Self-portrait (1379) je slika po kojoj je Petar Parler najpoznatiji; nalazi se u muzeju Katedrala Svetog Vida, Prag. Head of Charles IV (1375) i Portret (1379) upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 4 djela umjetnika Petar Parler. Evo 4 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.
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To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
The sculpture of Peter Parler, meticulously crafted around 1379, stands as a remarkable achievement within the Late Medieval artistic landscape. More than just an image of the artist himself—a daring feat in portraiture for its time—it embodies the spirit of Roman naturalism skillfully interwoven with the grandeur and solemnity characteristic of Gothic architecture, specifically St. Vitus’ Cathedral in Prague.
Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Petar Parler | Slike iz ovog popisa |
|---|---|---|---|
 Katedrala Svetog Vida |
Prag | 3 | Self-portrait, Head of Charles IV, Portret |
 Katedrala Svetog Vida |
Prag | 1 | Tomb of Ottokar II |
Platna Petar Parler na ovoj stranici datiraju od 1375 do 1379 godine, što je svega 5 godina: evo ih, godinu za godinom.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
The sculpture of Peter Parler, meticulously crafted around 1379, stands as a remarkable achievement within the Late Medieval artistic landscape. More than just an image of the artist…
Self-portrait (1379), Katedrala Svetog Vida, Prag. Prate ih Head of Charles IV (1375) i Portret (1379).
Petar Parler, rođen/a 1330, imao/la je 49 godina: Self-portrait datira iz 1379.
U našem katalogu nalazi se 4 djela umjetnika Petar Parler, datiranih od 1375 do 1379.
Većinom u Katedrala Svetog Vida (Prag) i Katedrala Svetog Vida (Prag); gornji popis navodi svaki muzej i njegova platna.
U 1379, koji obuhvaća 2 od ukupno 4 djela na ovoj stranici, među njima je i Self-portrait.
Najstarije platno ovdje je iz Head of Charles IV (1375) godine; najnovije je iz Self-portrait (1379) godine.
Stone, korišteno u 2 od 4 djela na ovoj stranici.
Muzej Katedrala Svetog Vida, Prag posjeduje 3 djela s ove stranice, među kojima su i Self-portrait, Head of Charles IV i Portret.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
