Worship of Venus (1516) je slika po kojoj je Fra Bartolomeo najpoznatiji; nalazi se u muzeju Galleria degli Uffizi, Firenca. Last Judgment (1499) i Noli Me Tangere (1506) upotpunjuju triju najomiljenijih platnena djela. Naš katalog sadrži 51 djela umjetnika Fra Bartolomeo. Evo 51 najpoznatijih, s godinom nastanka, muzejom i pričanjom o svakom platnu.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a classical myth; it's a vibrant snapshot of Renaissance humanism, artistic innovation, and the enduring fascination with beauty. This chalk drawing, rendered with a remarkable sensitivity to light and shadow – a hallmark of Fra Bartolomeo’s style – transports us to a bustling…
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499, is not merely a depiction of an afterlife event; it is a profound theological meditation rendered in breathtaking color and dramatic composition. The scene unfolds with overwhelming energy, centering on the figure of Christ, who presides over the final reckoning. One feels…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene from Holy Scripture – Jesus Christ and Mary Magdalene confronting each other at the tomb after his resurrection – offering viewers an unparalleled glimpse into faith’s transformative power.
Fra Bartolomeo's "The Incarnation with Six Saints," painted in 1515, is more than just a religious depiction; it’s a carefully constructed tableau of faith, hierarchy, and the profound mystery at the heart of Christian belief. Measuring a modest 96 x 76 cm, this painting transcends its size to offer a glimpse into the contemplative atmosphere favored by Florentine artists of the High Renaissance. The scene unfolds within a richly detailed…
Fra Bartolomeo’s “The Adoration of the Christ Child,” completed in 1499, stands as a testament to the artistic fervor of Florence during the High Renaissance. Currently residing within the Galleria Borghese, Rome, this tempera painting on wood transcends mere depiction; it embodies a profound meditation on faith and humility—themes central to humanist thought at the time.
The air feels still around the figures, held in a soft, directional light that spills from the left. A mother and her infant are caught in a private exchange, their faces illuminated against a deep, shadowy background that pulls all attention toward them. The Madonna leans inward, her gaze fixed upon the child with a look of serene contemplation. Her skin possesses a smooth, natural warmth, while the deep reddish-orange…
The composition unfolds within a hazy, atmospheric landscape, rendered in muted earth tones of ochre and sienna. At the center, a female figure draped in loosely gathered cloth holds an infant of considerable age, while a second youthful figure interacts at her feet. To the side, Adam is rendered in profile, his form remaining a drawn element without full tonal variation. This unfinished state reveals the artist's process, showing light…
Step closer and observe the man before us. He sits in a medium close-up, his gaze directed slightly to the right, away from the viewer, as if caught in a moment of private thought. There is a certain dignity in his posture, a stillness that suggests a life of reflection. The composition centers him against a landscape that recedes into the distance through subtle atmospheric perspective. You can see the…
The Madonna and Child emerges from the quietude of the High Renaissance, a period where balance and grace define the visual language. In this work, Fra Bartolomeo captures the Virgin Mary and the infant Jesus in a moment of profound stillness. The painting, dated 1516, belongs to the Italian Renaissance, reflecting the era's pursuit of harmony and idealized form. Every line and contour seems to breathe with a sense of…
The painting titled Holy Family emerged from the workshop of Fra Bartolomeo in 1497. This work captures a quiet moment of domesticity centered on the Holy Family. The figures occupy a space defined by stillness and the weight of their presence. It is a study of sacred kinship rendered during the transition of the Italian Renaissance.
In this Renaissance-style religious painting from 1498, we find Saint Jerome caught in a profound moment of penitence and devotion. The composition is vertically oriented within an arched…
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The delicate, monochromatic preparatory drawing titled Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John…
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The work is titled The Rest on the Flight into Egypt with St. John the Baptist. It was executed by the artist Fra Bartolomeo, also known as Baccio…
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To gaze upon this depiction of the Annunciation is to step directly into the luminous heart of the Italian Renaissance. The scene, rendered with exquisite grace by Fra…
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The work before us is titled Madonna and Child with Saint Anne and the patron saints of Florence. It is a significant example of religious art, rendered in…
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In the heart of the High Renaissance, where the boundaries between the earthly and the divine often blurred through the tip of a brush, Fra Bartolomeo captured a…
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To gaze upon this depiction of The Holy Family with St John the Baptist is to step directly into the luminous heart of Renaissance devotion. Fra Bartolomeo, masterfully…
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In the quiet corridors of the Museo Nazionale di San Marco in Florence, there exists a painting that transcends the mere depiction of a biblical moment to become…
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Fra Bartolomeo’s “Holy Family,” painted around 1490 in the heart of Florence, isn't merely a depiction of Christ, Mary, and Joseph; it’s an invitation to contemplate the quiet…
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This exquisite drawing offers an intimate glimpse into the creative process of one of the High Renaissance masters, Fra Bartolomeo. Depicting a woman kneeling in profound prayer, seen…
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In this oil-on-wood painting from 1516, a group of figures occupies a shallow architectural space. At the center, an elderly man named Simeon, dressed in a bright red…
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Fra Bartolomeo’s “Vision of St Bernard with Sts Benedict and John the Evangelist,” painted in 1504, is a profoundly moving testament to the spiritual fervor and artistic mastery…
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Fra Bartolomeo's "God the Father with Sts Catherine of Siena and Mary Magdalen," painted in 1509, is more than just a religious depiction; it’s a profound meditation on…
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In the heart of the High Renaissance, where the boundaries between the earthly and the divine often blurred through the tip of a brush, Fra Bartolomeo crafted one…
Neka je naslika ručno →
Fra Bartolomeo's "The Adoration of the Christ Child," painted in 1499, is more than just a religious depiction; it’s a profound meditation on faith, humility, and the divine…
Unesite ovu svjetlost u svoj dom →
In this oil painting from 1514, we find ourselves drawn into a quiet, intimate space where the boundaries between the earthly and the divine seem to soften. The…
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The composition centers on three figures arranged in a triangular formation. In the foreground, the Madonna is seated, her body angled toward the right as she cradles the…
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Fra Bartolomeo's "Prophet Job," painted circa 1516, is more than just a depiction of biblical narrative; it’s a profound meditation on suffering, faith, and the enduring power of…
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Fra Bartolomeo’s “The Nativity,” painted around 1507, is more than simply a depiction of the biblical birth of Christ; it's a profound meditation on faith, humility, and the…
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Fra Bartolomeo's “The Annunciation,” a diptych executed around 1500, transcends the boundaries of mere religious depiction; it’s an invitation into a profound dialogue between heaven and earth. This…
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Fra Bartolomeo's “Prophet Isaiah,” painted in 1516, is more than just a portrait; it’s a profound meditation on faith, divine judgment, and the enduring spirit of resistance. Captured…
Unesite ovu svjetlost u svoj dom →Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.
#14 Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)
#15 The Rest on the Flight into Egypt with St. John the Baptist
#43 Madonna and Child with the Young Saint John the Baptist
#6 Madonna and Child
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Fra Bartolomeo | Slike iz ovog popisa |
|---|---|---|---|
 Galleria degli Uffizi |
Firenca | 4 | Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail), Vision of St Bernard with Sts Benedict and John the Evangelist |
 Convent of San Marco |
Firenca | 3 | Last Judgment, Christ Crowned with Thorns, Portrait of Girolamo Savonarola |
 Louvre |
Pariz | 3 | Noli Me Tangere, The Incarnation with Six Saints, The Marriage of St Catherine of Siena |
 Metropolitan Museum of Art |
New York | 3 | Portrait of a Man, Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), Madonna and Child with the Young Saint John the Baptist |
 Gemäldegalerie |
Berlin | 3 | Penitent saint Jerome, Assumption of Mary, Mary with Child |
 Galleria Palatina |
Firenca | 3 | Mystic Marriage of St Catherine, Christ with the Four Evangelists, Lamentation |
 Galleria Borghese |
Rim | 2 | The Adoration of the Christ Child (detail), The Adoration of the Christ Child |
 Kunsthistorisches Museum |
Beč | 2 | Madonna and Child, Presentation of Christ in the Temple |
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499,…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene…
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a…
Worship of Venus (1516), Galleria degli Uffizi, Firenca. Prate ih Last Judgment (1499) i Noli Me Tangere (1506).
Fra Bartolomeo, rođen/a 1472, imao/la je 44 godina: Worship of Venus datira iz 1516.
Worship of Venus, Last Judgment, Noli Me Tangere, The Incarnation with Six Saints, The Adoration of the Christ Child (detail), Madonna and Child, Adam and Eve with Cain and Abel, Portrait of a Man, The Madonna and Child i Holy Family. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu nalazi se 51 djela umjetnika Fra Bartolomeo, datiranih od 1490 do 1516.
Većinom u Galleria degli Uffizi (Firenca), Convent of San Marco (Firenca) i Louvre (Pariz); gornji popis navodi svaki muzej i njegova platna.
U 1510s, koji obuhvaća 18 od ukupno 51 djela na ovoj stranici, među njima je i Worship of Venus.
Najstarije platno ovdje je iz Holy Family (1490) godine; najnovije je iz Worship of Venus (1516) godine.
Child (9), Saints (7) i Woman (7), kroz svih 51 djela na ovoj stranici.
Oil On Panel, korišteno u 11 od 51 djela na ovoj stranici.
High renaissance, kao što pokazuju platna na ovoj stranici.
Muzej Galleria degli Uffizi, Firenca posjeduje 4 djela s ove stranice, među kojima su i Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail) i Vision of St Bernard with Sts Benedict and John the Evangelist.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
