Najomiljenije djelo umjetnika Henrik Plötz je Charles Bonnet, Swizz Naturalist and Philosopher (1785), koje se nalazi u muzeju Nationalmuseum, Stockholm. Portrait of Prince Willem George Frederik (1795) i Portrait of a woman (1800) slijede kao sljedeća među platnima koja su čitatelji najbolje upoznali. Naš katalog sadrži 4 djela umjetnika Henrik Plötz: evo 4 najpoznatijih, od kojih svako sadrži godinu nastanka, muzej i opis onoga što ga čini nezaborotljivim.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Henrik Plötz | Slike iz ovog popisa |
|---|---|---|---|
| Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Prate ih Portrait of Prince Willem George Frederik (1795) i Portrait of a woman (1800).
Henrik Plötz, rođen/a 1747, imao/la je 38 godina: Charles Bonnet, Swizz Naturalist and Philosopher datira iz 1785.
U našem katalogu nalazi se 4 djela umjetnika Henrik Plötz, datiranih od 1785 do 1800.
Većinom u Nationalmuseum (Stockholm) i Rijksmuseum (Amsterdam); gornji popis navodi svaki muzej i njegova platna.
Najstarije platno ovdje je iz Charles Bonnet, Swizz Naturalist and Philosopher (1785) godine; najnovije je iz Portrait of a woman (1800) godine.
Muzej Nationalmuseum, Stockholm posjeduje 2 djela s ove stranice, među kojima su i Charles Bonnet, Swizz Naturalist and Philosopher i King Khristian VII of Denmark and Norway.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.