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      Antonis Mor, 1519 – 1575

      75 najpoznatijih djela umjetnika Antonis Mor

      Cardinal Granvelle's Dwarf (1560) je slika po kojoj je Antonis Mor najpoznatiji; nalazi se u muzeju Louvre, Pariz. Portrait of Mary, Queen of England (1554) i Queen Mary Tudor of England (1554) upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 75 djela umjetnika Antonis Mor. Evo 75 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret Antonis Mor
      Antonis Mor · 1519 – 1575
      Rođen · umro
      1519 – 1575, Utreht
      Pokret
      Northern renaissance
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      75
      Najpoznatije
      Cardinal Granvelle's Dwarf (1560)
      Najviše djela u
      Muzej Prado

      Deset najomiljenijih djela umjetnika Antonis Mor

      Cardinal Granvelle's Dwarf (1560) od Antonis Mor
      1

      Cardinal Granvelle's Dwarf

      1560 · Oil On Panel · Louvre, Pariz

      To stand before Anthonis Mor Van Dashorst’s Cardinal Granvelle's Dwarf is to step directly into the opulent, richly textured world of the sixteenth-century Dutch aristocracy. This oil on panel painting, executed in 1560, transcends a mere portrait; it is a meticulously crafted tableau vivant, whispering tales of power, lineage, and social standing. The subject—a young boy with dwarfism, adorned in clothing of breathtaking extravagance—is presented not just as an individual,…

      Unesite ovu svjetlost u svoj dom Pogledajte bliže
      Portrait of Mary, Queen of England (1554) od Antonis Mor
      2

      Portrait of Mary, Queen of England

      1554 · Oil On Panel · Szépművészeti Múzeum, Budimpešta

      Anthonis Mor van Dashorst captured the likeness of Mary Tudor in 1554, a period defined by the shifting religious and political tides of the Northern Renaissance. The subject sits with a stern, direct gaze that meets the viewer without hesitation. Her red hair is framed by a structured, ruffled collar, a detail rendered with meticulous precision. Through the use of chiaroscuro, Mor employs a controlled interplay of light and shadow…

      Naručite ovo platno Pročitajte o ovom platnu
      Queen Mary Tudor of England (1554) od Antonis Mor
      3

      Queen Mary Tudor of England

      1554 · Oil On Panel · Muzej Prado, Madrid

      The portrait of Queen Mary Tudor of England, executed by Antonis Mor in 1554, captures a sovereign at a threshold of history. She sits as the sole surviving child of Henry VIII and Catherine of Aragon, a figure of singular lineage. The oil on panel preserves her likeness during a season of profound political and religious shifts. Her presence is fixed, a quiet anchor amidst the changing tides of the…

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      Portrait of William of Orange (1555) od Antonis Mor
      4

      Portrait of William of Orange

      1555 · Oil On Panel · Državni muzeji Kassel, Kassel

      To stand before this portrait of William of Orange is to encounter not merely a likeness, but an embodiment of nascent authority. Rendered in the meticulous vein of the Northern Renaissance, the work captures the sitter in a moment of profound stillness, yet one charged with palpable resolve. The composition immediately draws the eye into the three-quarter view, presenting a figure encased in elaborate armor against a background so deep…

      Neka je naslika ručno Priča o slici
      Joanna of Austria (1560) od Antonis Mor
      5

      Joanna of Austria

      1560 · Oil On Canvas · Muzej Prado, Madrid

      Antonis Mor's Joanna of Austria presents a formal likeness of the princess, who was the daughter of Emperor Charles V and sister to King Philip II of Spain. The subject commissioned this portrait personally, seeking a representation that reflected her specific station and history. In 1552, she married the Portuguese Prince John Manuel, a union that defined her political and personal landscape during the mid-sixteenth century.

      Neka je naslika ručno Priča o slici
      Jane Dormer, Duchess of Feria (?) (1558) od Antonis Mor
      6

      Jane Dormer, Duchess of Feria (?)

      1558 · Oil On Canvas · Muzej Prado, Madrid

      The portrait of Jane Dormer, Duchess of Feria (?) captures a high-status female figure in a moment of quiet, aristocratic stillness. Painted by Antonis Mor, the work emerged around 1558. The subject gazes toward the viewer, her presence defined by the weight of her station and the gravity of her social standing.

      Neka je naslika ručno Priča o slici
      Portrait of a lady (1557) od Antonis Mor
      7

      Portrait of a lady

      1557 · Oil On Canvas · National Gallery of Victoria, Melbourne

      A single light source from the upper left carves the subject out of a dark, indeterminate void. She is a presence of quietude, a three-quarter length figure caught in a moment of poised introspection. The darkness behind her pushes her forward, making the pale skin of her forehead and cheek feel immediate, almost tactile. Her expression is calm, a mask of high social status that hides the pulse of the…

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      Catherine of Hapsburg, the Wife of King John III of Portugal (1552) od Antonis Mor
      8

      Catherine of Hapsburg, the Wife of King John III of Portugal

      1552 · Oil On Panel · Muzej Prado, Madrid

      The gaze of Catherine of Hapsburg, the Wife of King John III of Portugal, meets the viewer from within this formal portrait. Painted by Antonis Mor, the work captures the presence of Catherine of Austria in a moment of quiet, regal composure. She occupies the space with a heavy, dignified stillness that speaks to her high station and the weight of her lineage.

      Unesite ovu svjetlost u svoj dom Pogledajte bliže
      Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse (1565) od Antonis Mor
      10

      Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse

      1565 · Oil On Panel · Muzej Prado, Madrid

      Two women exist in a state of perpetual prayer, suspended within the dark, velvet silence of a Renaissance interior. Margaret, Duchess of Parma, and Mary of Portugal appear as twin pillars of piety, their profiles or three-quarter views turned toward an unseen divine presence. The air around them feels heavy, thick with the solemnity of their task. They do not look at the viewer; instead, their gazes drift downward or…

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      Antonis Mor: platna od 11. do 75. na rangiranju

      Portrait of a man (1550) od Antonis Mor
      #11

      Portrait of a man

      1550 · Kunsthistorisches Museum

      The gaze of the sitter in Portrait of a man meets us from across the centuries, a silent encounter captured by the hand of Antonis Mor. This work,…

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      Philip II (1555) od Antonis Mor
      #12

      Philip II

      1555 · Muzej Prado

      The air in the room seems to thicken around the figure of Philip II. He sits in a three-quarter view, his gaze meeting the viewer with a steady,…

      Neka je naslika ručno →
      Portrait of a Seated Woman (1565) od Antonis Mor
      #13

      Portrait of a Seated Woman

      1565 · Art Institute of Chicago

      The artwork titled Portrait of a Seated Woman was executed by the Netherlandish painter Antonis Mor. This oil on panel work dates to about 1565. The subject is…

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      Margaret, Duchess of Parma (1562) od Antonis Mor
      #14

      Margaret, Duchess of Parma

      1562 · Staatliche Museen zu Berlin

      In this portrait, we encounter Margaret, Duchess of Parma, captured in a moment of quiet, aristocratic composure. The subject is presented in a close-up view, her face and…

      Neka je naslika ručno →
      Lady with the Jewel (1552) od Antonis Mor
      #17

      Lady with the Jewel

      1552 · Muzej Prado

      A single woman occupies the center of this 1552 portrait, her presence defined by a quiet, aristocratic poise. She is positioned in a three-quarter length pose, her body…

      Neka je naslika ručno →
      Emperor Maximilian II (1550) od Antonis Mor
      #18

      Emperor Maximilian II

      1550 · Muzej Prado

      In this vertical, three-quarter length portrait from 1550, Emperor Maximilian II is presented against a dark, near-black background. The subject stands slightly off-center, positioned with a calm and…

      Neka je naslika ručno →
      Lady with Gold Chains (1560) od Antonis Mor
      #22

      Lady with Gold Chains

      1560 · Muzej Prado

      In this three-quarter length portrait from circa 1560, we encounter a woman who commands the space through a profound, self-possessed stillness. She is positioned slightly off-center, emerging from…

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      Portrait of a Lady (1538) od Antonis Mor
      #23

      Portrait of a Lady

      1538 · Muzej Prado

      The artwork titled Portrait of a Lady is an oil on canvas painting by the artist Antonis Mor. This portrait depicts a noblewoman, presented in a three-quarter length…

      Naručite ovo platno →
      Portrait of a Man od Antonis Mor
      #58

      Portrait of a Man

      Detroit Institute of Arts

      Portrait of a Man by Antonis Mor. This oil on canvas work dates to the 16th century. The Netherlandish artist Antonis Mor executed the portrait with a focus…

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      Portrait of a Man (1561) od Antonis Mor
      #65

      Portrait of a Man

      1561 · Mauritshuis

      Anthonis Mor van Dashorst came from Utrecht and specialised in portraits. He received commissions from various members of the Habsburg court, for which he travelled extensively in Europe.…

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      Portrait of a Gentleman (1569) od Antonis Mor
      #66

      Portrait of a Gentleman

      1569 · National Gallery of Art

      Shown from the thighs up against a dark background, a man with light skin, wearing a black satin jerkin with puffed breeches, stands with his hand on the…

      Neka je naslika ručno →

      Što je Antonis Mor najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.

      Woman 14 djela

      Joanna of Austria (1560), Antonis Mor #5 Joanna of Austria 1560 · Muzej Prado Jane Dormer, Duchess of Feria (?) (1558), Antonis Mor #6 Jane Dormer, Duchess of Feria (?) 1558 · Muzej Prado Portrait of a lady (1557), Antonis Mor #7 Portrait of a lady 1557 · National Gallery of Victoria Catherine of Hapsburg, the Wife of King John III of Portugal (1552), Antonis Mor #8 Catherine of Hapsburg, the Wife of King John III of Portugal 1552 · Muzej Prado

      Black dress 10 djela

      Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse (1565), Antonis Mor #10 Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse 1565 · Muzej Prado Lady with the Jewel (1552), Antonis Mor #17 Lady with the Jewel 1552 · Muzej Prado Lady with Gold Chains (1560), Antonis Mor #22 Lady with Gold Chains 1560 · Muzej Prado Portrait of a Lady (1538), Antonis Mor #23 Portrait of a Lady 1538 · Muzej Prado

      Portrait 8 djela

      Portrait of Mary, Queen of England (1554), Antonis Mor #2 Portrait of Mary, Queen of England 1554 · Szépművészeti Múzeum Queen Mary Tudor of England (1554), Antonis Mor #3 Queen Mary Tudor of England 1554 · Muzej Prado Portrait of William of Orange (1555), Antonis Mor #4 Portrait of William of Orange 1555 · Državni muzeji Kassel Portrait of Anton Perrenot de Granvelle (1549), Antonis Mor #9 Portrait of Anton Perrenot de Granvelle 1549 · Kunsthistorisches Museum

      Man 7 djela

      Portrait of a man (1550), Antonis Mor #11 Portrait of a man 1550 · Kunsthistorisches Museum Philip II (1555), Antonis Mor #12 Philip II 1555 · Muzej Prado Emperor Maximilian II (1550), Antonis Mor #18 Emperor Maximilian II 1550 · Muzej Prado Sir Thomas Gresham (1560), Antonis Mor #43 Sir Thomas Gresham 1560 · Rijksmuseum

      Gdje se nalaze platna umjetnika Antonis Mor

      8 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora Antonis Mor Slike iz ovog popisa
      Muzej Prado, MadridMuzej Prado Madrid 13 Queen Mary Tudor of England, Joanna of Austria, Jane Dormer, Duchess of Feria (?)
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 5 Portrait of Philippe de Montmorency, Count of Horne, Admiral of the Netherlands, Member of the Council of State, Anthonis Mor (copy after), 1540 - 1650, Sir Thomas Gresham, Anne Fernel, the Wife of Sir Thomas Gresham
      Szépművészeti Múzeum, BudimpeštaSzépművészeti Múzeum Budimpešta 3 Portrait of Mary, Queen of England, Knight of the Spanish St James Order, Portrait of the Philip II, King of Spain
      Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 3 Portrait of Anton Perrenot de Granvelle, Portrait of a man, Anne of Austria, Queen of Spain
      Mauritshuis, HaagMauritshuis Haag 3 Steven van Herwijck, Portrait of a Goldsmith, Portrait of a Man
      Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe, KasselGemäldegalerie Alte Meister im Schloss Wilhelmshöhe Kassel 2 Portrait of a young prince, Portrait of Jean Lecocq (1559)
      Gemäldegalerie, BerlinGemäldegalerie Berlin 2 The Utrecht canons Cornelius van Horn and Anthonis Taets van Ameronghen, The Corpse of Christ
      Hispanic Society Museum - Library, New YorkHispanic Society Museum - Library New York 2 Fernando Álvarez de Toledo, Third Duke of Alba, Portrait of a Man

      Najpoznatije platno umjetnika Antonis Mor, iz desetljeća u desetljeće

      1. 1530s
        Portrait of a Lady (1538) od Antonis Mor
        23 od 75

        Portrait of a Lady

        Godine 11 – 20 · Muzej Prado

        The artwork titled Portrait of a Lady is an oil on canvas painting by the artist Antonis Mor. This portrait depicts a noblewoman, presented in a three-quarter length…

      2. 1540s
        Portrait of Anton Perrenot de Granvelle (1549) od Antonis Mor
        9 od 75

        Portrait of Anton Perrenot de Granvelle

        Godine 21 – 30 · Kunsthistorisches Museum

        This portrait of Anton Perrenot de Granvelle, also known as Antoine Perrenot, called Granvelle, was executed by the Dutch Renaissance painter Antonis Mor. Painted in 1549, the work…

      3. 1550s
        Portrait of Mary, Queen of England (1554) od Antonis Mor
        2 od 75

        Portrait of Mary, Queen of England

        Godine 31 – 40 · Szépművészeti Múzeum

        Anthonis Mor van Dashorst captured the likeness of Mary Tudor in 1554, a period defined by the shifting religious and political tides of the Northern Renaissance. The subject…

      4. 1560s
        Cardinal Granvelle's Dwarf (1560) od Antonis Mor
        Rangirani kao 1 od 75

        Cardinal Granvelle's Dwarf

        Godine 41 – 50 · Louvre

        To stand before Anthonis Mor Van Dashorst’s Cardinal Granvelle's Dwarf is to step directly into the opulent, richly textured world of the sixteenth-century Dutch aristocracy. This oil on…

      5. 1570s

      Platna umjetnika Antonis Mor, odgovor po odgovor

      Po kojem je platnu Antonis Mor najpoznatiji?Pročitajte odgovor

      Cardinal Granvelle's Dwarf (1560), Louvre, Pariz. Prate ih Portrait of Mary, Queen of England (1554) i Queen Mary Tudor of England (1554).

      Cardinal Granvelle's Dwarf: koliko je godina Antonis Mor imao/la kada je ovo djelo naslikano?Pročitajte odgovor

      Antonis Mor, rođen/a 1519, imao/la je 41 godina: Cardinal Granvelle's Dwarf datira iz 1560.

      Koja su deset najpoznatijih platna umjetnika Antonis Mor?Pročitajte odgovor

      Cardinal Granvelle's Dwarf, Portrait of Mary, Queen of England, Queen Mary Tudor of England, Portrait of William of Orange, Joanna of Austria, Jane Dormer, Duchess of Feria (?), Portrait of a lady, Catherine of Hapsburg, the Wife of King John III of Portugal, Portrait of Anton Perrenot de Granvelle i Margaret Duchess of Parma / Mary of Portugal Wife of Alessandro Farnesse. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Antonis Mor?Pročitajte odgovor

      U našem katalogu nalazi se 75 djela umjetnika Antonis Mor, datiranih od 1538 do 1574.

      Gdje se danas nalaze najpoznatija platna umjetnika Antonis Mor?Pročitajte odgovor

      Većinom u Muzej Prado (Madrid), Rijksmuseum (Amsterdam) i Szépművészeti Múzeum (Budimpešta); gornji popis navodi svaki muzej i njegova platna.

      Kada je Antonis Mor naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1550s, koji obuhvaća 30 od ukupno 75 djela na ovoj stranici, među njima je i Portrait of Mary, Queen of England.

      Koje je slikarško platno poznatog umjetnika Antonis Mor nastalo prvo, a koje posljednje?Pročitajte odgovor

      Najstarije platno ovdje je iz Portrait of a Lady (1538) godine; najnovije je iz Portrait of Hubert Goltzius (1574) godine.

      Koje je motive najčešće slikao Antonis Mor?Pročitajte odgovor

      Woman (14), Black dress (10) i Portrait (8), kroz svih 75 djela na ovoj stranici.

      Koji se medij najčešće pojavljuje u slikama umjetnika Antonis Mor?Pročitajte odgovor

      Oil On Canvas, korišteno u 14 od 75 djela na ovoj stranici.

      S kojim je umjetničkim pravcem Antonis Mor povezan/a?Pročitajte odgovor

      Northern renaissance i Renaissance, kao što pokazuju platna na ovoj stranici.

      Koje se djela Antonis Mor nalaze u kolekciji Muzej Prado?Pročitajte odgovor

      Muzej Muzej Prado, Madrid posjeduje 13 djela s ove stranice, među kojima su i Queen Mary Tudor of England, Joanna of Austria i Jane Dormer, Duchess of Feria (?).

      Gdje mogu kupiti reprodukciju slike autora Antonis Mor?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Upoznajte slikara: Antonis Mor

      Antonis Mor van Dashorst: Slikar kraljevske dostojanstvenosti

      Antonis Mor van Dashorst (1517–1577) stoji kao temeljni stup nizozemskog renesansnog portretizma, utjelovljujući pedantni realizam i simboličku dubinu koja je obilježila njegovo doba. Rođen u Utrechtu, u Nizozemskoj, potao je iz obitelji duboko ukorijenjene u umjetničkoj tradiciji – njegov otac bio je kipar, čime je utemeljio lozu posvećenu vizualnoj reprezentaciji. Iako su biografski detalji prilično oskudni, Morovo plodno stvaralaštvo govori mnogo o njegovom talentu i nepokolebljivoj predanosti hvatanju same esencije njegovih subjekata. Brzo je stekao slavu zbog sposobnosti portretiranja plemstva s neusporedivom točnošću, osiguravajući angažmane od najutjecajnijih figura širom Europe. Njegove formativne godine ostaju prilično misteriozne izvan razdoblja odrastanja u Utrechtu, no zna se da je studirao pod vodstvom stareg Pietersa Bruegela u Antverpu. Tamo je upijao Bruegelovo majstorsko promatranje ljudske prirode i pejzaža, utjecaje koji će prožeti i Morovu vlastitu umjetničku viziju. Boravak u Antverpu proveo je kao ključan za svoj umjetnički sazjev; usavršavajući svoje vještine uz kolege poput Quentina Massysa i Hendrika Golsea, Mor se urubio u živopisno umjetničko okruženje Flandrije. To iskustvo potaknulo je njegovo sofisticirano razumijevanje perspektive i chiaroscuro tehnike – metoda koje je vješto koristio kako bi svoje portrete osvijetliti dramatičnom igrom svjetla i sjene.

      Vladavina Mary Tudor: Remek-djelo sjevernorenesanskog portretizma

      Morova je slava dramatično narasla nakon dovršetka portreta Mary Tudor, kraljice Engleske (1554). Ovo monumentalno platno predstavlja vrhunac Morovog umjetničkog umeća. Izvedeno s nevjerojatnom detaljnošću, ono hvata kraljevsko držanje i unutarnju pribranost Mary Tudor – što je svjedočanstvo Morove sposobnosti da prenese psihološku nijansu uz fizičku sličnost. Kompozicija je pedantno uravnotežena, koristeći piramidalnu strukturu i suptilne nabore tkanine kako bi se naglasio autoritet i dostojanstvo kraljice. Nadalje, upotreba chiaroscuro efekta stvara očaravajući sukob svjetla i tame, ističući lice Mary i prenosići auru solemnog veličanstva. Ovaj portret učvrstio je Morovo ime kao jednog od najznačajnijih portretista svog vremena i ostaje slavni primjer sjevernorenesanske umjetnosti.
      Mor je izravno profitirao od kraljevskog pokroviteljstva, dobivajući narudžbe od monarha širom Europe, uključujući Filipa II. Španjolskog. Ti su angažmani omogućili umjetniku da istražuje ambiciozne projekte i rafinira svoj stil, čime je dodatno utvrdio svoj nasljeđe kao dvorskog umjetnika. Osim portreta Mary Tudor, Mor je preuzeo brojne narudžbe koje prikazuju istaknute državnike, diplomate i aristokrate. Njegov prepoznatljiv stil – obilježen pedantnim realizmom, majstorskom perspektivom i ekspresivnim svjetlom – postao je trenutačno prepoznatljiv. Dosljedno je davao prednost ne samo fizičkom izgledu, već i karakteru i emociji, podižući svoje portrete iz puke sličice u duboke izjave o ljudskom dostojanstvu.

      Utjecaj i nasljeđe

      Morov utjecaj protezao se daleko izvan njegovih suvremenika. Njegov pedantni pristup portretiranju postavio je presedan za buduće generacije umjetnika, inspirišući ih da teže većoj točnosti i psihološkom uvidu. Bio je zagovornik humanističkih ideala prevladućih tijekom renesanse, odražavajući nepokolebljivu vjeru u moć umjetnosti da osvijetli ljudsko iskustvo. Danas, djela Anthonisa Mora nastavljaju očaravati publiku širom svijeta, služeći kao trajni podsjetnik na umjetničko briljantno postignuće ostvareno tijekom Nizozemskog zlatnog doba – razdoblja koje je definirao inovacija, ambicija i duboko uvažavanje ljepote.

      Sva 75 djela umjetnika Antonis Mor →