Cornelia Scheffer, 1769 – 1839
Cornelia Scheffer: 4 najpoznatijih slika
Od svih djela Cornelia Scheffer, Self-portrait (1795) je najpoznatije; nalazi se u muzeju Dordrechts Museum, Dordrecht. Samo iza njih slijede Woman with Two Children on a Country Road (1811) i The Women of Souli (1833). Od 4 djela umjetnika Cornelia Scheffer u našem katalogu, ovih 4 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
- Rođen · umro
- 1769 – 1839, Dordrecht
- Djela u našem katalogu
- 4
- Najpoznatije
- Self-portrait (1795)
- Najviše djela u
- Dordrechts Museum
10 najpoznatijih djela umjetnika Cornelia Scheffer
2
Woman with Two Children on a Country Road
Ručno oslikana uljana reprodukcija od $203 29 × 34 cm
Isti veličine kao i original $306 60 × 73 cm Naručite u izvornim dimenzijama →
3
The Women of Souli
Ručno oslikana uljana reprodukcija od $453 37 × 27 cm
Isti veličine kao i original $745 112 × 95 cm Naručite u izvornim dimenzijama →
4
Portrait of a small child presumably Karel Arnoldus Scheffer at 3 years of age
Ručno oslikana uljana reprodukcija od $178 30 × 33 cm
Gdje se nalaze platna umjetnika Cornelia Scheffer
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Cornelia Scheffer | Slike iz ovog popisa |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Od desetljeća do desetljeća: najpoznatije platno umjetnika Cornelia Scheffer
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1790s
1 od 4Self-portrait
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1810s
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1830s
Platno 3 od 4The Women of Souli
Vaša pitanja o slikama umjetnika Cornelia Scheffer – odgovori
Koje je najpoznatije djelo umjetnika Cornelia Scheffer?Pročitajte odgovor
Self-portrait (1795), Dordrechts Museum, Dordrecht. Prate ih Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).
Koliko je godina Cornelia Scheffer imao/la u vrijeme nastanka djela Self-portrait?Pročitajte odgovor
Cornelia Scheffer, rođen/a 1769, imao/la je 26 godina: Self-portrait datira iz 1795.
Koliko je poznatih slika umjetnika Cornelia Scheffer?Pročitajte odgovor
U našem katalogu nalazi se 4 djela umjetnika Cornelia Scheffer, datiranih od 1795 do 1833.
U kojim se muzejima čuvaju najpoznatija platna umjetnika Cornelia Scheffer?Pročitajte odgovor
Većinom u Dordrechts Museum (Dordrecht); gornji popis navodi svaki muzej i njegova platna.
Koja su prva i posljednja poznata platna umjetnika Cornelia Scheffer?Pročitajte odgovor
Najstarije platno ovdje je iz Self-portrait (1795) godine; najnovije je iz The Women of Souli (1833) godine.
Što mogu vidjeti od djela Cornelia Scheffer u muzeju Dordrechts Museum?Pročitajte odgovor
Muzej Dordrechts Museum, Dordrecht posjeduje 4 djela s ove stranice, među kojima su i Self-portrait, Woman with Two Children on a Country Road i The Women of Souli.
Mogu li naručiti ručno oslikanu kopiju djela umjetnika Cornelia Scheffer?Pročitajte odgovor
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Cornelia Scheffer: priča slikara
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.