Najomiljenije djelo umjetnika Pierre Roy je Composition with Weights and Measures (1932), koje se nalazi u muzeju Izraelski muzej, Jeruzalem. Still Life (1938) i Invitation to the Voyage (Invitation au voyage) (1929) slijede kao sljedeća među platnima koja su čitatelji najbolje upoznali. Naš katalog sadrži 3 djela umjetnika Pierre Roy: evo 3 najpoznatijih, od kojih svako sadrži godinu nastanka, muzej i opis onoga što ga čini nezaborotljivim.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svaku sliku s ove stranice možete naručiti kao ručno oslikano ulje na lanenom platnu ili kao umjetničku štampu, izrađenu prema odabranoj veličini.
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Pierre Roy | Slike iz ovog popisa |
|---|---|---|---|
| Jeruzalem | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) | |
| Chicago | 1 | Still Life |
Deset godina slikarstva, od 1929 do 1938, čuvaju datirana platna umjetnika Pierre Roy na ovoj stranici: prošetajte kroz njih godinu po godinu.
Composition with Weights and Measures (1932), Izraelski muzej, Jeruzalem. Prate ih Still Life (1938) i Invitation to the Voyage (Invitation au voyage) (1929).
Pierre Roy, rođen/a 1880, imao/la je 52 godina: Composition with Weights and Measures datira iz 1932.
U našem katalogu nalazi se 3 djela umjetnika Pierre Roy, datiranih od 1929 do 1938.
Većinom u Izraelski muzej (Jeruzalem) i Art Institute of Chicago (Chicago); gornji popis navodi svaki muzej i njegova platna.
Najstarije platno ovdje je iz Invitation to the Voyage (Invitation au voyage) (1929) godine; najnovije je iz Still Life (1938) godine.
Surrealism, kao što pokazuju platna na ovoj stranici.
Muzej Izraelski muzej, Jeruzalem posjeduje 2 djela s ove stranice, među kojima su i Composition with Weights and Measures i Invitation to the Voyage (Invitation au voyage).
Da. Svaku sliku s ove stranice možete naručiti sa njezine vlastite stranice kao ručno oslikano ulje na platnu ili kao umjetničku štampu, u veličini koju odaberete.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.