Od svih djela Ivan Kramskoj, Portret žene je najpoznatije; nalazi se u muzeju Tretyakovljeva galerija, Moskva. Samo iza njih slijede Krist u pustinji i Christ in the Wilderness. Od 109 djela umjetnika Ivan Kramskoj u našem katalogu, ovih 100 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
autora Ivana Kramskoja predstavlja tihi, introspektivni susret s mladom ženom. Ovo djelo, datirano oko 1885. godine, bilježi jedinstven trenutak nepomičnosti. Subjekt gleda prema nama s osjećajem unutarnjeg promišljanja, a njezina prisutnost ispunjava prostor teškom, promišljenom energijom. To je studija karaktera i pogleda, u kojoj se čini da unutarnji život pojedinca pritišće samu površinu platna.
Introduction Ivan Nikolaevich Kramskoy was a prominent Russian artist known for his religious paintings. One of his most famous works is 'Christ in the Desert,' which depicts Jesus Christ during His 40-day fast in the wilderness. In this article, we will explore the artist's background, the painting's title, description, and interpretation. Artist: Ivan Nikolaevich Kramskoy Ivan Nikolaevich Kramskoy (1837-1887) was a Russian painter and art critic who played a significant…
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
The air in the room feels heavy, thick with the silent authority of a man who has navigated the complexities of empire. Count Frederick Maurice van Heiden sits…
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The artwork titled Portrait of Nikolai Ivanovich Kramsky was executed by the artist Ivan Kramskoi. This oil on canvas painting depicts Nikolai Ivanovich Kramsky, who was the son…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s 1870 masterpiece, Portrait of Sonya Kramskaya, the Artist's Daughter, we are invited into a moment of profound stillness. This…
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The Portrait of Pavel Tretyakov is a painting by the artist Ivan Kramskoi. Created in 1876, this work captures the likeness of Pavel Mikhailovich Tretyakov. The oil on…
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The portrait presents a young man in a bust-length view, positioned slightly off-center against a dark, indistinct background. The subject faces forward, though his gaze is directed toward…
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In this 1872 oil portrait, we encounter Count Alexei Bobrinskiy not as a mere figure of state, but as a man defined by the gravity of his station.…
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The gaze of Vera Nikolayevna Tretyakova meets us from across the years, held within the frame of the Portrait of Vera Nikolayevna Tretyakova. This work, painted in 1879,…
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The artwork titled Portrait of Sofia Sergeyevna Botkina is a painting by the artist Ivan Kramskoi. This oil on canvas work was executed in 1879. The subject of…
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A somber psychological tension defines this oil on canvas, capturing the grim aftermath of a biblical execution. The composition centers on a seated woman, her gaze cast downward…
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This realistic portrait of Sergey Botkin was painted by Ivan Kramskoi in 1881. It presents the subject in a three-quarter length view, capturing a sense of quiet authority…
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This oil portrait by Ivan Kramskoi depicts the artist Arkhip Kuindzhi. Created in 1872, the work presents a bust-length view of the subject. The composition positions Kuindzhi slightly…
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Sofia Nikolaevna Kramskaya sits upon a stone wall, her attention anchored to the pages of a book. The composition captures a quiet departure from the physical world, focusing…
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The Portrait of Vera Nikolayevna Tretyakova is a significant work by the Russian artist Ivan Kramskoi. Painted in 1876, this oil on canvas captures the sitter, Vera Nikolayevna…
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The "Portrait of Taras Shevchenko" by Ivan Kramskoi brings the presence of a significant figure directly into the viewer's space. Created in 1871, this work captures the likeness…
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In the quiet, profound depths of Ivan Nikolaevich Kramskoy’s Portrait of Doctor Karl Rauchfus, one finds more than a mere likeness; one encounters a psychological landscape. This masterpiece…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s Portrait of Art Critic Pavel Kovalevsky, we encounter more than just a likeness; we meet the very essence of…
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In the quiet, evocative depths of Ivan Nikolaevich Kramskoy’s Portrait of Sophia Kramskaya, the Artist's Daughter, we encounter more than just a family likeness; we enter a profound…
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In the intimate confines of Ivan Nikolaevich Kramskoy’s Portrait of an Old Peasant (study), we are not merely looking at a face, but witnessing the profound weight of…
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In the quiet majesty of Ivan Nikolaevich Kramskoy’s Portrait of the Empress Maria Feodorovna, we encounter more than just a likeness of royalty; we enter a realm of…
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In the quiet, shadowed corridors of nineteenth-century Russian art, few portraits command as much silent authority as Ivan Nikolaevich Kramskoy’s Portrait of the Artist Konstantin Savitsky. This masterpiece…
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In the quiet intersection of nature and intellect, Ivan Nikolaevich Kramskoy’s Poet Apollon Maikov Fishing offers a profound window into the contemplative spirit of the nineteenth century. This…
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In the dimly lit corridors of memory, Ivan Nikolaevich Kramskoy’s "Viewing an Old House" stands as a profound meditation on time and the weight of history. The scene…
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In the quiet, somber depths of Ivan Nikolaevich Kramskoy’s Head of an Old Ukrainian Peasant, one finds more than just a portrait; one encounters a profound testament to…
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In this quiet arrangement, we find Bouquet of Flowers. Phlox, a work created by the Russian artist Ivan Kramskoi. Painted in 1884, the piece offers a moment of…
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In the quiet intensity of Self-Portrait 1, we are not merely looking at a likeness, but peering into the very psyche of Ivan Nikolaevich Kramskoy, one of the…
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In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Admiral Login Loginovich Heyden, one finds more than a mere likeness of a military officer; one encounters…
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The Water Nymphs painting by Ivan Nikolaevich Kramskoy is a captivating piece of art that showcases the artist's skill in capturing the beauty of nature and the human…
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The gaze of the subject meets the viewer through a quiet, heavy stillness in Portrait of a Man. Painted by Ivan Kramskoi, this work captures a man in…
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In the heart of a bustling nineteenth-century concert hall, a single figure emerges from the shadows of the orchestra pit to command the stage. Ivan Nikolaevich Kramskoy, a…
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In the quiet intimacy of Ivan Nikolaevich Kramskoy’s Russian Girl in a Blue Shawl, we encounter more than just a portrait; we meet a moment of profound stillness…
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8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Ivan Kramskoj | Slike iz ovog popisa |
|---|---|---|---|
 Tretyakovljeva galerija |
Moskva | 38 | Portret žene, Krist u pustinji, Portrait of a Woman |
 Ermitaž |
Sankt Peterburg | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Državni ruski muzej |
Sankt Peterburg | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Kiev National Picture Gallery |
Kyiv | 2 | Mina moiseev |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosiia | 1 | Portrait of I.K. Aivazovsky |
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl.…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures…
Portret žene, Tretyakovljeva galerija, Moskva. Prate ih Krist u pustinji i Christ in the Wilderness.
Portret žene, Krist u pustinji, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova i Portrait of the writer Y.F. Samarin. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu nalazi se 109 djela umjetnika Ivan Kramskoj, datiranih od 1866 do 1886.
Većinom u Tretyakovljeva galerija (Moskva), Ermitaž (Sankt Peterburg) i Kramskoy Museum of Fine Arts (Voronezh); gornji popis navodi svaki muzej i njegova platna.
U 1870s, koji obuhvaća 19 od ukupno 100 djela na ovoj stranici, među njima je i Portrait of a Girl.
Najstarije platno ovdje je iz Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866) godine; najnovije je iz Portrait of the Banker Yevgeny Lamansky (1886) godine.
Portrait (30), Russian art (15) i Man (14), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, korišteno u 42 od 100 djela na ovoj stranici.
Realism, kao što pokazuju platna na ovoj stranici.
Muzej Tretyakovljeva galerija, Moskva posjeduje 30 djela s ove stranice, među kojima su i Portret žene, Krist u pustinji i Portrait of a Woman.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Ivan Nikolajevič Kramskoj, rođen 27. svibnja 1837. u mirnom gradu Ostrogožsku, stoji kao monumentalna figura unutar krajolika ruske umjetničke povijesti. Njegov život obilježila je intelektualna strast i nepokolebljiva posvećenost umjetničkim principima utemeljenim u socijalnom realizmu, ostavljajući neizbrisiv trag kako na njegove suvremenike, tako i na buduće generacije. Odrastajući u Voronješkoj oblasti, Kramskojevo rano djetinjstvo oblikovalo je odgoj prožet intelektualnom znatiželjom i dubokim angažmanom prema uzbudljivim idejama ruske revolucionarne demokracije. Pod utjecajem radikalnih mislilaca svog doba, poput Černiševskog i Herzena, prihvatio je uvjertaj da umjetnost posjeduje moralnu obvezu – dužnost istinitog odraza društva i borbe za njegovo poboljšanje.
Ovo duboko ukorijenjeno vjerovanje u transformativnu moć umjetnosti pognalo ga je prema Sankt Peterburškoj akademiji umjetnosti, no upravo se tamo njegov buntovnički duh istinski probudio. Kramskoj je ostao zapamćen kao predvodnik „Pobune četrnaestorice”, povijesnog studentskog ustanka protiv restriktivnih i zastarjelih umjetničkih standarda akademije. Ovaj čin prkosa doveo je do njegovog izbacivanja, ali umjesto da uguši njegov talent, on je učvrstio njegovu posvećenost neovisnom izražavanju. Pod vodstvom mentora poput Mihaila Borisoviča Tulinova, koji je prepoznao njegov rastući genij, Kramskoj je počeo krčiti put koji će ga na kraju učiniti kamenom temeljcu pokreta Peredvizhniki, poznatog i kao pokret Lutalaca.
Formiranje pokreta Peredvizhniki označilo je odlučujuću prekretnicu u Kramskojevom umjetničkom putu. Uz luminare poput Ilje Repina, nastojao je odbaciti službeni patronat i poučavanje Imperijalne akademije u korist demokratskog i društveno svjesnog pristupa slikarstvu. Njegov rad postao je posrednik za društvenu kritiku, bilježeći psihološku dubinu ruskog naroda i surove stvarnosti njihovog postojanja. Kramskoj nije bio samo slikar, već i duboki umjetnički kritičar i vođa, oblikujući estetski diskurs svog vremena kroz sposobnost spajanja tehničke majstorstva s intenzivnim emocionalnim odjekom.
Njegov repertoar karakterizira iznimna svestranost koja se kreće od duboko introspektivnih do simbolički veličanstvenih motiva:
Kramskojev doprinos umjetnosti proteže se daleko izvan platna. Kao organizator i kritičar, pružio je intelektualnu strukturu na kojoj je izgrađen ruski realizam. Vjerovao je da umjetnik mora biti svjedok svog vremena, ulogu koju je ispunjavao s neusporedivim integritetom. Njegova sposobnost navigiranja kroz složenosti političkih previranja, uz zadržavanje fokusa na ljudskom stanju, omogućila je njegovom radu da nadilazi trenutnu politiku 19. stoljeća.
Naslijeđe Ivana Nikolajeviča Kramskoja nalazi se u samoj srži ruskog identiteta. Borbom za istinu o zajedničkom iskustvu i izazivanjem elitizma akademskih institucija, pomogao je demokratizaciji umjetnosti, pretvarajući je u alat za nacionalnu refleksiju. Danas njegova djela i dalje očaravaju publiku širom svijeta, nudeći prozor u razdoblje intenzivnog duhovnog i društvenog transformacije. Njegov život ostaje svjedočanstvo ideje da umjetnost, kada se koristi s hrabrošću i istinom, može poslužiti kao moćan katalizator promjena.
