Edward Hopper, 1882 – 1967

The 100 Most Famous Edward Hopper Paintings, Ranked

The best-loved painting by Edward Hopper is Nighthawks, The Art Institute of Chicago, Chica (1942), which hangs in the Art Institute of Chicago, Chicago. Automat (small) and Kuća uz željeznicu (1925) come next among the canvases readers know best. Our catalogue holds 366 works by Edward Hopper: here are the 100 most famous, each with its year, its museum and what makes it memorable.

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Edward Hopper · 1882 – 1967

Rođen · umro: 1882 – 1967, Upper Nyack
Pokret: Kontemporani realizam
Djela u našem katalogu: 366
Najpoznatije: Nighthawks, The Art Institute of Chicago, Chica (1942)
Najviše djela u: MoMA - Museum of Modern Art

Top 10 Edward Hopper paintings: the canvases everyone knows

Nighthawks, The Art Institute of Chicago, Chica

1942 · Ulje na platnu · Art Institute of Chicago, Chicago

Edward Hopper: A Poet of Urban Solitude Edward Hopper (1882 – 1967) stands as one of America’s most enduring figures in modern art, celebrated for his ability to distill the essence of everyday life into strikingly evocative paintings. Born in Nyack, New York, Hopper possessed an innate talent for observation and drawing from a young age—a passion nurtured by supportive parents who recognized his artistic inclinations. His early sketches, meticulously…

The story of the painting

Automat (small)

Acrylic On Canvas · Des Moines Art Center, Des Moines

Edward Hopper’s “Automat” (small), a deceptively simple depiction of a woman seated alone at a cafe table, is a masterclass in conveying the profound sense of solitude that characterized much of 20th-century American life. Painted during a period of rapid urbanization and social change, this work resonates with a quiet melancholy that speaks to the alienation inherent in modern existence. Hopper’s ability to capture fleeting moments of human experience –…

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Kuća uz željeznicu

1925 · Ulje na platnu · MoMA - Museum of Modern Art, New York City

Uvod u Edwarda Hoppera i njegov rad Edward Hopper, svjetski poznati američki umjetnik, slavljen je zbog svojih očaravavajućih uljanih slika koje su često prikazivale moderni život početka 20. stoljeća. Jedno od njegovih najznačajnijih djela je "Kuća uz željeznicu", koja se trenutno nalazi u Muzeju modernog umjetništva (New York, Sjedinjene Američke Države). Ovo platno, nastalo 1925. godine, očituje Hopperov jedinstveni stil i nevjerojatnu sposobnost izazivanja osjećaja izolacije i dubokog promišljanja. Vizualna…

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New York Movie

1939 · Akril na platnu · MoMA - Museum of Modern Art, New York City

Slika "CITE>New York Movie" autora Edwarda Hoppera dirljivo je ulje na platnu nastalo 1939. godine. Trenutno se nalazi u prestižnom Museumu moderne umjetnosti (MoMA) u New Yorku, Sjedinjene Države. Ovo remek-djelo utjelovljuje Hopperovu jedinstvenu sposobnost prianjanja same bitosti urbanog života, često usredotožući se na teme izolacije i kontemplacije. Kompozicija i simbolika Slika prikazuje ženu koja stoji sama ispred crvene zavjese unutar kazališta. Ona je potpuno uronjena u vlastiti svijet, bilo…

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untitled (5560)

Oil On Canvas · MoMA - Museum of Modern Art, New York City

Edward Hopper's untitled (5560) is far more than a mere depiction of a roadside service station; it is a distilled essence of the American experience, a moment frozen in time that speaks volumes about human connection and the profound weight of isolation. Painted during the transformative years between 1942 and 1945, this monochrome masterpiece captures a scene familiar to the mid-century traveler—the late-night glow of artificial light illuminating a sparsely…

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Early sunday morning Whitney Museum of American

1930 · Oil On Canvas · Whitney Museum of American Art, New York

Early Sunday Morning: A Portrait of Quietude Edward Hopper’s “Early Sunday Morning,” painted in 1930, isn't merely a depiction of a New York City street; it’s an arresting distillation of the anxieties and aspirations inherent in the American psyche during the Depression era. Executed in oil paint on canvas, this iconic piece exemplifies Hopper’s signature style – American Scene Painting—characterized by stark realism combined with a palpable sense of solitude…

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Automat

1927 · Ulje na platnu

"Automat": Pogled u Samotnu Introspekciju Edward Hopperova "Automat" (1927.) nije samo slika; to je poetski zapis o usamljenosti i svjetlu, ključni primjer američkog realizma koji duboko utječe na promatrača. Ova djela nas poziva u prigušeno osvijetljen interijer gdje žena sjedi za okruglim stolom u onome što se čini automat restoranom – popularnim mjestima samoposluživanja u ranoj 20. godini. Svjetlo, nježno i suptilno, naglašava njezino lice i zdjelu voća na stolu,…

The story of the painting

Nedjelja

1926 · Ulje na platnu · The Phillips Collection, Washington, D.C.

Nedjeljno Popodne: Pogled u Gradsku Samrtnost Edward Hopperova "Nedjelja" nije samo slika; to je vizualna elegija za izgubljenu povezanost, tihi dijalog između čovjeka i grada. Nastala 1926. godine, ova uljana studija na platnu uprisutkuje trenutak urbane izolacije, prizivajući osjećaj introspekcije koji je postao zaštitni znak Hopperova djela. Pred nama se prostire scena nedjeljnog jutra ili kasnog poslijepodneva, gdje usamljeni muškarac sjedi na drvenoj klupi ispred zatvorenih trgovina. Njegova prisutnost, iako…

The story of the painting

Gas

1940 · Ulje na platnu

Vremenski neprolazan prikaz američke samoće Hopperovo djelo „Gas“ (1940.) majstorsko je istraživanje samoće i nostalgije, koje bilježi staromodnu benzinsku postaju okupljenu mekom, prirodnom svjetlošću. Ova evokativna slika poziva gledatelje u trenutak zamrznut u vremenu, gdje je tišina ruralne Amerike gotovo opipljiva. Scena zrači osjećajem introspekcije, čineći je uvjerljivim doprinosom svakoj umjetničkoj kolekciji ili unutarnjem prostoru. Kompozicija i stil: Studija ravnoteže i kontrasta Hopperova je kompozicija pedantno uravnotežena, s benzinskim pumpama…

The story of the painting

Chop Suey

1929 · Ulje na platnu

„Chop Suey“, djelo koje je Edward Hopper dovršio 1929. godine, očaravajuće je ulje na platnu koje gledatelja poziva u intimni, ali izolirani svijet restorana iz 1920-ih. Ovo remek-djelo utjelovljuje Hopperov prepoznatljiv stil, spajajući američki realizam s suptilnim utjecajima ekspresionizma kako bi izazvao osjećaj nostalgije i tihe introspekcije.

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More Edward Hopper canvases, 11 to 100

#11

Ured noću

1940

Edward Hopperova slika "Ured noću" (1940.) nije samo prikaz prostora za rad; to je duboko promišljanje o modernoj izolaciji, svakodnevici i prolaznosti vremena. Ova uljana slika, s dimenzijama…

#12

Summertime

1943

Edward Hopper “Summertime” – A Moment Suspended Edward Hopper’s “Summertime,” painted in 1943 during the tumultuous backdrop of World War II, transcends mere depiction; it embodies a profound…

#13

Sunce u kafeteriji

1958 · Yale University Art Gallery

Hopperovo djelo Sunce u kafeteriji (1958.) majstorski je prikaz urbanog osamljenika, izveden s preciznošću i emocionalnom dubinom koje definiraju njegov ikonični stil. Ovo ulje na platnu, dimenzija 102…

#14

Ljudi na suncu

1960

Edward Hopper i Mirna Jedinstvo: Pogled u Čovjekovu Samotu Čovjekova samota – koncept koji je postao sinonim za umjetničko djelo Edwarda Hoppera, nije bio samo prikaz pojedinaca izoliranih…

#15

Jutro na Cape Codu

1950

Cape Cod Morning: Trenutak Tišine i Razmatranja u Djeli Edwarda Hoppera Edward Hopperova "Cape Cod Morning" nije samo slika; to je poetski zapis trenutka, poziv na introspekciju i…

#16

Rooms for Tourists

1945 · Yale University Art Gallery

Remek-djelo američkog realizma "Rooms for Tourists" (Sobe za turiste) iz 1945. godine opčinjavaju djelo Edwarda Hoppera, umjetnika poznatog po svojim upečatljivim prikazima modernog američkog života. Ova slika utjelovljuje…

#17

nighthawks

1942 · Art Institute of Chicago

A Window Into Loneliness: Exploring Edward Hopper’s Nighthawks Edward Hopper's "Nighthawks," completed in 1942 during the tumultuous backdrop of World War II, transcends mere representation; it embodies a…

#18

Vagón C

predstavlja autentični primjer Hopperove fascinacije usamljenim figurama u tranzitu. Slika prikazuje damu koja sjedi sama u vlaku, okrenuta licem prema knjizi, dok joj šešir prekriva veći dio očiju.…

#19

Dvojica glumaca

1965

Edward Hopper’s 1965 slikanje, “Dvojica glumaca”, nije samo prikaz dva lika na pozornici; već pažljivo oblikovana meditacija o izolaciji, prolaznosti izvedbe i tišjem dramu koji je prisutan svakodnevnom…

#20

Second Story Sunlight, , Whitney Museum of Ameri

1960

The Quietude of Monochrome In the hushed tones of Second Story Sunlight, Edward Hopper invites us into a world where silence speaks louder than words. Painted in 1960,…

#21

New York Movie, MoMA, NY

1939

Filmska nepomičnost: Edward Hopperovo djelo *New York Movie* (1939) New York Movie*, koji se nalazi u prestižnoj kolekciji Muzeja suvremene umjetnosti (MoMA), vrhunski je primjer Hopperove majstorske sposobnosti…

#22

Summer Evening

1947

A Portrait of Quietude: Exploring Edward Hopper’s “Summer Evening” Edward Hopper's "Summer Evening" isn’t merely a depiction of a scene; it’s an exquisitely crafted meditation on human experience—a…

#23

Hotel room

1931

The Poignant Stillness of a Private Moment In Edward Hopper’s 1931 masterpiece, Hotel Room, the viewer is invited into a sanctuary of profound introspection. The scene is deceptively…

#24

Excursion into Philosophy

A Quiet Drama: Unveiling Edward Hopper’s “Excursion into Philosophy” Edward Hopper's "Excursion into Philosophy" is a profoundly evocative work that encapsulates the core tenets of American Realism, offering…

#25

The Cat Boat

1922 · Smithsonian American Art Museum

Edward Hopper's “The Cat Boat,” created in 1922, stands as a quintessential emblem of American Modernism—a deceptively simple scene imbued with profound psychological depth. More than just depicting…

#26

Rooms By The Sea

1951

Rooms By The Sea: A Portrait of Quiet Contemplation Edward Hopper’s “Rooms by the Sea” transcends mere depiction; it's a distillation of mood, an embodiment of American Modernism’s…

#27

Reclining Nude

1927

Introduction Reclining Nude, a watercolour painting by Edward Hopper, is a quintessential example of the artist's unique style and contribution to the New Realism movement. Created in 1927,…

#28

Rooms by the Sea

1951

The Painting: A Representation of Serenity "CITE>Edward Hopper's 'Rooms by the Sea' (1951) is a masterpiece that embodies the essence of stillness and contemplation. The painting, available for…

#29

House At Dusk

1935

The Painting: An Overview "CITE>Edward Hopper:CITE>'s House At Dusk, created in 1935, is a quintessential example of the artist's ability to capture the essence of American life through…

#30

Apoteka

1927 · Muzej likovnih umjetnosti

Tihašnji trenutak u gradu: Istraživanje „Apoteke“ (Drug Store) Edwarda Hoppera (1927.) „Apoteka“, naslikana 1927. godine od strane američkog majstora Edwarda Hoppera, je snažna slika gradskog života – scena…

#31

Sun on Prospect Street (Gloucester, Massachusetts)

1934

Edward Hopper's "Sun on Prospect Street" isn't merely a depiction of a Gloucester street scene; it’s a distilled essence of early 20th-century American experience. Painted in 1934, during…

#32

Woman in the Sun

1961

A Moment Frozen in Light: Edward Hopper’s “Woman in the Sun” Edward Hopper's "Woman in the Sun," painted in 1961, isn’t merely a depiction of a nude figure;…

#33

Second Story Sunlight

1960

A Moment Suspended: Unveiling Edward Hopper’s “Second Story Sunlight” Edward Hopper's 1960 oil on canvas, *Second Story Sunlight*, is a quintessential example of American Realism at its most…

#34

Night Windows

1928 · MoMA - Museum of Modern Art

A Window Into Solitude: Exploring Edward Hopper’s Night Windows Edward Hopper, a name synonymous with the quiet contemplation of modern existence, wasn't merely capturing landscapes; he was distilling…

#35

New York Office

1962

Edward Hopper’s “New York Office,” painted in 1962, transcends mere depiction; it embodies the very essence of modern solitude—a feeling profoundly familiar to viewers grappling with the complexities…

#36

Office in a Small City

1953

In the vast gallery of American Realism, few works possess the haunting, cinematic stillness found in Edward Hopper’s 1953 masterpiece, Office in a Small City. To gaze upon…

#37

City Roofs

1932

A Quiet Moment of Urban Existence Edward Hopper’s “City Roofs” (1932) is more than just a depiction of a cityscape; it's a poignant meditation on modern life, isolation,…

#38

Self-Portrait

1930

This oil on canvas painting depicts a man wearing a brown hat and a blue shirt. He is shown with a serious expression, looking directly at the viewer.…

#39

Kuće Monhegan, Maine

Uvod u američki realizam Edward Hopper, istaknuti američki realistički slikar, poznat je po svojim očaravajućim uljanim slikama koje prikazuju urbane i ruralne prizore. Njegov jedinstveni stil bio je…

#40

Four Lane Road

Edward Hopper's "Four Lane Road," painted in 1956, isn’t merely a depiction of a roadside scene; it’s a distilled essence of the American experience – a poignant meditation…

#41

Woman at Cafe Table

1907 · Whitney Museum of American Art

Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…

#42

First Row Orchestra

1951 · Hirshhorn Museum and Sculpture Garden

A Portrait of Quiet Observation: Exploring Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, transcends mere depiction; it embodies the very essence of…

#43

House by the Railroad

In his 1925 masterpiece, House by the Railroad, Edward Hopper presents a scene that captures a profound sense of isolation through a meticulously controlled interplay of light and…

#44

untitled (3714)

Edward Hopper's "Untitled (3714)," painted in 1942, isn’t merely a depiction of a diner interior; it’s a distilled essence of modern American loneliness. This deceptively simple scene—an elderly…

#45

el palacio

1946

Edward Hopper’s 1946 painting, “El Palacio,” isn’t merely a depiction of a city street; it’s a carefully constructed tableau of urban solitude and the quiet anxieties of modern…

#46

the city

1927

The City, painted by Edward Hopper in 1927, is a striking black and white depiction of early 20th-century American urban life. This artwork isn't merely a representation of…

#47

rooms by the sea

Edward Hopper’s Rooms by the Sea is a painting from 1951 that depicts an interior space with a doorway opening toward the ocean. The scene features a room…

#48

A Woman in the Sun, Whitney Museum of American

1961

A Radiance in Solitude In the quiet corners of 1961, Edward Hopper captured a moment that transcends the mere passage of time. "A Woman in the Sun" is…

#49

The Camel's Hump

1931

Edward Hopper's "The Camel’s Hump," painted in 1931, isn’t merely a depiction of a mountain range; it’s a distilled essence of American loneliness and the quiet drama unfolding…

#50

the el station

In the quiet, heavy atmosphere of Edward Hopper’s “The El Station,” we are invited into a moment suspended in time, where the bustling energy of the American metropolis…

#51

Dawn in Pennsylvania

1942

A Solitary Glimpse: Dawn in Pennsylvania by Edward Hopper Edward Hopper’s *Dawn in Pennsylvania*, painted in 1942, isn't merely a depiction of a railroad station; it’s a distilled…

#52

Corn Hill

1930

Edward Hopper's "Corn Hill," painted in 1930, isn’t merely a depiction of a rural landscape; it’s a poignant meditation on isolation and the quiet dignity of human existence…

#53

tramp steamer

1908

A Storm-Tossed Soul: Edward Hopper’s “Tramp Steamer” Edward Hopper's "Tramp Steamer," painted in 1908, isn’t merely a depiction of a ship at sea; it’s a profound meditation on…

#54

Self Portrait, , Whitney Museum of American

1930

Edward Hopper's "Self Portrait," painted in 1930, isn’t merely a depiction of an artist; it’s a distilled essence of the anxieties and quietude that defined much of early…

#55

Rocks at the Fort Gloucester

1924

Edward Hopper's 1924 painting, “Rocks at the Fort Gloucester,” is more than just a landscape; it’s a quiet meditation on human presence within the vastness of nature and…

#56

Morning sun, Columbus Museum of Art, Columbus,

1952

A Window into Quietude: Exploring Edward Hopper’s “Morning Sun” Edward Hopper's "Morning Sun," painted in 1952, isn’t merely a depiction of a room; it’s an encapsulation of the…

#57

Study of a Seated Woman

1899

Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…

#58

Portrait Of Orleans

WahooArt offers exquisite hand-painted reproductions of Edward Hopper's "Portrait of Orleans," allowing you to bring this iconic work of American art into your home or office. Each reproduction…

#59

sun empty room

Edward Hopper's "Sun in an Empty Room," painted in 1963, isn’t merely a depiction of a vacant room; it’s a distilled essence of modern American isolation and the…

#60

The Long Leg

1930

A Quiet Drama on the Waves: Edward Hopper’s *The Long Leg* (1930) Edward Hopper's *The Long Leg*, painted in 1930, is more than just a seascape; it’s a…

#61

Bridle Path

1939

Bridle Path: A Portrait of Quietude in Modern America Edward Hopper’s “Bridle Path,” painted in 1939, stands as a quintessential emblem of American Realism—a genre that sought to…

#62

night windows

In the quietude of a dimly lit room, where the boundaries between the interior soul and the external world begin to blur, lies the profound essence of Edward…

#63

Hotel by a Railroad

1952

Edward Hopper's "Hotel by a Railroad," painted in 1952, isn’t merely a depiction of an interior scene; it’s a carefully constructed meditation on loneliness, isolation, and the subtle…

#64

Queensborough-Bridge

1913

In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…

#65

paris street

In the quiet corners of Edward Hopper’s “Paris Street,” we encounter more than just a cityscape; we find a profound meditation on the human condition. Painted in 1926,…

#66

cape cod morning

In the quietude of an early summer morning, Edward Hopper captures a moment that feels both profoundly intimate and hauntingly distant. Cape Cod Morning is not merely a…

#67

sunday

The Painting and Its Context Sunday, a painting by Edward Hopper, is a quintessential representation of modern American life in the early 20th century. Created in 1926, this…

#68

Evening Wind

Edward Hopper’s “Evening Wind,” executed in 1930, stands as a quintessential emblem of American Modernism—a deceptively simple image brimming with psychological depth and masterful artistic execution. More than…

#69

naslovljeno (7523)

Pogled u moderni život: Edward Hopperovo naslovljeno (7523) Ovo očaravajuće djelo autora Edwarda Hoppera, privremeno nazvano „naslovljeno (7523)”, nudi uvjerljiv prozor u društvene dinamike rana 20. stoljeća Amerike.…

#70

People in the Sun

1960

Edward Hopper's People in the Sun, completed in 1960, serves as a profound meditation on the human experience, capturing a sense of quietude and the pervasive feeling of…

#71

The lee shore, private

1941

Edward Hopper's "The Lee Shore," painted in 1941, isn’t merely a depiction of a coastal scene; it’s a distilled essence of American loneliness and the subtle anxieties simmering…

#72

Rocks and Sea

1919 · Whitney Museum of American Art

A Moment Frozen in Azure The sea air feels heavy and salt-laden as the eye meets the deep, blue expanse of this landscape. In this 1919 scene, the…

#73

Self Portrait

Edward Hopper's "Self Portrait," painted between 1925 and 1930, isn’t merely a depiction of an artist; it’s a profound meditation on isolation, introspection, and the quiet dignity of…

#74

Sheridan Theatre

Edward Hopper’s Sheridan Theatre, painted in 1937, isn't merely a depiction of an interior scene; it’s a carefully constructed tableau of loneliness and unspoken narratives. The painting immediately…

#75

Freight Car at Truro

In the vast, sweeping landscape of American art, few images capture the heavy, cinematic silence of a moment quite like Edward Hopper’s Freight Car at Trurol. Painted in…

#76

Lighthouse at Two Lights

1929

Edward Hopper’s Lighthouse at Two Lights, completed in 1929, presents a striking visual meditation on the interplay between light and shadow. The composition features a tall lighthouse situated…

#77

summer interior

1909

Edward Hopper’s Summer Interior, painted in 1909, presents a scene of profound stillness within a domestic setting. The composition centers on a young woman positioned on the floor…

#78

cape cod evening

In the quiet corners of American Modernism, few images resonate with as much profound, whispered intensity as Edward Hopper’s Cape Cod Evening. At first glance, the painting presents…

#79

Pennsylvania Coal Town

#80

rooms for tourists

A Quiet American Narrative: Exploring Edward Hopper’s “Rooms for Tourists” Rooms for Tourists, painted in 1945 by the master of American Realism, Edward Hopper, is a captivating study…

#81

South Carolina Morning

Edward Hopper's "South Carolina Morning," painted in 1955, is a poignant depiction of an African American woman named Dinah standing before her home in Charleston, South Carolina. The…

#82

Intermission (small)

Edward Hopper’s Solitary Stage: Unpacking “Intermission” Edward Hopper's "Intermission" (1963) isn’t merely a painting; it’s a distilled moment of American solitude, a poignant tableau captured with the artist’s…

#83

untitled (7096)

Edward Hopper’s “Untitled (7096),” a painting rendered in the twilight hours, isn’t merely a depiction of a pharmacy storefront; it’s a distilled essence of 20th-century American loneliness. Completed…

#84

Eleven AM

Edward Hopper, a master of American realism, possessed an uncanny ability to distill the essence of modern life – its quiet desperation, its pervasive loneliness, and its fleeting…

#85

New York Pavements,

1924

Edward Hopper's "New York Pavements," painted in 1924, stands as a quintessential emblem of American Modernism—a deceptively simple depiction that speaks volumes about the anxieties and quiet contemplations…

#86

Lighthouse and Building, Portland

Edward Hopper’s Luminous Solitude: Exploring “Lighthouse and Building” Edward Hopper's "Lighthouse and Building," painted in 1927, isn’t merely a depiction of a coastal scene; it’s a masterful distillation…

#87

Circle Theatre

In the quiet, heavy atmosphere of Edward Hopper’s "Circle Theatre," we are invited to witness more than just a street corner in a bustling metropolis; we are invited…

#88

Room in Brooklyn

1932 · Muzej likovnih umjetnosti

Edward Hopper's "Room in Brooklyn," painted in 1932, isn’t merely a depiction of an interior space; it’s a distilled essence of American loneliness and the quiet contemplation that…

#89

Interior (Model Reading)

1925 · Art Institute of Chicago

#90

Seven A.M.

1948

In the quiet, early hours of a mid-century morning, Edward Hopper’s "Seven A.M." invites us into a space where time seems to hold its breath. Painted in 1948,…

#91

The City

1927

A Quiet Vision of Urban Life: Edward Hopper’s “The City” (1927) Subject and Composition: “The City” presents a strikingly composed street corner scene, a quintessential example of Edward…

#92

First Row Orchestra

1951

A Moment Frozen in Time: Edward Hopper’s “First Row Orchestra” Edward Hopper's "First Row Orchestra," painted in 1951, isn’t merely a depiction of an evening at the theater;…

#93

House with big pine

The painting depicts a white house featuring a black roof and a large chimney positioned on its side. Two windows are visible within the structure. The setting includes…

#94

Valley Of The Seine

1908

Edward Hopper's "Valley Of The Seine," painted in 1908, isn’t merely a landscape; it’s a distilled essence of early 20th-century America – a poignant tableau of solitude and…

#95

Ryder's House

1933

Edward Hopper’s “Ryder’s House,” completed in 1933, stands as a quintessential emblem of American Realism during the Depression era. More than just a depiction of a simple farmhouse…

#96

Intermission

Edward Hopper’s Intermission, painted in 1963, isn't merely a depiction of a theater lobby; it’s a meticulously crafted tableau of human isolation and the poignant beauty of unspoken…

#97

Gas, Moma, NY

1940

Edward Hopper’s “Gas,” painted in 1940 and currently residing at MoMA (Museum of Modern Art), isn't merely a depiction of a roadside gas station; it’s a masterful distillation…

#98

Cape Cod Morning

1950

In the vast landscape of American modernism, few images resonate with as much profound stillness as Edward Hopper’s 1950 masterpiece, Cape Cod Morning. This striking canvas serves as…

#99

Room for tourists, Yale University Art Gallery,

1945

A Quiet American Night: Exploring Edward Hopper’s “Room for Tourists” “Room for Tourists,” painted in 1945 by master realist Edward Hopper, is more than just a depiction of…

#100

Eleven A.M.

1926

Edward Hopper’s “Eleven A.M.” (1926) is more than just a depiction of a woman in a room; it’s a meticulously crafted meditation on the quiet loneliness inherent within…

Edward Hopper's canvases, period by period

Early Period

1907 – 1934 · 3 djela na ovom popisu

Sun on Prospect Street (Gloucester, Massachusetts) (1934), Edward Hopper

#31 Sun on Prospect Street (Gloucester, Massachusetts) 1934

Woman at Cafe Table (1907), Edward Hopper

#41 Woman at Cafe Table 1907 · Whitney Museum of American Art

#53 tramp steamer 1908

Mature Period

1899 – 1962 · 76 djela na ovom popisu

Nighthawks, The Art Institute of Chicago, Chica (1942), Edward Hopper

#1 Nighthawks, The Art Institute of Chicago, Chica 1942 · Art Institute of Chicago

#2 Automat (small) Des Moines Art Center

#5 untitled (5560) MoMA - Museum of Modern Art

Early sunday morning Whitney Museum of American (1930), Edward Hopper

#6 Early sunday morning Whitney Museum of American 1930 · Whitney Museum of American Art

#7 Automat 1927

Zrelo razdoblje

1925 – 1939 · 6 djela na ovom popisu

Kuća uz željeznicu (1925), Edward Hopper

#3 Kuća uz željeznicu 1925 · MoMA - Museum of Modern Art

#4 New York Movie 1939 · MoMA - Museum of Modern Art

#18 Vagón C

New York Movie, MoMA, NY (1939), Edward Hopper

#21 New York Movie, MoMA, NY 1939

#39 Kuće Monhegan, Maine

Late Period

3 djela na ovom popisu

#59 sun empty room

#82 Intermission (small)

#96 Intermission

What Edward Hopper painted most

The four subjects that return most often on these canvases, each with its best-loved example.

Where Edward Hopper's canvases hang

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej	Grad	Djela autora Edward Hopper	Slike iz ovog popisa
MoMA - Museum of Modern Art	New York City	4	Kuća uz željeznicu, New York Movie, untitled (5560)
Whitney Museum of American Art	New York	10	Early sunday morning Whitney Museum of American, Woman at Cafe Table, Rocks and Sea
Art Institute of Chicago	Chicago	3	Nighthawks, The Art Institute of Chicago, Chica, nighthawks, Interior (Model Reading)
Yale University Art Gallery	Hartford	3	Sunce u kafeteriji, Rooms for Tourists
Muzej likovnih umjetnosti	Boston	3	Apoteka, Room in Brooklyn
Hirshhorn Museum and Sculpture Garden	Washington, D.C.	3	First Row Orchestra
Smithsonian American Art Museum	Washington, D.C.	2	The Cat Boat
Des Moines Art Center	Des Moines	1	Automat (small)

Edward Hopper's best-loved canvas of each decade

1890s

Ranked 57 of 100
Study of a Seated Woman
Godine 8 – 17
Edward Hopper's "Study of a Seated Woman," rendered in 1899, isn’t merely a depiction of a figure; it’s a distilled essence of late 19th-century American introspection. This intimate…
1900s

41 of 100
Woman at Cafe Table
Godine 18 – 27 · Whitney Museum of American Art
Woman at Cafe Table: A Portrait of Urban Isolation Edward Hopper’s “Woman at Cafe Table,” painted in 1906-1907, stands as a quintessential emblem of New Realism and embodies…
1910s

Ranked 64 of 100
Queensborough-Bridge
Godine 28 – 37
In the vast landscape of American modernism, few images capture the quiet tension of urban existence as poignantly as Edward Hopper’s Queensborough Bridge. Painted in 1913, this monumental…
1920s

3 of 100
Kuća uz željeznicu
Godine 38 – 47 · MoMA - Museum of Modern Art
Uvod u Edwarda Hoppera i njegov rad Edward Hopper, svjetski poznati američki umjetnik, slavljen je zbog svojih očaravavajućih uljanih slika koje su često prikazivale moderni život početka 20.…
1930s

4 of 100
New York Movie
Godine 48 – 57 · MoMA - Museum of Modern Art
Slika "CITE>New York Movie" autora Edwarda Hoppera dirljivo je ulje na platnu nastalo 1939. godine. Trenutno se nalazi u prestižnom Museumu moderne umjetnosti (MoMA) u New Yorku, Sjedinjene…
1940s

Canvas 1 of 100
Nighthawks, The Art Institute of Chicago, Chica
Godine 58 – 67 · Art Institute of Chicago
Edward Hopper: A Poet of Urban Solitude Edward Hopper (1882 – 1967) stands as one of America’s most enduring figures in modern art, celebrated for his ability to…
1950s

13 of 100
Sunce u kafeteriji
Godine 68 – 77 · Yale University Art Gallery
Hopperovo djelo Sunce u kafeteriji (1958.) majstorski je prikaz urbanog osamljenika, izveden s preciznošću i emocionalnom dubinom koje definiraju njegov ikonični stil. Ovo ulje na platnu, dimenzija 102…
1960s

Ranked 14 of 100
Ljudi na suncu
Godine 78 – 85
Edward Hopper i Mirna Jedinstvo: Pogled u Čovjekovu Samotu Čovjekova samota – koncept koji je postao sinonim za umjetničko djelo Edwarda Hoppera, nije bio samo prikaz pojedinaca izoliranih…

About Edward Hopper's canvases: your questions answered

What is the best-known painting by Edward Hopper?Read the answer

Nighthawks, The Art Institute of Chicago, Chica (1942), Art Institute of Chicago, Chicago. Automat (small) and Kuća uz željeznicu (1925) follow.

What age was Edward Hopper when Nighthawks, The Art Institute of Chicago, Chica was painted?Read the answer

Edward Hopper, born in 1882, was 60 years old: Nighthawks, The Art Institute of Chicago, Chica dates from 1942.

What are the 10 most famous paintings by Edward Hopper?Read the answer

Nighthawks, The Art Institute of Chicago, Chica, Automat (small), Kuća uz željeznicu, New York Movie, untitled (5560), Early sunday morning Whitney Museum of American, Automat, Nedjelja, Gas i Chop Suey. Each canvas in the ranking above comes with its year and its museum.

How many works did Edward Hopper paint in all?Read the answer

366 works by Edward Hopper are in our catalogue, dated 1899 to 1965.

Where can I see Edward Hopper's most famous canvases?Read the answer

Mostly in MoMA - Museum of Modern Art (New York City), Whitney Museum of American Art (New York) i Art Institute of Chicago (Chicago); the list above names each museum and its canvases.

When did Edward Hopper paint the best-loved canvases?Read the answer

In 1920s, which gave 15 of the 100 works on this page, Kuća uz željeznicu among them.

Which are Edward Hopper's earliest and latest famous canvases?Read the answer

The earliest canvas here is Study of a Seated Woman (1899); the latest is Dvojica glumaca (1965).

What did Edward Hopper paint most often?Read the answer

Solitude (45), Isolation (35) i Urban landscape (25), across the 100 works on this page.

Which medium did Edward Hopper paint in most often?Read the answer

Oil On Canvas, used in 35 of the 100 works on this page.

Which movement is Edward Hopper's painting part of?Read the answer

Kontemporani realizam i American realism, as the canvases on this page show.

Which Edward Hopper canvases hang at the MoMA - Museum of Modern Art?Read the answer

The MoMA - Museum of Modern Art, New York City holds 4 of the works on this page, among them Kuća uz željeznicu, New York Movie i untitled (5560).

Edward Hopper: a life in paint

Tišina američke scene

Edward Hopper rođen je u mjestu Upper Nyack, Sjedinjene Američke Države. Njegove su rane godine obilježile promatranje svijeta istaknutim i nepokolebljivim pogledom, navikom koja je započela s dječjim skicama, pedantno datiranima i potpisanima. Dok su mu roditelji sugerirali praktičniji put u komercijalnoj ilustraciji, njegova je pažnja ostala usredotočena na likovnu umjetnost. Studirao je u New York School of Art pod mentorima kao što su William Merritt Chase i Robert Henri. Te su godine naučile tehničkoj vještini potrebnoj za prikazivanje svijeta onakvim kakav jest – neukršenim i iskrenim. Nije tražio prolazne poteze impresionista koje je susretao u Parizu; umjesto toga, razvio je način gledanja koji je favorizirao mir i nepomičnost trenutka nasuprot pokretu gomile.

Njegovo djelo često se vrti oko svakodnevice. Gledao je u kuće, restorane, uredi i hotelske sobe. Skidao je nepotrebne detalje kako bi pronašao dubinsku emocionalnu istinu scene. U djelu House by the Railroad (1925), jednostavna kompozicija otkriva osjećaj misterije i izolacije. Svjetlo i sjenu nije koristio samo da bi opisao prostor, već da bi postavio atmosferu. Precizno prikazivanje sjene na zidu ili način na koji svjetlo pada na prozor postali su njegov način komuniciranja psihološkog stanja njegovih subjekata.

Svjetlo i urbani interijer

Način na koji svjetlo ulazi u prostor predstavlja centralnog lika u njegovim slikama. U djelu Nighthawks (1942), oštro fluorescentno svjetlo restorana kasno u noć prožima tamu napuštene urbane ulice. Figure unutra su fizički blizu, ali djeluju izgubljeno u vlastitim mislima, odvojeno jedna od druge. Taj osjećaj anonimnosti u prepunom gradu postao je ponavljajući motiv. Uhvatio je napetost boravka samog u javnom prostoru, osjećaj koji odzvanja u djelima kao što su Automat i Office in a Small City. Bio je fasciniran načinom na koji umjetno svjetlo komunicira s prirodnom tamom noći.

Njegova supruga, Josephine Nivison Hopper, bila je njegova stalna prisutnost. Bila je jednaka umjetica i često mu služila kao model. Njezin je duh prisutan u karakterizaciji mnogih njegovih ženskih figura. Zajedno su živjeli skromnim životom, često provodeći ljetna razdoblja u New Englandu, što je utjecalo na pejzaže koje je slikao. Njegovi prikazi američkog krajolika, bilo ruralnog ili urbanog, često naglašavaju određenu oštrinu ili prazninu. Bilo da se radi o benzinskoj postaji uz cestu u djelu Gas (1940) ili tihoj sobi u hotelu, tema je uvijek presjek fizičkog mjesta i privatnog, unutarnjeg iskustva.

Naslijeđe promatranja

Hopperov utjecaj proteže se u vizualni jezik filma i književnosti. Njegova sposobnost stvaranja psihološke napetosti kroz kompoziciju primijećena je kod mnogih koji proučavaju način na koji se priče pričaju kroz slike. Njegine slike i dalje se nalaze u vodećim svjetskim muzejima, u kolekcijama kao što su Whitney Museum of American Art i Museum of Fine Arts u Bostonu. Nije ciljao na velike povijesne narative. Svoju je temu pronalazio u tišim kutovima svakodnevnog života, pretvarajući običan prozor ili prolaznog stranca u proučavanje ljudskog stanja. Njegovo djelo ostaje studija tišine koja postoji između ljudi.

Sva 366 djela umjetnika Edward Hopper →

Top 10 Edward Hopper paintings: the canvases everyone knows

More Edward Hopper canvases, 11 to 100

Edward Hopper's canvases, period by period

Early Period

Mature Period

Zrelo razdoblje

Late Period

What Edward Hopper painted most

Solitude 45 djela

Isolation 35 djela

Urban landscape 25 djela

Reflection 13 djela

Where Edward Hopper's canvases hang

Edward Hopper's best-loved canvas of each decade

About Edward Hopper's canvases: your questions answered

Edward Hopper: a life in paint

Tišina američke scene

Svjetlo i urbani interijer

Naslijeđe promatranja