Atelier — Besplatna dostava širom svijeta — Rok isporuke 2–6 tjedana
      Basawan, 1560 – 1600

      13 najpoznatijih djela umjetnika Basawan

      Mihrdukht aims her arrow at the ring (1570) je slika po kojoj je Basawan najpoznatiji; nalazi se u muzeju Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 13 djela umjetnika Basawan. Evo 13 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret Basawan
      Basawan · 1560 – 1600
      Rođen · umro
      1560 – 1600, Uttar Pradesh
      Djela u našem katalogu
      13
      Najpoznatije
      Mihrdukht aims her arrow at the ring (1570)
      Najviše djela u
      Cleveland Museum of Art

      Deset najomiljenijih djela umjetnika Basawan

      Mihrdukht aims her arrow at the ring (1570) od Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitan Museum of Art, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Ručno oslikana uljana reprodukcija od $403 28 × 36 cm Isti veličine kao i original $481 52 × 68 cm Naručite u izvornim dimenzijama →

      Basawan: platna od 11. do 13. na rangiranju

      Gdje se nalaze platna umjetnika Basawan

      6 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora Basawan Slike iz ovog popisa
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondonVictoria and Albert Museum London 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      Najpoznatije platno umjetnika Basawan, iz desetljeća u desetljeće

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) od Basawan
        Rangirani kao 1 od 13

        Mihrdukht aims her arrow at the ring

        Godine 10 – 19 · Metropolitan Museum of Art

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Platna umjetnika Basawan, odgovor po odgovor

      Po kojem je platnu Basawan najpoznatiji?Pročitajte odgovor

      Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Prate ih The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) i The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

      Mihrdukht aims her arrow at the ring: koliko je godina Basawan imao/la kada je ovo djelo naslikano?Pročitajte odgovor

      Basawan, rođen/a 1560, imao/la je 10 godina: Mihrdukht aims her arrow at the ring datira iz 1570.

      Koja su deset najpoznatijih platna umjetnika Basawan?Pročitajte odgovor

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) i Page from Tales of a Parrot (Tuti-nama): text page. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Basawan?Pročitajte odgovor

      U našem katalogu nalazi se 13 djela umjetnika Basawan, datiranih od 1570 do 1596.

      Gdje se danas nalaze najpoznatija platna umjetnika Basawan?Pročitajte odgovor

      Većinom u Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) i Victoria and Albert Museum (London); gornji popis navodi svaki muzej i njegova platna.

      Kada je Basawan naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1590s, koji obuhvaća 4 od ukupno 13 djela na ovoj stranici, među njima je i Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

      Koje je slikarško platno poznatog umjetnika Basawan nastalo prvo, a koje posljednje?Pročitajte odgovor

      Najstarije platno ovdje je iz Mihrdukht aims her arrow at the ring (1570) godine; najnovije je iz The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596) godine.

      Koje se djela Basawan nalaze u kolekciji Cleveland Museum of Art?Pročitajte odgovor

      Muzej Cleveland Museum of Art, Cleveland posjeduje 8 djela s ove stranice, među kojima su i The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night i The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Gdje mogu kupiti reprodukciju slike autora Basawan?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Upoznajte slikara: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.