pročitajte odgovor

      Muzej Muzej Prado, Madrid posjeduje 17 djela s ove stranice, među kojima su i The Crucifixion, The crucified Christ appears to Saint Teresa i Saint Anthony of Padua.

      Mogu li naručiti ručno oslikanu kopiju djela umjetnika Alonso Cano?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Alonso Cano: priča slikara

      Renesansni čovjek Granade

      Alonso Cano Almansa ističe se kao jedinstvena figura španjolske zlatne dobe, pravi polimat čiji je kreativni duh odbijao biti ograničen na samo jedan medij. Rođen u Granadi, Španjolska, bio je rijedak talent koji je s jednakom žarom ovladao različitim disciplinama slikarstva, kiparstva i arhitekture. Njegovo umjetničko putovanje započelo je pod vodstvom njegovog oca, Miguela Canoa, od kojeg je naslijedio temeljne principe arhitekture. To strukturno razumijevanje kasnije će oblikovati prostornu dubinu i monumentalnu prisutnost koja se nalazi u njegovim vizualnim djelima.

      Njegovo obrazovanje bilo je bogata tapiserija najfinijih utjecaja dostupnih u španjolskom umjetničkom svijetu. U području slikarstva, usavršavao je svoj potez četkicom unutar akademije Juana del Castilla i studirao pod Franciscoom Pacheeom, cijenjenim učiteljem Velázqueza. Ova loza izravno ga je povezivala s srcem baroknog pokreta, prožimajući njegova platna osjećajem dramatične napetosti i duhovne svjetlosti. Istovremeno, njegova kiparinska vještina oblikovana je pod mentorstvom Juana Martíneza Montañésa, što mu je omogućilo da u kamen i drvo utisne život s dubokim osjećajem anatomijske gracioznosti i emocionalne rezonance.

      Majstorstvo forme i duha

      Canov opus odlikuje izvanredna sposobnost prianjanja božanskog unutar ljudskog oblika. Kao kipar, stekao je trajno priznanje kroz djela poput Madone i Djeteta u crkvi u Lebriji te svoje kolosalne, impresivne figure Svetog Petra i Svetog Pavla. Ova djela pokazuju majstorstvo u postizanju razmjera i sposobnost izazivanja duboke religijske pobožnosti kroz fizičku prisutnost.

      U svojim slikama, Cano je koristio dramatične tehnike barokne ere kako bi stvorio trenutke intenzivnog duhovnog susreta. Njegove kompozicije često prikazuju:

      • Igru svjetla i sjene, gdje nevidljivi izvori svjetlosti osvjetljavaju svete figure, kao što je to slučaj u njegovom prikazu Svetog Ivana Evangelista na Patmosu.
      • Emocionalnu intimnost, vidljivu u djelima poput Noli me Tangere, gdje je napetost između božanske milosti i ljudske čežnje opipljiva.
      • Težinu žrtve, uhvaćenu kroz sumorno i dramatično prizor Mrtvog Krista koji ga Anđeo podupire.

      Nasljeđe i kraljevsko priznanje

      Značaj Canovog talenta prepoznat je na najvišim razinama španjolske kraljevske kuće. Njegova prestižnost dovela je do imenovanja prvim kraljevskim arhitektom i slikarom Filipa IV. Njegov utjecaj protezao se čak i na edukaciju sljedeće generacije, služeći kao instruktor princa, Baltazara Charlesa. Ova blizina moći omogućila mu je da ostavi neizbrisiv trag na arhitektonskom krajoliku Španjolske; primjećuje se da je bio glavni arhitekt katedrale u Granadi, projektirajući njezinu veličanstvenu fasadu koja je napokon podignuta nakon njegove smrti.

      Izvan svojih službenih titula, Canovo nasljeđe sačuvano je u samoj tkanini andaluzijske kulture. Njegova sposobnost prožimanja strukturnog strogosti arhitekture, taktilne emocije kiparstva i svjetlosnog pripovijedanja slikarstva osigurava mu mjesto jednog od najsvestranijih i najvažnijih majstora španjolskog baroka.

      Sva 88 djela umjetnika Alonso Cano → Alonso Cano painting reproductions, with prices →