Thomas E. Barratt, 1814 – 1854
Thomas E. Barratt: 3 najpoznatijih slika
Od svih djela Thomas E. Barratt, Portrait of a Gentleman (1840) je najpoznatije; nalazi se u muzeju Metropolitan Museum of Art, New York. Samo iza njih slijede Henry Smith (1854) i Mr. Drury (1850). Od 3 djela umjetnika Thomas E. Barratt u našem katalogu, ovih 3 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Studeni 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
- Rođen · umro
- 1814 – 1854
- Djela u našem katalogu
- 3
- Najpoznatije djelo
- Portrait of a Gentleman (1840)
- Najviše djela u
- Smithsonian American Art Museum
10 najpoznatijih djela umjetnika Thomas E. Barratt
Gdje se nalaze platna umjetnika Thomas E. Barratt
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Thomas E. Barratt | Slike iz ovog popisa |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Henry Smith, Mr. Drury |
 Metropolitan Museum of Art |
New York | 1 | Portrait of a Gentleman |
Godina po godinu: najpoznatija platna umjetnika Thomas E. Barratt
Kroz 15 godina, od 1840 do 1854, paleta umjetnika Thomas E. Barratt razotkriva se godinu po godinu kroz njegove najpoznatije platna.
-
1840
Rangirani kao 1 od 3Portrait of a Gentleman
-
1850
Platno 3 od 3Mr. Drury
-
1854
Rangirani kao 2 od 3
Henry Smith
Vaša pitanja o slikama umjetnika Thomas E. Barratt – odgovori
Koje je najpoznatije djelo umjetnika Thomas E. Barratt?Pročitajte odgovor
Portrait of a Gentleman (1840), Metropolitan Museum of Art, New York. Prate ih Henry Smith (1854) i Mr. Drury (1850).
Koliko je godina Thomas E. Barratt imao/la u vrijeme nastanka djela Portrait of a Gentleman?Pročitajte odgovor
Thomas E. Barratt, rođen/a 1814, imao/la je 26 godina: Portrait of a Gentleman datira iz 1840.
Koliko je poznatih slika umjetnika Thomas E. Barratt?Pročitajte odgovor
U našem katalogu nalazi se 3 djela umjetnika Thomas E. Barratt, datiranih od 1840 do 1854.
U kojim se muzejima čuvaju najpoznatija platna umjetnika Thomas E. Barratt?Pročitajte odgovor
Većinom u Smithsonian American Art Museum (Washington, D.C.) i Metropolitan Museum of Art (New York); gornji popis navodi svaki muzej i njegova platna.
Koja su prva i posljednja poznata platna umjetnika Thomas E. Barratt?Pročitajte odgovor
Najstarije platno ovdje je iz Portrait of a Gentleman (1840) godine; najnovije je iz Henry Smith (1854) godine.
Što mogu vidjeti od djela Thomas E. Barratt u muzeju Smithsonian American Art Museum?Pročitajte odgovor
Muzej Smithsonian American Art Museum, Washington, D.C. posjeduje 2 djela s ove stranice, među kojima su i Henry Smith i Mr. Drury.
Mogu li naručiti ručno oslikanu kopiju djela umjetnika Thomas E. Barratt?Pročitajte odgovor
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Thomas E. Barratt: priča slikara
A Life in Miniature
The life of Thomas E. Barratt was defined by the precision of the small scale. Born in England around 1814, he moved through a world that demanded intimacy in its portraiture. He was a miniaturist and portrait painter, a profession requiring a steady hand and a keen eye for the subtle nuances of human character. His career, which spanned the years between 1837 and 1854, was a quiet pursuit of likeness, capturing the essence of his subjects on surfaces as delicate as ivory.
His work, such as the watercolor on ivory titled Mr. Drury, reveals a technical mastery of the medium. In such pieces, the artist had to navigate the translucent qualities of the ivory to create depth and life. He focused on the details of dress—the frilled shirt, the patterned cravat, and the high-tied stock—to ground his subjects in their specific era. These were not grand, sweeping canvases, but private treasures meant to be held and studied closely.
The Quiet Precision of the Portraitist
Barratt’s presence in the American art landscape was marked by this dedication to the minute. While many artists sought the scale of the public gallery, he found his purpose in the intimate space of the portrait miniature. His movement through the mid-nineteenth century saw him active in the United States, where he continued his practice until his passing after 1854. His ability to translate a sitter's identity into a small, portable format speaks to a specific kind of technical discipline.
The historical significance of his work lies in its preservation of the individual. Through his use of watercolor, he captured the textures of fabric and the soft contours of the face with a precision that larger oils often struggle to replicate. His legacy is found in the quiet, detailed records of the people he painted, preserved in collections like the Smithsonian American Art Museum.