Forest Landscape with Bathing Children (1867) je slika po kojoj je Carl Ebert najpoznatiji; nalazi se u muzeju Bavarske državne slikopisne zbirke, München. Evening Landscape (1875) i Landscape society in a park upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 5 djela umjetnika Carl Ebert. Evo 5 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Carl Ebert | Slike iz ovog popisa |
|---|---|---|---|
| München | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| München | 1 | Isar Landscape |
Oko deset godina pred platnom, od 1867 do 1875: datirani platni Carl Ebert, godinu za godinom.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München. Prate ih Evening Landscape (1875) i Landscape society in a park.
Carl Ebert, rođen/a 1821, imao/la je 46 godina: Forest Landscape with Bathing Children datira iz 1867.
U našem katalogu nalazi se 5 djela umjetnika Carl Ebert, datiranih od 1867 do 1875.
Većinom u Bavarske državne slikopisne zbirke (München) i Lenbachhaus (München); gornji popis navodi svaki muzej i njegova platna.
Najstarije platno ovdje je iz Forest Landscape with Bathing Children (1867) godine; najnovije je iz Evening Landscape (1875) godine.
Muzej Bavarske državne slikopisne zbirke, München posjeduje 2 djela s ove stranice, među kojima su i Forest Landscape with Bathing Children i Evening Landscape.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.