Najomiljenije djelo umjetnika László Pataky je Roosters on Horses (1880), koje se nalazi u muzeju Slovak National Gallery, Bratislava. Cavalry Battle (1890) i Kuruci (1903) slijede kao sljedeća među platnima koja su čitatelji najbolje upoznali. Naš katalog sadrži 5 djela umjetnika László Pataky: evo 3 najpoznatijih, od kojih svako sadrži godinu nastanka, muzej i opis onoga što ga čini nezaborotljivim.
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2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora László Pataky | Slike iz ovog popisa |
|---|---|---|---|
| Bratislava | 2 | Roosters on Horses, Cavalry Battle | |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Roosters on Horses (1880), Slovak National Gallery, Bratislava. Prate ih Cavalry Battle (1890) i Kuruci (1903).
László Pataky, rođen/a 1857, imao/la je 23 godina: Roosters on Horses datira iz 1880.
U našem katalogu nalazi se 5 djela umjetnika László Pataky, datiranih od 1880 do 1903.
Većinom u Slovak National Gallery (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky); gornji popis navodi svaki muzej i njegova platna.
Najstarije platno ovdje je iz Roosters on Horses (1880) godine; najnovije je iz Kuruci (1903) godine.
Muzej Slovak National Gallery, Bratislava posjeduje 2 djela s ove stranice, među kojima su i Roosters on Horses i Cavalry Battle.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.