Od svih djela John Martin, The Great Day of His Wrath (1851) je najpoznatije; nalazi se u muzeju Tate Britain, London. Samo iza njih slijede The Destruction of Sodom And Gomorrah (1852) i The Evening of the Deluge (1828). Od 88 djela umjetnika John Martin u našem katalogu, ovih 88 najpoznatijih je, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His Wrath. This monumental oil on canvas is not merely a painting; it is a visceral experience of the sublime. As the eye wanders across the vast, turbulent landscape, one is immediately struck by the sheer scale of destruction. The scene captures the…
The heavens do not merely darken; they fracture. A massive, swirling vortex of fiery clouds dominates the upper reaches of the canvas, a celestial furnace that seems to swallow the very air. Light does not fall from above in a gentle glow but erupts from the center of a cosmic explosion. It is a violent, directional radiance that carves the landscape into jagged silhouettes of deep black and shadowy blue.…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
John Martin (1789-1854) stands as a titan of Romantic painting, an artist who wrestled with the sublime and channeled its anxieties onto canvas in ways that continue to captivate audiences today. His monumental print, ‘Eve,’ exemplifies this preoccupation—a chilling depiction of temptation and divine retribution rendered with meticulous detail and imbued with palpable emotion.
The canvas bears the title Great Day of His Wrath. It is a work by the English romantic painter John Martin. Created in 1851, the painting captures a moment of profound upheaval. It exists as a single movement within a larger triptych of judgement pictures. This series draws its heavy inspiration from the Book of Revelation.
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
The scene unfolds through the vision of Satan in Council, a dramatic work by the English romantic painter John Martin. This composition captures a moment of intense celestial and infernal tension, pulling the viewer into a realm of shadow and light. The work is also recognized by the title Satan presiding at the Infernal Council, a name that speaks to the heavy authority commanding the assembly. It exists as a…
The Sublime Terror of the Infernal Capital In the annals of Romanticism, few images command the eye with such overwhelming dread and grandeur as John Martin’s Pandemonium. Painted in 1841, this oil on canvas is not merely a depiction of a scene; it is an immersive descent into the heart of cosmic chaos. The viewer is immediately confronted by the sheer, terrifying scale of Hell’s capital, where the architecture of…
The heavens fracture as the destruction of Babylon unfolds in this dramatic vision by John Martin. The scene captures a terrifying Old Testament biblical narrative, where the once-mighty city faces its ultimate end. Chaos reigns as the landscape is swallowed by upheaval, reflecting a moment of divine judgment that feels immediate and overwhelming. The scale of the catastrophe looms large, turning the sprawling cityscape into a site of profound human…
The scene unfolds within a vast, architectural interior where a long dining table occupies the central space. Around this table, fourteen figures are positioned in various states of repose and movement. Some individuals sit in chairs, while others kneel or stand near the edges of the gathering. The table is laden with food and drink, set against a backdrop of grand, structural elements. Above the assembly, a clock hangs upon…
The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this religious work occupies a specific place within the…
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A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
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Plate from by John Martin is a work by the English Romantic painter, engraver, and illustrator John Martin. Born in Haydon Bridge, United Kingdom, on July 19, 1789,…
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In his 1815 painting, Moonlight - Chepstow Castle, John Martin presents a scene of profound serenity and soft illumination. The composition centers on a castle characterized by its…
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John Martin i Zvijezda Romantične Pokreta: „Država Iguanodona“ John Martin (1789.-1854.) bio je slavni engleski romantičar, grafičar i ilustrator čije dramatične kompozicije očarale su viktorijansku javnost. Rođen je…
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The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this work occupies a specific place within the artist's…
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In this oil on canvas, titled Repentance of Nineveh, the English Romantic Painter John Martin explores a moment of profound spiritual crisis. The work, measuring 35.6 x 41.6…
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## A Symphony of Terror: Exploring Romanticism’s Legacy in Pandemonium John Martin's "Landscape with a Ruined Castle," painted in 1841, stands as an undeniable emblem of Romantic art—a…
John Martin: A Master of Melodramatic Romanticism John Martin (1789-1854) stands as one of the towering figures of English Romantic painting, an artist whose dramatic compositions captivated Victorian…
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Plate from is an artwork by John Martin. The piece is held at Tate Britain, London. It is categorized within the Romanticism movement.
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This work, titled Plate from , is an artwork by the English artist John Martin. It is currently held within the collection at Tate Britain, London. The piece…
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The scene unfolds within the grand, chaotic atmosphere of a banquet hall in 1820. In this work, titled Belshazzar, the artist John Martin captures a pivotal moment of…
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The painting "Manfred and the Alpine Witch" by John Martin is a masterpiece of the Romantic era, created in 1837 using watercolor media. It is housed at the…
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Sadak in Search of the Waters of Oblivion is an 1812 oil painting by John Martin. The work is based on a narrative from Tales of the Genii…
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The air thickens with the scent of ozone and impending ruin as a violent storm descends upon the ancient landscape of Egypt. High above the architectural silhouettes of…
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Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The…
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To stand before John Martin’s monumental canvas, "The Eve of the Deluge," is not merely to observe a painting; it is to be swept into a profound moment…
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In the annals of Romanticism, few canvases command the eye with such visceral intensity as John Martin’s “The Bard.” Completed around 1817, this masterpiece serves as a profound…
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A chaotic surge of water dominates the canvas, capturing the moment of cataclysmic destruction described in the Book of Genesis. The composition is defined by a violent, dynamic…
Neka je naslika ručno →Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka uz svoj najomiljeniji primjer.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora John Martin | Slike iz ovog popisa |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 11 | Landscape with a Castle, Kensington Garden, Kensington Garden |
 Tate Britain |
London | 8 | The Great Day of His Wrath, Plate from, The Last Judgement |
 Te Papa |
Wellington | 3 | Eve, Država Iguanodona, Država Iguandona |
 Nacionalna galerija Kanade |
Ottawa | 2 | Ancestor Worship, The Court of God: Paradise Lost (Book 3, Line 365) |
 Muzej likovnih umjetnosti |
Boston | 2 | Sadak in Search of the Waters of Oblivion, Seventh Plague of Egypt |
 Fitzwilliam Museum |
2 | Twilight in the woodlands, Landscape: View in Richmond Park | |
 Laing Art Gallery |
Newcastle upon Tyne | 1 | The Destruction of Sodom And Gomorrah |
 Victoria and Albert Museum |
London | 1 | The Evening of the Deluge |
A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment…
John Martin i Zvijezda Romantične Pokreta: „Država Iguanodona“ John Martin (1789.-1854.) bio je slavni engleski romantičar, grafičar i ilustrator čije dramatične kompozicije očarale su viktorijansku javnost. Rođen je…
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime…
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His…
The Great Day of His Wrath (1851), Tate Britain, London. Prate ih The Destruction of Sodom And Gomorrah (1852) i The Evening of the Deluge (1828).
John Martin, rođen/a 1789, imao/la je 62 godina: The Great Day of His Wrath datira iz 1851.
The Great Day of His Wrath, The Destruction of Sodom And Gomorrah, The Evening of the Deluge, Eve, Great Day of His Wrath, Destruction of Tyre, Satan in Council, Pandemonium, Fall of Babylon i Belshazzar's Feast. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu nalazi se 88 djela umjetnika John Martin, datiranih od 1812 do 1852.
Većinom u Yale Center for British Art (New Haven), Tate Britain (London) i Te Papa (Wellington); gornji popis navodi svaki muzej i njegova platna.
U 1810s, koji obuhvaća 10 od ukupno 88 djela na ovoj stranici, među njima je i Landscape with a Castle.
Najstarije platno ovdje je iz Sadak in Search of the Waters of Oblivion (1812) godine; najnovije je iz The Destruction of Sodom And Gomorrah (1852) godine.
People (12), Landscape (12) i Mountains (7), kroz svih 88 djela na ovoj stranici.
Oil On Canvas, korišteno u 15 od 88 djela na ovoj stranici.
Romanticism, kao što pokazuju platna na ovoj stranici.
Muzej Yale Center for British Art, New Haven posjeduje 11 djela s ove stranice, među kojima su i Landscape with a Castle, Kensington Garden i Kensington Garden.
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
John Martin (1789-1854) bio je slavljeni engleski romantični slikar, graver i ilustrator čije dramatične kompozicije očaravale su viktorijansku javnost. Rođen u Haydon Bridgeu, Northumberland, 19. srpnja 1789., izumirio je od skromnih početaka postajući jedan od najpopularnijih umjetnika svog doba, poznat po svojim ogromnim pejzažima ispunjenim manjim figurama i prikazivanju biblijskih scena te fantastičnih narativa s moćnim osjećajem razmjera i emocija.
Martinov rani život obilježio ga je praktične aktivnosti. Naučio je zanatstvo kod izvođača karoserije u Newcastle upon Tyneu, gdje je savladao heraldičko slikarstvo – vještinu koja će kasnije utjecati na njegov pedantni osvrt na detalj. Godine 1806., preselio se u London, oženio se s devedeset godina i sam se izdržavao kroz lekcije crteža te narudžbe za akvarele i dekorativne radove na porcelanu i staklu. Ovaj period usavršio je njegove tehničke vještine, omogućujući mu istovremeno istraživanje različitih umjetničkih medija. Njegova rana djela pokazuju razvijajući interes za dramatično osvjetljenje i kompoziciju, predznake njegovog kasnijeg potpisnog stila.
Martinov prepoznatljiv stil karakterizira ga je veličanstvena skala, melodramatska intenzitet i pedantni detalj. Često je prikazivao biblijske teme, poput Uništenja Sodoma i Gomorehe i Svečine Belšazara, s teatralnim šarmom koji je duboko odjekivao kod publike. Njegovi pejzaži, kao što je Crkva u Harnhamu, blizu Salisburyja, demonstrirali su njegovu sposobnost hvatanja mirnih ruralnih scena uz zadržavanje osjećaja veličanstvenosti. Ključna djela koja prikazuju njegov umjetnički majstorstvo uključuju:
John Martin ostvario je značajno prepoznavanje tijekom svog života. Walter Sickert ga je 1821. nazvao "najpopularnijim slikarom svog doba" te primio zlatnu medalju od ruskog cara Nikolaja I. Dodijeljen mu je Red Leopolda od princa Leopolda saakse-Coburga i Gotha, čime je postao službeni povijesni slikar za princa Leopolda. Njegova djela su izlagana kako u Nacionalnoj galeriji tako i u Tate Galeriji, čvrsto ukokovarujući njegovo mjesto unutar britanskog umjetničkog establishmenta.
Unatoč periodu relativne neprimjetnosti nakon njegove smrti 17. veljače 1854., Martinova djela doživjela su ponovno oživljavanje u cijenjenju. Danas se njegovi portreti prepoznaju po jedinstvenoj mješavini romantičnog dramatičnog izraza, pedantnog detalja i maštovitog raspona. Njegov utjecaj može se vidjeti u djelima kasnijih umjetnika, uključujući Jamesa Francis Danbyja, koji je bio inspiriran Martinovim dramatičnim pejzažima. John Martin ostaje važna figura u britanskoj umjetničkoj povijesti, slavljen po svojoj sposobnosti prenošenja gledatelje u epska svjetova ispunjena i veličanstvenom ljepotom i užasnom moći.
