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      John Mare, 1739 – 1803

      3 najpoznatijih djela umjetnika John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) je slika po kojoj je John Mare najpoznatiji; nalazi se u muzeju New York Historical Society, New York City. John Keteltas (1739-1766) (1767) i Jeremiah Platt (1767) upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 3 djela umjetnika John Mare. Evo 3 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret John Mare
      John Mare · 1739 – 1803
      Rođen · umro
      1739 – 1803, New York City
      Djela u našem katalogu
      3
      Najpoznatije
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Najviše djela u
      New York Historical Society

      Deset najomiljenijih djela umjetnika John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) od John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Ručno oslikana uljana reprodukcija od $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) od John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Ručno oslikana uljana reprodukcija od $178 29 × 35 cm
      Jeremiah Platt (1767) od John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Ručno oslikana uljana reprodukcija od $178 28 × 36 cm Isti veličine kao i original $513 98 × 123 cm Naručite u izvornim dimenzijama →

      Što je John Mare najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.

      Gdje se nalaze platna umjetnika John Mare

      2 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora John Mare Slike iz ovog popisa
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      Najpoznatija platna umjetnika John Mare, jedno za drugim

      Oko deset godina pred platnom, od 1767 do 1774: datirani platni John Mare, godinu za godinom.

      1. 1767
        John Keteltas (1739-1766) (1767) od John Mare
        2 od 3

        John Keteltas (1739-1766)

        Godine 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) od John Mare
        Platno 3 od 3

        Jeremiah Platt

        Godine 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) od John Mare
        Platno 1 od 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Godine 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      Platna umjetnika John Mare, odgovor po odgovor

      Po kojem je platnu John Mare najpoznatiji?Pročitajte odgovor

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Prate ih John Keteltas (1739-1766) (1767) i Jeremiah Platt (1767).

      Dr. Benjamin Youngs Prime (1733-1791): koliko je godina John Mare imao/la kada je ovo djelo naslikano?Pročitajte odgovor

      John Mare, rođen/a 1739, imao/la je 35 godina: Dr. Benjamin Youngs Prime (1733-1791) datira iz 1774.

      Koliko je slika stvorio/la John Mare?Pročitajte odgovor

      U našem katalogu nalazi se 3 djela umjetnika John Mare, datiranih od 1767 do 1774.

      Gdje se danas nalaze najpoznatija platna umjetnika John Mare?Pročitajte odgovor

      Većinom u New York Historical Society (New York City) i Metropolitan Museum of Art (New York); gornji popis navodi svaki muzej i njegova platna.

      Kada je John Mare naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1767, koji obuhvaća 2 od ukupno 3 djela na ovoj stranici, među njima je i John Keteltas (1739-1766).

      Koje je slikarško platno poznatog umjetnika John Mare nastalo prvo, a koje posljednje?Pročitajte odgovor

      Najstarije platno ovdje je iz John Keteltas (1739-1766) (1767) godine; najnovije je iz Dr. Benjamin Youngs Prime (1733-1791) (1774) godine.

      Koje je motive najčešće slikao John Mare?Pročitajte odgovor

      Man (2), Wig (2) i Cravat (2), kroz svih 3 djela na ovoj stranici.

      Koje se djela John Mare nalaze u kolekciji New York Historical Society?Pročitajte odgovor

      Muzej New York Historical Society, New York City posjeduje 2 djela s ove stranice, među kojima su i Dr. Benjamin Youngs Prime (1733-1791) i John Keteltas (1739-1766).

      Gdje mogu kupiti reprodukciju slike autora John Mare?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Upoznajte slikara: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.