Atelier — Besplatna dostava širom svijeta — Rok isporuke 2–6 tjedana
      Émile Schuffenecker, 1851 – 1934

      Émile Schuffenecker: 26 najpoznatijih slika

      Od svih djela Émile Schuffenecker, Émile Bernard (1889) je najpoznatije; nalazi se u muzeju Muzej fine umjetnosti u Houstonu, Houston. Samo iza njih slijede Le retour des foins (1890) i A View Of The Cliffs Of Etretat. Od 26 djela umjetnika Émile Schuffenecker u našem katalogu, ovih 26 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.

      Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.

      Portret Émile Schuffenecker
      Émile Schuffenecker · 1851 – 1934
      Rođen · umro
      1851 – 1934, Fresne-Saint-Mamès
      Pokret
      Post-impressionism
      Djela u našem katalogu
      26
      Najpoznatije
      Émile Bernard (1889)
      Najviše djela u
      Wallraf-Richartz-Museum

      10 najpoznatijih djela umjetnika Émile Schuffenecker

      Slike umjetnika Émile Schuffenecker rangirane od 11 do 26

      Portrait of Jules Bois (1895) od Émile Schuffenecker
      #13

      Portrait of Jules Bois

      1895 · Musée de Pont-Aven

      Claude Emile Schuffenecker’s “Portrait of Jules Bois,” painted in 1895, is more than just a likeness; it's a meticulously crafted glimpse into the intellectual and spiritual currents swirling…

      Neka je naslika ručno →

      Što je Émile Schuffenecker najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.

      Gdje se nalaze platna umjetnika Émile Schuffenecker

      6 muzeja u kojima se nalazi najviše djela s ove stranice.

      Muzej Grad Djela autora Émile Schuffenecker Slike iz ovog popisa
      Wallraf-Richartz-Museum, KölnWallraf-Richartz-Museum Köln 3 Child Dreaming Before the Sea, at Sunset, Kelp Gatherers, Notre Dame in the Snow
      Musée de Pont-Aven, HastenparckMusée de Pont-Aven Hastenparck 3 Portrait of Jules Bois, Profile study of a young woman, Portrait of Madame Champsaur
      Muzej fine umjetnosti u Houstonu, HoustonMuzej fine umjetnosti u Houstonu Houston 1 Émile Bernard
      Kröller-Müller Museum, OtterloKröller-Müller Museum Otterlo 1 Still Life with Bowl and Fruits
      Musée des Beaux-Arts de Quimper, QuimperMusée des Beaux-Arts de Quimper Quimper 1 Rocky Coast in Brittany
      Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 1 The Road under the Trees

      Godina po godinu: najpoznatija platna umjetnika Émile Schuffenecker

      Kroz 12 godina, od 1884 do 1895, paleta umjetnika Émile Schuffenecker razotkriva se godinu po godinu kroz njegove najpoznatije platna.

      1. 1884
      2. 1884
      3. 1886
      4. 1886
      5. 1888
      6. 1889
        Émile Bernard (1889) od Émile Schuffenecker
        1 od 26

        Émile Bernard

        Godine 38 · Muzej fine umjetnosti u Houstonu
      7. 1889
      8. 1890
      9. 1890
        Portrait of Madame Champsaur (1890) od Émile Schuffenecker
        Platno 26 od 26

        Portrait of Madame Champsaur

        Godine 39 · Musée de Pont-Aven

        The Portrait of Madame Champsaur is an oil on canvas painting from 1890. It depicts a woman with long hair, wearing a necklace, who appears to be sitting…

      10. 1895
        Portrait of Jules Bois (1895) od Émile Schuffenecker
        Platno 13 od 26

        Portrait of Jules Bois

        Godine 44 · Musée de Pont-Aven

        Claude Emile Schuffenecker’s “Portrait of Jules Bois,” painted in 1895, is more than just a likeness; it's a meticulously crafted glimpse into the intellectual and spiritual currents swirling…

      Vaša pitanja o slikama umjetnika Émile Schuffenecker – odgovori

      Koje je najpoznatije djelo umjetnika Émile Schuffenecker?Pročitajte odgovor

      Émile Bernard (1889), Muzej fine umjetnosti u Houstonu, Houston. Prate ih Le retour des foins (1890) i A View Of The Cliffs Of Etretat.

      Koliko je godina Émile Schuffenecker imao/la u vrijeme nastanka djela Émile Bernard?Pročitajte odgovor

      Émile Schuffenecker, rođen/a 1851, imao/la je 38 godina: Émile Bernard datira iz 1889.

      Po kojim deset platnena Émile Schuffenecker je najpoznatiji/a?Pročitajte odgovor

      Émile Bernard, Le retour des foins, A View Of The Cliffs Of Etretat, Evening walk, Child Dreaming Before the Sea, at Sunset, The First Murder (also known as The Death of Abel), Still Life with Bowl and Fruits, Kelp Gatherers, Rocky Coast in Brittany i Notre Dame in the Snow. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznatih slika umjetnika Émile Schuffenecker?Pročitajte odgovor

      U našem katalogu nalazi se 26 djela umjetnika Émile Schuffenecker, datiranih od 1884 do 1895.

      U kojim se muzejima čuvaju najpoznatija platna umjetnika Émile Schuffenecker?Pročitajte odgovor

      Većinom u Wallraf-Richartz-Museum (Köln), Musée de Pont-Aven (Hastenparck) i Muzej fine umjetnosti u Houstonu (Houston); gornji popis navodi svaki muzej i njegova platna.

      U kojim je godinama Émile Schuffenecker naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1884, koji obuhvaća 2 od ukupno 26 djela na ovoj stranici, među njima je i Child Dreaming Before the Sea, at Sunset.

      Koja su prva i posljednja poznata platna umjetnika Émile Schuffenecker?Pročitajte odgovor

      Najstarije platno ovdje je iz Child Dreaming Before the Sea, at Sunset (1884) godine; najnovije je iz Portrait of Jules Bois (1895) godine.

      Koji se motivi najčešće pojavljuju u slikama umjetnika Émile Schuffenecker?Pročitajte odgovor

      French art (3), Beach (3) i Landscape painting (2), kroz svih 26 djela na ovoj stranici.

      Pripada li Émile Schuffenecker kojem umjetničkom pokretu?Pročitajte odgovor

      Post-impressionism i Impressionism, kao što pokazuju platna na ovoj stranici.

      Što mogu vidjeti od djela Émile Schuffenecker u muzeju Wallraf-Richartz-Museum?Pročitajte odgovor

      Muzej Wallraf-Richartz-Museum, Köln posjeduje 3 djela s ove stranice, među kojima su i Child Dreaming Before the Sea, at Sunset, Kelp Gatherers i Notre Dame in the Snow.

      Mogu li naručiti ručno oslikanu kopiju djela umjetnika Émile Schuffenecker?Pročitajte odgovor

      Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.

      Émile Schuffenecker: priča slikara

      The Quiet Pioneer: The Life and Legacy of Claude Émile Schuffenecker

      In the vibrant, often tumultuous tapestry of the late nineteenth-century Parisian art scene, certain names shine with an almost blinding brilliance, while others linger in the soft, atmospheric shadows. Claude Émile Schuffenecker (1851–1934) belongs to that evocative second group—a figure whose brushstrokes helped define the edges of Post-Impressionism even as he remained somewhat obscured by the monumental shadows of his contemporaries. Born in Haute-Saône, France, Schuffenecker’s journey was one of profound resilience and artistic devotion. Following the early loss of his father, a tailor from Alsace, his path was shaped by economic necessity and a disciplined upbringing. Before fully committing to the easel, he worked within the practical world of commerce, assisting in his uncle’s coffee and chocolate roasting business. This grounded, industrious spirit would later manifest in his meticulous approach to color and composition, providing a stable foundation for his experimental explorations in light and form.

      Schuffenecker’s artistic soul was forged in the crucible of Parisian bohemianism, where he found kindred spirits in the likes of Paul Gauguin and Odilon Redon. His education at the Académie Colarossi allowed him to refine his technical prowess, but it was his deep, intellectual connection with Gauguin that truly catalyzed his creative evolution. The two men shared more than just a studio space; they shared a reverence for the Old Masters and a mutual desire to push beyond the fleeting impressions of Monet toward something more structural and symbolic. This period of intense camaraderie saw Schuffenecker participating in pivotal moments of art history, most notably the Volpini Exhibition, an event that served as a crucial platform for the avant-garde. Through these connections, he also became an early supporter of Vincent van Gogh, positioning himself at the very heart of a movement that would forever alter the course of modern art.

      A Vision of Light and Atmosphere

      The work of Schuffenecker is characterized by a delicate balance between the observational accuracy of Impressionism and the emotive, flattened planes of Post-Impressionism. His landscapes often serve as windows into a serene, almost dreamlike reality. In pieces such as In the Woods, one can observe his mastery of pastel and oil to create a sense of depth through soft, rhythmic brushwork. He possessed a unique ability to capture the way light filters through foliage or rests upon the surface of water, as seen in his evocative depictions of the Meudon region. His compositions often invite the viewer into a quiet, contemplative space, where the boundaries between the physical world and psychological mood begin to blur.

      Beyond the landscape, Schuffenecker’s oeuvre includes portraits that delve into the interiority of his subjects, reflecting a profound interest in human emotion. His technique often utilized:

      • Atmospheric Subtlety: A focus on the weight and texture of air and light to create mood.
      • Color Harmony: An intentional use of palette to evoke specific emotional responses, influenced by his studies with Gauguin.
      • Structural Composition: A move away from purely spontaneous strokes toward more deliberate, organized forms that suggest a lasting permanence.

      Historical Significance and the Collector's Eye

      While Schuffenecker may not have achieved the global celebrity of the masters he befriended, his historical significance is multifaceted. He was not merely a painter but an active participant in the ecosystem of art through his roles as an art teacher and a dedicated collector. His eye for talent and his commitment to fostering new movements helped sustain the momentum of the Post-Impressionist era. By documenting and supporting the works of his peers, he contributed to the very fabric of the Parisian avant-garde.

      Today, Schuffenecker’s legacy is being rediscovered by scholars and enthusiasts alike who recognize the quiet strength in his vision. His ability to navigate the transition from the naturalism of the mid-century to the expressive freedom of the new century marks him as a vital link in the chain of modern art history. To study Schuffenecker is to witness the evolution of a movement, seeing through his eyes the shifting light of a world on the brink of profound change.

      Sva 26 djela umjetnika Émile Schuffenecker →